Showing posts with label red wrecker. Show all posts
Showing posts with label red wrecker. Show all posts

Monday, October 10, 2016

Apotheoclypse Now: 10/3/16 - 10/9/16

"We See the Future through the Binoculars of the People"

(The Owl)

(Art by the Lemonade Project)


* * *
3
* * *

"Excuse me. I got something to say, here. 

"Ya'll don't know me too well, or at least you don't really. You think, oh, she's the girl from Freedom Force. She's Red Wrecker.

"She's the one had her picture all over the internet when those scumbags in Detroit had me in lockdown. She's the one who's been your chocolate jerkoff fantasy since-

"Hey! I am saying this! I've been quiet long enough.

"Let me tell you something, folks. My name is Florence Foster Jenkins, and I'm a Black woman who's got powers. 

"I didn't ask for these powers. I didn't realize I had them until an accident, one day.  And since that day, my life hasn't really belonged to me.

"I was trained in secret for the Reclamation War, like a lot of other people just like me. We all fought in it, and not all of us made it out. 

"In fact, most of us died, that day, because we were young and stupid and essentially cannon fodder. And those of us who survived? We became weapons.

"That's who I am, folks. A weapon on legs. A gun with a damn mouth.

"Some days I don't mind so much. Some days I'm happy to serve, and happy to help. 

"Days like today, for example. Days when we can stop a fight with our heads and our hearts instead of just our fists.

"But then I look at the papers, and watch the news, and I see that people who are Black like me get the same treatment, but not in a good way.

"People who are Black, like me, get treated like weapons. We're feared because we're Black. We're locked down because we're Black. We're legislated against because we're Black.

"And we're put down like dogs, too. All because we're Black.

"And people who are supposed to be protecting us and serving us? They're the ones who are doing the fearing, the locking down, and the putting down.

"And the people who could be standing up and saying hey, this is wrong. Stop that. Fix this?

"!@#$, man. They're cheering it on. They're laughing about it. They're saying oh, he was no angel. Why didn't he just cooperate? 

"Why did he have to be so goddamned angry?

"This is why we have to be so angry, folks. We didn't ask to be born Black any more than I asked to get superpowers. But we're here, like this, and we gotta deal.

"And we're gonna deal by keeping it real.

"We ain't gonna pretend to be !@#$ing White to make you feel better. We ain't gonna speak proper English and dress like honkeys to fit in. We ain't gonna lose our culture and our history to ass-humiliate ourselves.

"And we sure as hell ain't gonna dial it down, tone it down, or walk it back to make you feel better about standing by while this !@#$ed up, racist society treats us like trash with your support.

"My name is Florence Foster Jenkins. I am a Black woman. I am a superhero.

"And as of right now, you're done calling me Red Wrecker. It's Black Freedom from now on.

"And that is what I'm gonna be fighting for, too."

*mike drop*

Monday: 10/3/16

"Okay," SPYGOD says, holding his face where the very angry woman he came in to speak to slapped him: "I probably !@#$ing deserved that."

"What. Is happening. To my. Son?" Martha Clutch demands, pointing a finger at the superspy -- trailing a whole bunch of leads and wires from her hospital bed as she does, and every monitor screaming in complaint.

"I was going to ask you that-"

"No!" she shouts, getting right in his face: "No more lies, (REDACTED)! No more half truths! No more games! None!"

"Martha, look-"

She slaps him again. This time he actually feels a tooth loosen.

"Martha, getting out of bed isn't a damn good idea," he tries to say, and he's right. The bandage across her chest is bleeding again, and she's clearly unnerved by the pain. 

"Neither is coming in here and lying to me, right now," she hisses, but accepts his aid getting back into bed. 

"No," he says, nodding to the two AGENTS that came in here with him: "It really isn't."

They go outside, very quickly. He reaches into his coat and pulls out a small device, which he activates and puts on a nearby table -- blanketing the room with white sound waves.

And then, after closing the blinds so no one can see into the Heptagon hospital room, he sits down on a chair, makes sure his tooth isn't about to drop out of his damn jaw, and tells her what he's been avoiding telling her for several weeks now. 

* * *

"First time I've ever been fucked up by a ghost," the SPYGOD of Alter Earth says, looking at the unlovely ruin at the end of his right wrist: "Who was that bastard?"

"Never mind about him," his master insists, feverishly checking the security of the small, black hole he's cast them both into: "The others who were with him are far more dangerous."

"I should say so," the counterworld man says, noticing how haggard Loki looks now -- his host body's hair turned white from shock.

"What do you mean by that?" the Aesir asks, his eyes going from frenzied worry to barely-subdued anger in a flash. 

"I mean that if they were bad enough to threaten your plan, they must be rather powerful indeed," (DETCADER) says, doing his best to look fearful and humbled by the fury of his master.

"Yes, very," Loki shudders, his hands shaking uncontrollably: "But they can only threaten. Not end. Not now that I am so close."

He grins, then, looking at the weird, high-tech container by their feet. The one he braved the void of Restriit to acquire.

The one that's constantly cycling through thousands of different locks and combinations per second...

* * *

SPYGOD looks at Martha, who looks at him. 

It takes her a while, but she slowly nods, looking down at her hands, and then back up again at him.

"I understand," she says: "I don't like this, but I understand."

"I'm sorry," he says: "I am so !@#$ing sorry. I wanted to tell you, but..."

"But you have to keep your damned secrets-"

"Martha, listen to me," the superspy begs: "If you believe anything about me. If you ever !@#$ing trusted me. If you believe that I loved your father and I love you and every damn member of your family, including your son? Believe that I did not want to keep this !@#$ a secret."

"So why now?" she asks: "Because I slapped you? Because I cursed you? Because I almost died in there?"

"Because I know you don't die," he says: "Not in there, anyway."

"Well, that's great-"

"And because you've seen enough," he says: "More than enough. And it's time I brought someone else in on this. 

"Especially for when the !@#$ gets really crazy..."

* * *

"So what do we do?" the Candidate's VP choice asks over the phone: "I mean, this is pretty darn bad."

"It is, yes," the Candidate says, rolling his Scotch around in his tumbler. It's $1000 a bottle, and supposed to be saved for special occasions. He's downed three tumblers in the last hour and plans to have at least three more. 

(Who cares, right?)

"Well, we can still win this," the Governor says: "Who needs the party at this point? It's not like they were really supporting us in all the states."

"Right. And it's not like we had our people in all the states, either."

"Exactly. I mean, California. We know which way that's going."

"Totally. Totally."

"Right," his VP says: "So, if we just hammer the heck out of them on social media? Keep up the pressure? We'll pull through. We have to."

"I'm glad you feel that way," the Candidate says: "So you hammer the weirdos on Tuesday night, and I'll hammer them all two more times."

"And we'll win," the man says, his enthusiasm infectious.

"You got it," the big, beefy man says, going to get himself another drink: "I'll deal with my end, you deal with yours."

"And come election night, we'll stand on that stage, arm in arm, and remake America!"

"Yeah," the Candidate says: "Maybe not arm in arm, though. That looks a little faggy."

"Oh," the VP pick says: "Right. No homo."

"Right," the man says: "Night, Mike."

Then he hangs up, breathes a sigh of relief, and wonders what next damn fool question the media will be after him about -- other than his Campaign Manager being found dead in his hotel room.

(Thankfully, his few remaining people made it look like an accidental thing rather than suicide.)

Drink filled, he slumps into his easy chair and sighs. He thinks of the road ahead, and how he's going to win it.

All he needs is a good issue. Something bigger than his problems, his performance, or anything that's going wrong with him right now. Something to set him apart from all the other clowns he's running against.

And as he ponders who to call about getting a replacement campaign manager, he flips on the television, and gets his question answered by way of FOX News' latest outrage... 


Tuesday: 10/4/16

"Well, that was a !@#$ing PR shambles," Josie grumbles, looking at the tape of Red Wrecker -- Black Freedom, now -- addressing the media after the incident in Chinatown, on Sunday. 

"So tell me she's wrong," Gold Standard says, shrugging her shoulders: "Tell me we're not living in a country where being Black is suddenly a death sentence."

"That's not the point!" the burly, pink-haired clone shouts, almost putting her large fists through the holo-table in the Freedom Force's conference room, aboard the Flier: "We're not here to make speeches and take stands! We're not here to push hot button issues! We're here to save this country's ass and keep things from getting worse!"

"Bit late for that, boss," the leader of the new team says: "We just barely held it together in Chinatown, and only because it turns out the new kid's got some pull with the Jade Court."

"Who knew being part Chinese would be so useful," Josie mutters.

"Yeah, well, that's kind of the point," Antonia Crisp says, sitting down in a chair -- her legs still somewhat unsteady out of her signature armor: "The team that defends America should look like America. And we do, especially since we don't have nearly as many White people."

"This is starting to sound like the kind of joke that gets people fired from their positions."

"Yeah," Antonia snorts: "We got two white women, a black girl, a part Chinese guy, a gay Native American, a Toon, and an android."

"Two androids when Hanami comes back," Josie corrects, holding up the correct number of fingers.

"If she comes back," Antonia says, raising an eyebrow: "Way I hear it, what she found in Japan is enough to make her reconsider everything."

"Is she planning on sharing with the rest of us?"

"I don't know..." Gold Standard says, smiling: "You'll have to ask her when she gets back."

Josie shakes her head: "I don't like being out of the damned loop on this."

"Neither do I," Antonia says: "But if you want answers, you know whose door to bang on. Provided you want to interrupt the grieving process."

And one look at the expression that crosses Josie's face is enough to make clear her feelings on that subject.

* * *

"You really have to talk to me, sir," the shotgun-toting Grief Counselor informs SPYGOD as she stomps after him down the long, central hallway of the Flier.

"No I do !@#$ing not," the Director of the COMPANY insists, tossing her a long, ugly bird over his shoulder with his free hand as he reads what's in the other.

"Your rules, sir," the woman insists, shooting the gun into the ceiling -- causing a whole lot of AGENTS to duck, jump aside, or draw their own steel.

"I make the rules, I get to !@#$ing break them!" the superspy shouts back without breaking stride, seemingly unfazed by the blast.

"Not this one!" she yells, chasing to catch up to him as he enters his dark, cavernous office: "You are a damned liability, right now! You aren't thinking straight, feeling straight-"

"I'm gay you dumb !@#$. Of course I'm not straight."

"That's not the damn point," she shouts back as she slams the doors to that office shut behind her.

The guards outside the closed door wonder if they should go in and get Head Counselor Bishop out of there, or just wait until they're told to. After a while they decide that the lack of blood coming out from under the soundproofed door is a good thing, and just focus on external threats. 

She's new, after all. She'll learn how this works, soon, or she'll be transferred out on a man-missile. 

Wednesday: 10/5/16

"Hey hon," Martha says, reaching down to hug Kaitlyn as the Talon bounds from the door to her bed to give her a very long -- if gentle -- hug.

"Oh I was so worried so worried..." the girl cries, doing her best to not break down: "I heard what happened... some of it... I didn't know what to think..."

"Thanks for bringing her, Mark," she says to her husband, who smiles and leans over to give her a reassuring peck on the forehead, and then lets her hold their baby.

"No problem," he says: "John sends his love. He wanted to come but they're getting ready to mobilize against the Hurricane."

"Another one," Martha sighs, gently hugging her sleepy kiddo: "It seems to be common thing, these days."

"Hopefully no gods will ride in with it, this time," the Talon says, sitting down in a chair nearby: "This is getting really freaky, Aunt Martha."

"I agree," the Owl says, leaning back into her bed: "The ones we have are trouble enough."

"Eh, they're not all bad," Mark shrugs: "Like people, I guess. Some good, some bad."

"You're right," Martha nods, rocking their child gently to keep the babe asleep: "I'm just having a hard time with what I saw, the other day."

"Which I hear we're not supposed to ask about," Kaitlyn says, crossing her arms.

"SPYGOD told you, huh?" Martha asks, shaking her head in a mixture of disgust and annoyance: "I swear, sometimes..."

"Well, look, hon," Mark says, crossing his arms as well: "We're sworn to secrecy, anyway. And this is about Thomas. So don't we kind of have a right to know?"

She looks at the both of them, and then indicates that the Talon should close the door -- which she does, very quickly.

And then she begins to tell them what went down...

* * *

... to the ground, right beside her. It was as if the AGENT's strings had been cut, leaving him to drop straight down to his wildly-flailing knees, and then face-down.

Except that he didn't have a face, nor much of a head.

The report from the gun echoed towards them a second later. Martha had enough time to say the obvious -- "Sniper!" -- and then seek cover, just before it became very damn clear there was none to be had.

There were several AGENTS around her, a second before. In the time it took for her to think to look up to see where the shots were coming from they were all either dead or dying -- each taken out by a single, precise shot to the head.

She dove for cover as best as she could, using their falling forms to shield her from the assassin. As she did, she saw who it was -- all the way up on another, higher walkway, overlooking theirs. 

"SPYGOD...?" she asked, confused.

And then she saw the look that crossed the man's face when he realized what she'd said. Am expression of pure, malevolent hate that she'd only ever seen a few times in her life, and always when dealing with her worst, most insane enemies. 

Not SPYGOD, no. His twisted reflection. The otherworldly counterpart she'd heard so much about, and yet never had the displeasure of meeting -- yet. 

And he was aiming that weird, otherworldly sniper rifle that Dragonfly used to cart around right at her...

* * *

"Oh, that's right," Mark says, shuddering: "I'd heard he had that weapon, now. Hofud... however you say it."

"What is it?" Kaitlyn asks, not having heard of that gun before.

"It's a weapon from another planet, hon," Martha explains: "The Nazis had it during World War II. I guess they dug it up somewhere in South America before the war. They had some guy who was using it, and then the Soviets got it after the war and they used it. And at some point SPYGOD got his hands on it and hid it away."

"Only he brought it back out again, back when we were all running around getting him out of house arrest and taking down the Terre Unifee," Mark adds. 

"Yeah," Martha chuckles: "And then after that, well, I guess it's just gone all over the place."

"So it's a gun?" the Talon asks: "What's so special about it?"

"Well, it's intelligent, it can find any target anywhere in the world, it can grow whatever ammunition you need to kill that target, and change into anything from a palm-sized pop gun to the sort of thing that'll fire bullets the size of your arm up to half the planet away," Mark rattles off, looking to Martha to see if he left anything out.

Kaitlyn blinks a few times, looking from her father to her aunt/Step-mother a few times.

"How did you survive...?" she asks, and Martha takes a deep breath before launching into an explanation -- one she hardly believes herself...

* * *

... fumbled through her utility belt in search of something useful. Smoke grenades. Owl bombs. Sonic screechers. Anything.

She came up blank, though, and fully expected the next thing to go through her mind to be a bullet. That a lot of regrets and last hopes, and maybe a prayer or two if she had just enough time.

Except that something happened, up there, just before the madman with the gun could bring it to bear on her. Some kind of struggle between him and another figure that she couldn't quite see. 

In that struggle, the gun was taken from him with lightning speed. He was also knocked clear off the platform, and a voice she didn't quite recognize -- and somehow did -- told him to go and deal with her. 

He fell at least thirty feet down to their platform. He landed perfectly and rolled before springing up, and pulling out a very long, serrated knife that was matted with gore and filth.

"Well, so much for shooting your fucking kneecaps off," he muttered -- his voice a nearly perfect replica of (REDACTED), only without the Brooklyn accent: "I guess I'll have to cut you, fuck you, and then kill you."

"You just come here and try, buster," Martha growled, putting her hands up and preparing to defend herself from the wild-eyed man rushing towards her: "You wouldn't be the first. You probably won't be the last."

"You're wrong," the SPYGOD of Alter-Earth said, nearly decapitating her with his first, expert slice: "I will."

* * *

 "It was... intense," Martha says, putting her hand to her badly-slashed chest, and the long dressing running across it: "We've fought some dangerous people before. The King of Swords. Gary Ginsu. Steel Panther...."

"The weirdo in the black leather," Kaitlyn intones, knowing she isn't allowed to say his preferred name without permission.

"Yeah," Mark says, very glad that weirdo is now somewhere where he can't take his perverse fantasies out on people any longer.

"Well, this man was... worse," The Owl admits: "It was like fighting a human hurricane. Every time I was trying to get out of his way? Trying to feint or dodge? He was right there, waiting for me, with that awful leer on his face."

"Well, you beat him back, hon," Mark says: "Right...?"

"Honestly?" she says, after a long moment's silence: "I think the only reason I'm alive is because he was toying with me. He could have killed me several times, and each time all he did was take away an advantage. My utility belt, my wrist guards, my Owl Goggles..."

"Or he couldn't move in fast enough and all he could do was try and slow you down," Kaitlyn says, hoping that's the truth.

"No hon," Martha sighs, reaching out to take her hand: "I think he wanted me to think I had a chance. Otherwise he'd have just come at me sideways and stabbed me right through the head or the heart with that awful knife of his..."

* * *

"Just so you fucking know?" the counterworld man said, slashing her along the left wrist this time -- cutting right through the weak spot in her wrist gauntlet: "This knife? I fuck people to death with it, right up the ass."

Martha didn't know how to reply to that, but the mental image was enough to sicken her. Especially when she caught sight of its serrated edge -- just like a handsaw -- and realized what she thought was rust was actually dried, caked blood and !@#$.

And in that instant of fighting off nausea, he had her.

She didn't even see the cut. All she knew was that one moment, she thought she was dodging, and the next her chest had a long, deep red line going through it. 

She screamed and backed up, holding her seeping chest with her off arm while looking for an exit strategy. And not finding any.

(Get past him to get to the dead AGENTs' guns? Impossible. Run away? He'd catch her.)

No, wait. There was one. 

Her utility belt was below them, on a walkway maybe fifty feet down. It would be hell to get down there with badly-slashed glide wings, but he probably couldn't follow. 

But gliding required two arms. And one of them was keeping her from bleeding out...

"I really wanted to take my fucking time with you, bitch," her assailant hisses, clearly displeased with all this: "The pleasure of slicing you up and open, my knife strapped to my cock, all in front of him. Oh, that would have been so worth all of this shit..."

"Big man with a big knife," she said, trying to look brave as he stalked towards her -- clearly ready to kill: "You think I'm scared of you? I'll be in Paradise tonight, and you'll never hurt me again.

"And when my friends find you, you'll pay for what you've done..."

"Oh, give me a fucking break..." he groans, raising the knife: "I'll show you paradise-"

And then his knife hand exploded, right below the wrist...

* * *

"What?" Mark asks, clearly mystified. 

"The weird thing was, he didn't cry out in pain or shock," Martha goes on. He just stopped advancing, blinked, and then looked at it. It was like it was an annoyance instead of missing a hand."

"What happened?" the Talon asks, clearly impressed: "Did one of the AGENTs survive?"

"No..." the Owl says, and looks to both of them: "And this is where things get really disturbing..."

* * *

The Owl didn't bother to look the gift sniper in the mouth. 

She leaped up into the air and kicked her would-be killer's face -- once, twice, three times -- driving him back and then onto the ground. 

Then she followed up the attack with more fancy footwork, doing her best to bring her heavy boots down on pressure points that would normally maim or cripple a prone opponent. 

(What her Grandfather would have called "the bad spots," and scolded her for doing unless absolutely necessary. But were he here, right now, she figured he'd have cheered her on.)

The monster just laughed, though. Was it shock or something else, she had no idea. 

All she knew was that after a good thirty seconds of dealing out damage that should have killed a normal man, he did something with his legs and knocked her flat on her butt. 

"Godsdamn stupid bitch," he muttered, slowly getting to his knees, and then his feet: "I'll crush you with my foot-"

"There is no time for that!" someone else said -- the voice she'd heard before -- and then another figure simply appeared there, behind him: "We must flee from this place. Now!"

And Martha, laying flat on her back with a lot of blood gone, and possibly a broken tailbone to boot, looked up and saw the face of the person she'd come here to find. 

It was Thomas, standing there. Her son. 

But he was older, somehow, and aged badly at that -- haggard skin, hair as white as snow.

And when she looked into his rheumy eyes, she did not see her boy there...

* * *

"... Apparently, he's possessed," Martha explains, shaking her head: "That's what SPYGOD told me, anyway. All that time he was siting there, in Syphon's care, with all those Midwives looking in on him and telling me he just hadn't come around yet? Another being was in there, looking out of his eyes and laughing at us. 

"And when we weren't looking, he was using that perfect, more human than human body to get around. Teleportation, moving faster than we could see. Maybe even casting illusions, or using mind control, so we'd think he was there when he really wasn't..."

She takes a deep, deep breath and then slowly lets the air out. It's that or break down. It's that or cry.

Mark knows better than to hold her at moments like this -- that just makes it worse -- but Kaitlyn squeezes her hand.

"What happened then, Aunt Martha?" the Talon asks: "You can tell us. And I think we need to know."

* * *

The being who wasn't her son looked down at her with a mixture of annoyance and disgust: "We have no time for this!"

"What fucking happened up there?" the SPYGOD of Alter Earth asked, apparently not concerned about the bloody stump that used to be his right hand: "Where's the damn gun?"

"That is of no consequence!" her son said, holding up something else in his hand -- a weird container that seemed to shift and move too many times per second to see clearly: "We have that which we traveled here for! We must leave!"

"Thomas!" she shouted, holding up her free hand: "Please! Come back-"

"Mewling quim," the being who controlled Thomas snorted, turning his back on her as he bustled her would-be assassin away into some sort of dimensional pocket, and then vanished down a long corridor of strange angles that closed up before it could be truly seen.

She tried to scream. She tried to cry. But she was so weak from blood loss and fatigue that all she could do was whimper, holding a hand out to the space where her missing son had been, just a second before...

"Have no fear, Martha," a voice she hadn't heard in a long time said, up from the walkway the human monster had leaped down from: "You do not die here. And you will find our son once more."

And she looked up there, and gasped at who she saw -- holding an alien gun that had become a long, elegant bow...

* * *

"You're kidding me..." Mark gasps: "Him? That son of a-"

"Mark," Martha says, indicating the youngish pair of ears not five feet away from them.

"The Green Man," Kaitlyn says, looking at both of them: "Thomas' father, right?"

Martha almost gasps in shock -- how did she know about that? But then, this is a detective she's trying to train, here. 

"Yes," Martha says, nodding: "Thomas' father. We... well, things were always complicated with him. He wasn't always in control of his own destiny."

"He killed your brother Michael," Mark interprets.

"It was an accident. We forgave him for that when he came back to us. And for a time he was back under our roof, and with us, and things... happened."

"And then he flipped," Mark sighed, not liking this particular part of the family history: "And he left you and your dad in a deathtrap, not even knowing you were pregnant with his son."

"And then next time I saw him was in Detroit, a few years after I'd given birth," Martha goes on: "The fight we had... any hopes of getting heroes back into that town after that kind of went away."

Kaitlyn nods, looking back and forth: "So, he's alive, somehow? I thought he died in the Treehouse, saving Thomas' life?"

Martha smiles at her, shaking her head: "He's not alive, hon. No. It's..."

"Complicated," Mark sighs as she struggles for the right word, and takes her not looking at him with reproach as proof that he's right.

"So..." Kaitlyn says: "What do we do now?"

Martha bites her lip a little, and then looks between her husband and her niece/stepdaughter: "We sit tight. I heal. And we trust SPYGOD to bring Thomas back to us."

Mark looks at her, and shakes his head: "The last time we trusted him things got really bad."

"Yes, they did," the Owl says: "But he knows better than to let it get that far, again. And I have his word that this is going to get fixed."

"Is that enough?"

"Hey, dad," Kaitlyn says, looking at him with disbelief: "This is SPYGOD. He says it's fixed? It's fixed."

Thursday: 10/6/16

"I wish I had your confidence," Gold Standard says, flying her army of drones into the oncoming storm: "The last time we went up against a hurricane we didn't do so well."

"The last time you went up against a hurricane you didn't have me along for the ride," Dark Falcon says, flying his very brutalist orinthopter above the clouds: "If the satellite information is correct, the Falcon Car can generate enough heat to disrupt the system, and cause it to dissipate."

"That would be really awesome," Josie radios in: "And NASA is telling me they've triple-checked the figures. You should be clear as glass."

"Clear as glass," the Toon hero muses, flying into position -- well above the eye of the hurricane -- and pointing his lasers at the area they need to go: "Something you would have said, old chum..."

"He's talking to that damn dog again," Dragonfly mutters to Black Freedom as they struggle to get stragglers to safety -- glad they can shut their comm channels off.

"I don't blame him," Florence says, using her strength to push a family's SUV through rising waters: "Poor guy must be heartbroken."

"Can't he just make another?"

"That's not how it works, I guess," the newly-renamed Superheroine says, giving the van one last push. There's a moment of squeaking car parts, and then its engine catches, and it shudders forward, able to move once more.

(The smiles on the family's faces is all she needed to see, today. After all the grief people have been giving her for what she said in Chinatown, she feels like she's back in the saddle, again.)



"Are you certain about those figures?" Dark Falcon asks as his new, more powerful Falcon Car starts losing altitude in the higher, rougher winds his lasers are producing. 

"Oh no," Rakim says, gasping as the enormity of the mistake becomes clear: "He didn't fire at the right spots! He's made it worse!"

"How much worse?" SPYGOD shouts from his office, clearly not happy to have his grief counseling session interrupted.

"A lot worse!" Gold Standard shouts, trying to get her and her drones away before they get smashed to scrap by winds that just increased several levels...


... and then, as quickly as they increased, they decrease back down, and all but flutter away into strong, circular winds that bend trees but don't break them. 

The rain comes down gentle and warm, and the sun begins to shine, once more. 

From aboard his crippled aircraft, Dark Falcon realizes he isn't dead -- much to his annoyance -- and checks his telemetry. The Hurricane is gone, but it's not his doing. 

And there's several unknown signatures on his radar, all floating in the air. 

So he carefully retracts the storm armor he put up, and sees what has stopped him from committing suicide...



 "What the !@#$ing !@#$ just happened out there?" SPYGOD shouts, storming onto the bridge with his grief counselor in tow. They both look a little disheveled -- it must have been one hell of a cry session in his office, just now. 

"I have no idea," Josie admits: "Rakim's running the numbers, but the radar has a complete cessation of the hurricane."

"That shouldn't be possible," Rakim chimes in: "Not without significant atmospheric damage."

"Ma'am!" one of the AGENTs shouts: "I've got Hanami on the line."

"Oh, good," SPYGOD says, looking relieved: "She must have !@#$ing taken care of it. Like she was supposed to do the last time..."

And then the Japanese android comes on the big screen, and everyone gasps. She's not quite herself, anymore. 

"Hello," she says, her voice a weird amalgamation of every language they speak, her eyes lit up light miniature suns.

And her skin a curious red and silver pattern. 

"Hanami?" SPYGOD says: "Wow... what the !@#$ happened in Japan?"

"I made some excellent friends," she explains, and allows the focus on her communicator to reveal the beings that have come back here with her.

Giants, all of them -- at least a hundred feet tall. Silver and red men and women, composed of what's either dull metal or very shiny plastic. All of them with strange headgear instead of hair.

And simple, almost vestigial silver faces -- somewhat devoid of emotion. 

"The Revolutionary Men have returned, (REDACTED)-San," Hanami explains, perhaps needlessly: "They wish to discuss certain situations in regards to the state of ethereal beings within the United States of America."

"Of course they !@#$ing do," SPYGOD mutters, looking to Counselor Bishop: "I think we're gonna have to wait on that new grieving technique you were discussing...."

"No problem," she says: "I think I'll debrief Black Falcon, instead. I'm not liking how things went, out there."

"You and me both," the superspy says, wondering what he's possibly going to say to a gaggle of newly-returned Gods.

Friday: 10/7/16

"Back so !@#$ing soon, paleface?" someone asks Randolph Scott as he heads for the mess hall of the Standing Rock prayer camp.

"Well, you know how it is," he smiles at Yanabah, stepping forward to shake her hand, and then give her a hug: "Can't !@#$ing keep me away."

"How you holding up?" she asks, seemingly quite concerned.

"Alright," he lies, nodding a little too quickly for his liking: "One day at a time, right?"

"Yeah," Yanabah says, deciding to let it go for right now: "You're just in time. They say the Feds are coming in, now."

"That's what I heard," he confirms, letting her lead him to where he was headed: "Apparently the Interim President's tired of hearing the Governor complain about police injuries."

"Well, if they'd stop sending them to disrupt our peaceful protests, he would stop sending them back to the cop shop with scorch marks and no hearing."

"They don't get it, do they?" the Outlaw Reporter asks, shaking his head: "They don't realize what they're up against."

"Does anyone?" the former member of Freedom Force asks: "They fight when they should run, and then they come back and want to talk. But if they wanted to talk they shouldn't have tried to fight in the first damn place."

"And when they do fight, it's like tossing water on a gas fire," Randolph says: "Totally outclassed."

"So what are the feds bringing, then?" Yanabah asks: "Harsh words?"

"Well, there's talk of your friends coming in," the outlaw reporter says, stopping to gauge her reaction to that: "Our friends, really, when it's all said and done."

"They think they can sweet talk us like they did in Chinatown?" she laughs: "That trick's not gonna fly here."

"Why not?"

"Because Gosheven's a lousy Indian, for one," Yanabah snorts.

"Well, I can't comment..." Randolph says, but laughs anyway.

"And because I'm here," she says when they both stop laughing: "And I know them too well. And if they think they can sweet talk me, well..."

She pats her guns and looks at him over her sunglasses. Her pupils are much wider than they should be, and have long, fanged teeth just behind them.

Randolph quickly realizes that's her monster, inside -- not trying to get out, but ready to move any time she needs it to...

"So what happens, then?" he asks, looking for an opening to the story he's sensing is about to change on him, yet again.

"Then we leave it up to the Great Mystery, same as always," she says, putting her glasses back: "And if the White Man can't handle him, maybe they should get the !@#$ away, and this time stay gone."

"Can I quote you on that?" he asks, half-joking.

"Let me get you some proper frybread," she sighs, taking him arm-in-arm: "And then you can tell me about that video some asshole leaked about the orange-faced bastard."

"Oh, it's probably nothing," Randolph sighs: "Just another case of him sticking his foot in his mouth, back when he wasn't running for anything..."

Saturday: 10/8/16

"Oh, I think I like this person," Loki says, watching the television in the corner of the diner they've barricaded themselves in for a time.

"Who?" the SPYGOD of Alter-Earth asks, looking up at the screen and then going back to sharpening his knife -- still sticky and redolent from what he just used it for.

(Quite a tricky thing to do with one hand.)

"This man, running for the Presidency of this country," the Aesir in possession of Thomas Samuels' body says, steeping his powerful hands in front of his stolen face and grinning wider than should be possible: "My but he does speak his mind."

"Doesn't have a lot on it, though," his servant says, looking to the pile of bodies in front of the door -- making sure none of them are still moving.

"I like his appetites."

"I find them fucking boring," (DETCADER) says, wondering if he should ask before getting himself some more coffee from the pot, nearby, or just do it.

He thinks he might actually survive that, now.

They've been hiding out for a few days -- stuck in some dark hole between realities that Loki swore was impossible for their pursuers to find. He refused to tell his servant exactly who those pursuers were, for some reason, but after a time the SPYGOD of Alter Earth decided he didn't really care to know.

He was more interested in the fact that his "master" was losing it -- one hour at a time -- right before the eyes of his unwilling servant.

Whatever Loki had gone up into that void to do had taken a terrible toll upon his body and mind. His once-powerful form was old and sere, now -- pale of skin and white of hair. He still possessed incredible strength and speed, and had access to quite amazing magical abilities, but he was quickly becoming a doddering old man.

Hence the possibly-critical mistake of leaving their bolthole to go out and get something to eat. For some reason he craved Reuben sandwiches, and apparently the Big Boy chain was in possession of the perfect recipe.

So they left their place of safety and traveled to the Danville, Illinois location on a midnight sandwich bender -- demanding serving after serving from the terrified staff.

And as the last-remaining Aesir stuffed his face, eating Reuben after Reuben to fuel whatever massive hunger had entered him, the counterworld man took advantage of the cowed diners they took captive -- quickly turning the diner into a bloody human abattoir.

He was finding the loss of his good hand to be more of a challenge to overcome than an annoyance. By the time he was done slaughtering the last diner, he hardly noticed its absence. And by the time they were out of Reuben ingredients, and Loki gave him grudging permission to kill the cooks and waitstaff, too, it was as though he'd never had that paw to begin with.

Still, as soon as his master let him retrieve some of his biological equipment from his lockup, in Dodoma, he'd soon have another hand. He felt he'd be needing both for what was to come -- especially if they got the supergun back, and he was to go about performing the task he'd been charged with in the first place.

(A subject he wasn't keen to bring up just yet, given how violent Loki got when discussing what happened, back in that weird prison under the void....)

"So vile," the last of the Aesir cooed, reaching his greasy hands out as if to touch the image on the television: "So self-assured. He reminds me of one of the dvergr kings, squatting on his throne of gold and jewels, proud ruler of all caves..."

"He's a fuckstick," (DETCADER) snorts, deciding to push his luck and get some coffee for himself, after all: "All their politicians are. Easily manipulated, wholly fallible."

"Is that so, my servant?" Loki asks, the change in his tone quite dramatic -- yet not setting off his servant's danger alarms, just yet.

"Yes," the Alter-Earth SPYGOD says, pouring himself a steaming mug of the stuff, and amused to see some blood has spattered into the brew: "And quite fucking fragile, too."

"Explain," the last of the Aesir demands, tapping his hands on the table to indicate the man should sit across from him, once more.

"Well," the counterworld man says, wondering if he's about to pay for overreaching as he does as he's bidden: "They're like those silly ice sculptures people make. They take forever to get just right, and they look really impressive. But one wrong fucking move, and..."

He grabs the empty plate from in front of Loki and flings it at the nearest wall, where it explodes into jagged, white porcelain and powder.

"But there is power in the breaking, or so you once said," Loki says, pointing a long, shaking finger at his servant's nose.

"There is, yes," he says: "It creates control, or solidifies it. It also-"

"Be silent, now," Loki says, waving his hand, and for a terrifying 36 seconds the SPYGOD of Alter Earth finds himself unable to bring more than a whisper of air into his lungs, even on a very deep breath...

Sunday: 10/9/16

... when he comes to, fully, he realizes he's somewhere else. A hotel room, somewhere -- large and luxurious.

"What the fuck..." he gasps, taking a very deep breath.

"That's pretty much what I was gonna ask," the Candidate says, looking rather strange in his boxer briefs and a pair of dark socks: "If this is some kind of joke, well, okay. But I do have security, still. You can't just-"

"Oh, but we can," Loki says, reappearing between the two of them.

"Where the fuck were you?" his servant asks.

"Dealing with a very persistent ghost," the last of the Aesir chuckles: "I cannot afford to be disturbed. Not now, anyway."

"Now, look, pal," the Candidate says: "You got ten seconds to-" 

"Be quiet, please," Loki says to him, waving a hand before the man's large, beefy face.

"Um..." the man says, raising an eyebrow: "Excuse me?"

"Fascinating," the last of the Aesir says, waving the hand again -- with a lot more force, this time - which halts the Candidate in his tracks: "I see now why I was attracted to his place, my servant."

"The California King?"

"Is that who this man is?" Loki asks: "Well, this king had a powerful court sorcerer at one time. He still carries the remnants of a charm, cast upon him. A thing that allowed him to be untouched by the hate of others, and to walk through the misfortunes and arrows of a thousand foes with equal skill."

"It's called teflon, I think," the SPYGOD of Alter-Earth sighs, getting to his feet and going to sit on the California King in question.

"Whatever it be called, it does the same as a charm of protection," the body-stealing trickster says: "And there is still enough of it here to weave a greater magic. One that will allow me to take this California King's body as my own, and not be seen by my enemies."

"You mean you want to fucking take control of a man who might be the next President of the United States," the counterworld man says.

"I think that sounds an excellent plan," Loki says, grinning widely: "And he has retainers, I am certain. Ones who can aid in hiding this useless body...?"

"I think so, yes," his 'servant' says, also smiling at how the delightfully weird and wonderful form this plan has evolved into.

* * *

"Look, I'm not any happier about this than you are," Josie tells the assembled members of Freedom Force, all gathered around the holographic table in their situation room: "But it comes directly from the desk of the President."

"So does a lot of other bull!@#$," Black Freedom snorts, sitting in her chair with her legs crossed in disdain: "And this is a big damn pile of it."

"I have to agree," Green Fury says: "All those people are doing is peaceably protesting an action that is legally questionable at this time."

"Not to mention extremely disrespectful to my people," Gosheven holds up a hand: "Let's not forget that, okay?"

"You haven't let us, so far," Gold Standard says, rolling her eyes behind her face armor.

"This is, however, a law enforcement issue," the recently-rebuilt Free Fire points out: "Right or wrong, the police have a duty to maintain order. If we stand by and do nothing while so-called gods help people resist arrest, this country will soon descend into anarchy."

"And anarchy is no one's friend," Black Falcon agrees, pounding his fist on table: "As we have found out to our extreme cost."

"Anarchy's what the powers that be call it when a revolution's on," Dragonfly says, which gets her a nod and a high-five from Black Freedom.

"So, what am I hearing, then?" Josie asks: "It sounds like only two members of the team are actually willing to suit up and do their damn jobs?"

"I'll go along, too," Gold Standard says: "But only because I don't want this to turn into a damned slaughter."

"And I am totally going to be there," Gosheven says: "Someone has to speak for my people in the face of whatever we find."

"Plus, there's another issue," Dragonfly points out: "Yanabah's there, too. And we know what she can do."

"I know," Josie sighs: "And she's not on the team, anymore, which means she gets no quarter if things go bad."

"Am I actually !@#$ing hearing this right?" Black Freedom asks: "We're going to be sent in to put down peaceful protests-"

"Burned and broken police officers are not caused by a peaceful protest, young lady," Black Falcon interrupts.

"And that's only because the high and mighty Great Mystery decided to get his ass involved," Josie insists: "That's the problem. We can't have these beings interfering with the laws. Someone has to stand up and say that if they want to be here, too, they have to obey the law. As painful as that sometimes is."

"I always thought the role of the hero was to go just above and beyond the law to uphold its spirit, rather than its letter," Green Fury says: "That's what The Owl taught me, anyway."

Black Falcon looks like he's going to say something to that, but one look from Josie shuts him the hell down.

"Antonia, you're up," the burly, pink-haired clone says: "Take Falcon, Free Fire, and Gosheven with you. The rest of you are on standby."

"Well thank you," Black Freedom mutters.

"And if you're needed, and you don't go and do your damn job?" Josie finishes up: "I will let SPYGOD !@#$ing deal with you, personally.

"And the mood he's in? You better hope it doesn't come to that..."

* * *

"... practicing your crying and moping again, I see," Counselor Bishop says, getting her clothes back on in the dark of SPYGOD's office.

"Do you have to !@#$ing do that in front of me?" SPYGOD asks, putting every single weapon and doo-dad back onto his giant combat boots (the last thing he does when he gets dressed, every day).

"What, don't you like it?" she asks, smacking her very high and firm ass: "It's kind of fun."

"Kind of necessary," the superspy says: "How are the others?"

"Grumbling, confused, and wanting this to end."

"Well, they're in a big damn world of luck," SPYGOD says: "Maybe another week."

"That's if the plan holds."

"It'll hold," the superspy insists, walking over to her and giving her a kiss that could stop time -- one she happily returns with interest.

"I sure hope so," she says, patting his chest: "Otherwise, this is gonna be damned awkward."

"You just concentrate on your end of things," he winks over his glasses -- his eyes no longer seeming as messed up as they were.

"Oh I will," she grins, turning and shaking her tush at him, which makes him sigh and turn away.

And as he does...

* * *

... the Agent from the future fights to get back to where he was -- cast adrift on the shoals of time once more by the being hiding inside Thomas Samuel's time-ravaged body...

... as a legion of slow-moving ghosts float through time and space, slowly approaching the last place they saw their quarry, but knowing he's moved on...

... and the Great Mystery hears the change in the wind, and leaves his place of power to come back to Earth, ready for what's been promised to come to pass...

... while Randolph Scott and Yanabah fumble with each other's clothes in a tent too small for the both of them, but suddenly just right for their needs...

... and the Revolutionary Men -- now a lot smaller than usual -- stand beside the many, many other gods who want access to this land of dreams and promises, waiting patiently for the 24/7 Ethereal Immigration Office to grant them an interview...

... and Black Freedom starts and stops her resignation letter about a dozen times in her mind, wondering if she should just leave without saying a word instead...

... and Martha Clutch holds her baby to her chest, hoping that her protege's faith in SPYGOD is not poorly placed...

* * *

... and in St. Louis, after a shower of booing, the Candidate takes to the stage for the second Presidential debate -- smiling and waving as though he had experienced the mother of all second winds.

Or as if he were a new man.

 (SPYGOD is listening to See the Future (Front 242) and having a Trojan Horse IPA)

Monday, February 22, 2016

TechnOlympos: 2/15/16 - 2/21/16

"See the face of fear / Running scared in the valley below"

(Moloch and Myron, together again)

(Art by Dean Stahl)

* * *
28
* * *



Monday: 2/15/44

It's 6:01 AM when he gets the call that the Time Chamber has asked for him, yet again. And that just throws off his entire morning, right there.

Normally, he'd lounge in bed with his wife and their husband (and whoever else may have spent the night) until it was time to go into work. Maybe catch up on the hyperstory his writing group is assembling over on their Writeworld server, or actually read something for a change. Maybe even try his hand at cooking breakfast if he's feeling particularly confident, or brave.

(How did he have two such excellent cooks for dads and yet not be able to boil water? He has no idea.)

But if that silver cylinder is calling his name, then he really has no time to dawdle or delay. It means that he has to go do something drastic, somewhere in the past.

And that's either because someone is monkeying with it, or because they've found yet another hole in the records that needs to be filled with his kind of bullets.

And finessed with his kind of perspective. 

So he dresses up for full temporal combat. Puts on his tachyon suit. Gets his special equipment that decays as soon as it's out of physical contact for more than ten seconds.

And makes arrangements to get the gun from the COMPANY lockup -- the one only he is even allowed to look at, let alone carry into the field.

(He's the only AGENT with a body that can handle all the changes it puts a person through.)

On his way out, he kisses everyone goodbye. They have the good sense to not ask about what he'll be doing today. He has the decency to not tell them.

And then he's in his hovercar, flying from his Neo York City penthouse to the Heptagon with the sirens on, and no time to stop for a damn coffee.

* * *
  
TIMEFILE
BGDST19466-A-C-02/16/+2016-EST:14:36-14:45

"...oh, my son, my son," the old man says, shaking his mostly-bald head as he grips his boy's hands tight.

"I'm sorry, father," the man says, tears running down his face as he begs his father's forgiveness in the back of his campaign bus: "I don't know what else to say. I'm beaten. I can't win this-"

"You can, and you will," his elderly father insists, shaking with determined rage: "The angels have spoken to me, Rafael. They have assured me that you will win this. You must win this."

"But... the polls."

"To the devil with the polls!" the old man all but shouts, and the look in his eyes is fierce and terrible: "To the devil with delegates and votes! All the speeches and contests in the world will not save it from damnation.

"Only you can do that, my son. Only you."

The man looks at his father, sets his jaw, and nods: "I know that, papa. I do. I will lead this nation. I will be its leader. But... maybe it won't be this time-"

The slap comes so fast he doesn't even realize his father's hand isn't in his until it's landed on his fat face. The pain is intense, but not as painful as the look the old man's giving him, right now.

"Do not doubt the word of the Lord your God, Rafael," his father insists, pointing that finger in his son's face: "I told you the angels spoke to me. And they did not say it would be next time. They did not even say it would be this election. They said you would be this country's leader now."

"Then... how? What must I do?"

His father looks at his son, and takes both his hands in his. There's a look of total serenity about him, now.

And he tells his son that what he thought was a severe setback, a couple weeks ago, was actually the means by which he will lead this country out of the darkness, and back into the light.

And such is the way that he tells it that, by the time he's done talking, his son no longer has any doubts or worries.

He just has to figure out the best way to make this happen...

* * *

"Well then," the AGENT says, looking at the holographic timestamp on the timethread their temporal sensitives pulled out of the stream, late last night, and then handing the crystal matrix back across the desk: "That's troubling to say the least."

"Given everything that happened afterwards..." his burly, grey-haired supervisor says as she takes it, leaving the point open as she always does.

"28 years ago," he muses, looking out the spartan office's window at a blindingly-white Washington DC -- all memorials, museums, and agencies: "I feel like I was just there, for some weird reason."

"But you can't be sure," Rikki chuckles.

"No," he quickly assures her: "The wipes are still holding. I have no idea what I did, there. And I never will."

"You just get the feeling?"

He nods: "Yes. More and more, these days."

"Maybe you should stop before you fade."

"Fading's for losers," he chuckles, tipping her a wink: "But I promise I'll lose its number if it gets awkward."

"Ha-!@#$ing-ha," Rikki snorts.

"Boss. Language," he playfully scolds.

"Whatever," she says, handing him the key to the vault: "Get your weapon and go deal with the issue, sport."

"You got it," he says, snapping a smart salute and then heading out before the beefy, old clone can give him any more words of wisdom.

Or curse at him again. 

* * *

"... yeah, well, you know how it is," he says to his parents as he marches down the long hall to the vault -- very aware that every step is another biometric scan, and yet another chance for the defenses to turn him into smoked pate: "'Duty now for the future.' Can't say more than that.

"Yes, I'll be careful," he sighs: "Gosh, you two sound like old mother hens. You're worse than our husband, and he's worse than...

"Yes, I know," he chuckles: "I'll stay out of your way. Both of you.

"Love you both. Bye."

"Dang," he says, hanging up and showing his key to the armored guards at the end of the hallway. They nod and let him put it in the vault, at which point there's humming and sliding. 

At which point the doors open, just a little, and the large, silver box he needed floats out to meet him. 

He puts his hand on the box. It glows, and then opens. 

Inside is a small, silver gun with alien contours. It registers his presence and begins to breathe. 

He takes HÇ«fuð out of its case, and quickly stores it before it starts to do that weird thing to his eyes. 

Then he lets the box slide back into the vault, leaves the key with the guard for safekeeping, and heads off to the Time Chamber. 

* * *

"What is that racket?" he says as he enters the room, addressing the giant, silver cylinder at its core: "It sounds like two guitars trying to make out in slow motion."

"Some classic rock," the Time Chamber insists: "'Bullet the Blue Sky' from The Joshua Tree. It seemed appropriate."

"The band's called the Joshua Tree?" 

"Philistine," the silver cylinder says, clearly aghast: "It's U2. How do you not know who U2 were?"

"Whatever," the AGENT says: "You know I'm more into New Wave than postpunk. And I think my dad shot their lead singer."

"Which one?"

"Their first one, I suspect."

"Which dad?" 

"That would be telling," he replies, drolly, and does one last check of everything as the Time Chamber goes on about temporal traps, things and people to be careful of, and a conjectural timeframe for his actions -- which may or may not actually be his doing, depending on what he finds there. 

"...one more thing," the cylinder says: "The last time you were there, you left behind a piece of evidence. A bullet that couldn't have possibly made the shot it did."

"Really?" the AGENT says: "Am I supposed to know about this?"

"No. But I'm telling you anyway because I want you to be more careful. The more of a footprint you leave, the harder it becomes for me to clean up after you. And we don't need them coming looking for us too early."

"Got it," the man says, nodding: "No exotic ordinance. No trick shots. No weirdness. I'll get in, do what needs doing, and make it look bog standard, even if it means disrupting the time flow."

The silver cylinder sighs, taking his point, and then begins to unfold itself before him.

The surface of spacetime crackles and booms, opening up into a hole that is best described in sexual terms. He smiles and keeps that filth to himself, as he always takes perverse pleasure in doing, and steps on back to 2016

He has no idea what he'll have to do there, as usual, except that it'll most likely be either stopping an assassination, or causing one.

But until he gets to where he needs to be, and sees the situation, he's as much in the dark as anyone...


Tuesday: 2/16/16

"Alright, then," Myron says, adjusting his headlamp and making a few more adjustments in the large bank of controls that squats between himself and the giant, bronze minotaur with fire in his eyes and belly: "We've got a containment field, now."

"Meaning?" Moloch demands, his voice a loud, bass noise that rattles every bone in Myron's hands, and echoes off the walls of this steel cavern.

"Meaning that, when we turn on the transporter, it won't suck in everything around it," Myron explains, as patiently as he can: "Because if it does, not only will we expend too much energy maintaining the portal, but there's a better chance that things won't be reassembled correctly on the other end."

"Which is bad."

"Which is very bad," Myron nods, glad the monster he's turning into a machine gets it: "You want to get home? We need a field."

"How much longer?"

"What, you haven't been waiting long enough?" Myron asks, trying to smile.

But then he sees the bull's eyes narrow, just so much. And he smiles a little larger, holds up his hands, and says "Just a small joke. We're doing good, okay? Just a while longer."

And, for what seems like the tenth time in two days, the metal monster who almost killed him a few years back avoids losing itself to another rage, and lets him keep working.

And Myron counts that as a victory, and takes advantage of every second it buys him. 

* * *

In retrospect, Myron should have known that the creature was at least partially responsible for the Village. 

After all, there were only so many B.A.S.E.C.A.M.P.s to go around. And as their creation -- and very existence -- was pretty damn dangerous to reality, it was much more likely that BOWLER had merely found a way to get to the latest one, rather than creating a whole new one. 

And it was much more likely that, rather than creating the Village all by himself in a timely manner, the man they'd known as Number 42 had enlisted some very special help on this side of things. Help from the sort of being that could move within, and reshape, metal structures.

But Moloch had learned from his lengthy isolation on this world; he was no longer confined to metal. He now possessed the ability to move within all forms or matter, and reshape their atomic structure to meet his desires.

And he also had learned to move within people, to a degree -- to be able to see inside their minds, and create things based on their needs, wants, or ideas...

Myron was, as could be expected, very skeptical of this part of the monster's tale. It didn't help that he'd spent the entirety of it with his gun in his mouth, ready to blow his own brains out rather than assist the bronze minotaur if he thought the beast was going to betray him.

But Moloch was rather convincing. When Myron challenged him by daring him to make a Dead Kennedy's t-shirt with Jello Biafra on the front -- things he doubted Moloch even knew about -- the beast merely reached out to Myron's head, and held his massive hand there for a time.

Then, he reached down to some inert matter, did something, and handed him the shirt in question.

One change of clothes later, and a few ground rules established, Myron began telling the creature exactly what they needed to have in order to create a new portal to Earth. And the creature began to create it to his specifications, so that they could build it, piece by piece.

As they worked, Myron had no illusions. He knew the beast would kill him if he got a chance, or gave it too much too soon. He also knew it would kill him as soon as they got back to Earth, and try to double-cross him on his condition of bringing the other prisoners back with them.

But he had hope that it might stall, just long enough. After all, as he'd since learned, Moloch had been the one to insist that BOWLER bring Myron through. He'd known he was the only one who could get him out of here, once the British spy organization's own techs had finally admitted to failure.

So they have an agreement, and an arrangement. And maybe it'll hold just long enough for Myron to figure a way to either disable or kill the beast, or at least strand him here again -- and for good, this time.

A curious and dangerous arrangement, but one that seems to be working. 

So far. 

* * *

"There we go," Myron says, tapping the circuits he just had Moloch generate: "That's good. I think we're getting closer."

"Hours, now?"

"Days, more like," Myron sighs: "I need some sleep."

"Sleep is not necessary-"

"It is for me," Myron says, looking up at the monster he's turning into a machine: "Maybe you've been out of your body for so long you've forgotten."

The monster's flames burn a little brighter, just then: "What... how...?"

"Oh yeah," Myron says, going back to work on a delicate piece of the process: "We figured out who you were, Tariq. It took a little digging, when all was said and done. But after we won against the Imago, and the authorities started digging out Dubai? Well..."

Myron shrugs. 

The monster is silent for a time, and then nods: "Body not important. Body a box. Open now. Soul is free."

"Well, that's one way to put it."

"Doubt?"

"Not really, no," Myron replies, stopping work: "I've met some other beings who aren't tied down to one form. AIs. Ghosts. Folks like that."

"Not gods."

"Well, I know some of them, too," Myron sighs: "But I gotta tell you, Tariq-"

"Moloch," the bronze minotaur insists. 

"Sorry. Moloch. When we get back to Earth, you might want to watch it with the god talk."

"Why?"

"Well, I haven't been able to get a lot of information, things being what they are. But a certain nasty !@#$ I was shacked up with for a while was able to get word back from BOWLER, now and again. And apparently, while I was here, a group of real gods have shown up on Earth."

"Real," Moloch snorts, small gouts of fire spurting from his flaring nostrils.

"Well, the Supergods, anyway. You probably don't remember them, being so young."

"Moloch is eternal."

"Yeah, yeah, and so was David Bowie."

"Who?'

Myron sighs: "Anyway, when we get back? If you want to talk about being a god, you'll have some company. But you might want to tread lightly."

For some reason, Moloch finds that funny enough to laugh for a full minute.

And every second makes Myron feel that much worse about needing some sleep...

Wednesday: 2/17/16

The Red Queen wakes up, yet again, and is mildly surprised to not have been assaulted in her sleep by her new friends. 

She expected to be beaten. Terrorized, at least. Maybe tied up and assaulted, or at least threatened with it.

But instead, these Liberators the Red Queen has fallen in with have taken her someplace quiet and safe. Fed her. Clothed her. 

And largely just left her alone. 

She's been all by herself, here in this room near the abandoned pyramid. She can't hear anything outside the doors. 

(She's wondering if that was intentional or not.)

She realizes this is an indoctrination technique, too. They'll probably come for her in a few hours, or maybe another day, and want to shower her with love and affection. 

Or maybe that's when the beating and pain will begin...

Either way, she's ready for them. Either way she'll put up a token struggle and ask questions that aren't the best ones to ask. She'll act like she's hesitant, rather than resistant, leading them to figure that the hesitation is all about her trying to deny what she already knows is true.

And then, when they're good and ready, they'll take her out of here and introduce her to whoever is orchestrating this blight on the White City.

And the Red Queen will drag that person's sorry ass back to Satanoth, drop him or her at his feet, and demand her god-body back. 

She just has to wait a little longer, that's all. 

Just waiting, here in the dark...

* * *

"How did we not know about this?" The head of Arrow Security says, looking over the legal paperwork his three lawyers have just dropped onto his desk: "I can't believe this is happening!"

"I'm afraid it is, Mr. Stone," the oldest of them says, closing her briefcase back up: "The irregularities were bad enough, before. But with this latest issue with the lock-up, we've got investigations, subpoenas... you name it."

"This is all... that Governor," the man says, thumping his hands down on what little free space remains on his desk: "This is payback. Worse than that! This is a distraction."

"It is what it is," the youngest of them opines: "And what it is, is a mess."

"We can get you out of it, of course," the one who hasn't said anything thus far offers: "This is just a distraction. It'll be hot news for a week or two, and then they'll find out something new about Flint, or somewhere else. And by the time we get you clear of this, well, it'll be back page stuff."

"But if there's anything you don't want on the front page?" the older lawyers says: "I'd really look into making it disappear."

"Oh, I can do that," Mr. Stone says, nodding as he looks it all over: "I'm very well-practiced at that."

And in the adjoining room, his longtime assistant, Gary -- who knows what all that stuff is -- suddenly realizes his time here is coming to an end.

And he decides, then and there, what he has to do in order to survive...

* * *

 "... you see, from the outset, I realized that ABWEHR was doomed," Helvete says, smoking another one of his oppressive, dark cigarettes: "Just the few of us, living in the Ice Palace? Waiting for the drugs we'd taken to run their course, and then we'd all get old and collapse unto useless senility? Or waiting for your so-called heroes to hunt us down, one at a time?"

"So you made us," Jana says, slicing him a perfect piece of his favorite pie as Karl carefully makes his coffee.

"Yes, but not as replacements for us," the pale-skinned man says, his red eyes narrowing at her perspicacity: "Shock troops, yes. Entertainment, definitely. Food, upon occasion. But not to take the place of us, no."

"So what was the plan, then?" a badly-burned Karl asks, waiting for the right second to pour the frothy milk: "Recruitment?"

"We tried that. It did not work," the pyrokinetic says: "Those tedious Arabs. The South Africans. None of them had our fire. Our spirit. Our dedication-"

"Your perfect, German genes," Jana says, handing him a plate with his pie on it: "Correct?"

"That too, yes," he says, taking a small fork from her and wondering if he should jab her with it, or keep speaking. 

"So you made pills that contained your memories and personality, and ensured the right person took them after you died?" Karl says, pouring the milk at last.

"Not right away. I had the pills made years in advance, after my other plan began to bear fruit. One last update was made the week before we learned that your SPYGOD was going to attack the Ice Palace. And then, I had my people wait for a time, and pick the right person, once he appeared."

"That's immortality of a sort, I guess," Karl says.

"A temporary measure," Helvete says: "A means to extend one's work past one's death. Not the true immortality promised by the term."

"So what, then?" Jana asks, watching as their master tries Karl's coffee, and, thankfully, does not throw it in his face this time. 

"So, we do our Nazi ideals the honor of trading metaphor for reality," the pale man says, finding his dessert and coffee quite good: "We become the gods we claimed to be."

The twins look at one another, and then back at him: "That's impossible" they say in eerie unison. 

"Is it?" Helvete asks: "Perhaps, except that we have already seen that men can become gods, have we not? And that Gods can become men?"

The twins remain puzzled, so he continues: "Your so-called Supergods, these Olympians? They have been banished to mortal flesh, only to return. And they have taken humans into themselves, becoming an amalgamation of the two."

"So Seranu wasn't talking complete !@#$ on the O'Reilly Factor?" Karl asks Jana.

"That would be the first time that show's contents couldn't be used to grow mushrooms, then," Jana replies to Karl. 

He smiles at that, and sips his coffee: "So, it is simply a matter of finding out how one might enter such a communion with such a being, and join with him or her. A way to rewrite reality, if you will, and change the nature of your destiny."

"And you think you can actually do this?" Karl asks, raising a singed eyebrow: "You and your army of disgraced superheroes, leather boys, and school dropouts?"

Helvete looks at him, and smiles.

And then proceeds -- just before igniting his impudent slave's fingertips -- to explain how...

Thursday: 2/18/16

 "So, what's the plan?" Gosheven asks, now that everyone's had a good time to look around the table -- here in this super-secret room, somewhere in the bowels of the Flier -- and get to know each other. 

"The plan?" SPYGOD asks, looking at the pudgy, Native American metamorph as though he just asked the dopiest question on Earth.

"Yeah," the guy says, shrugging: "Don't you always have a plan when you get us all together like this?"

"Do I?"

"That's the way I've heard it," Shining Guardsman says, looking around the table.

"Usually true," Swiftfoot adds in, nodding and looking at his fingernails.

"I wouldn't know," Free Fire says, shrugging in his best approximation of the gesture, which comes across somewhat strange as he's had little practice with it. 

"I would," Mister Freedom says, but, as usual, doesn't say what he knows. He just smiles, which gives a few of his new teammates the creeps.

"Well, who says I don't?" SPYGOD asks, getting up and putting his hands on the table: "We got intel. We've been reviewing it. We've got sources. We've been checking up on them. We've got patterns and probabilities. We've got someone running them through an algorithm to make a prediction."

"So... we're essentially waiting for the !@#$er to strike again," Gosheven says.

"And then we go after him?" Peg asks, looking rather uncomfortable with the idea: "The longer we wait-"

"The more likely he'll be up to business as usual, and people will get !@#$ing hurt and killed," SPYGOD says, sitting back down again: "Which is damn true. It also sucks. But it's the only way to keep even worse things from happening."

"I don't like that kind of math," Peg says: "The COMPANY's supposed to be about stopping that."

"I've forgotten more about that COMPANY than you've ever !@#$ing known," SPYGOD insists, pointing a finger: "And don't even get me started on math, lady. You don't get to !@#$ing judge until you've been in a war."

She has nothing to say about that, and decides to remain silent. For now.

"But in the meantime, we have some opportunities," he says, leaning forward: "We got carte blanche to do what we want, when we want. We got total secrecy. Total immunity.

"And I say it's time we !@#$ing used it."

"Now hold up," Peg says, holding up a hand: "This was not part of the deal-"

She would say more, but suddenly she falls over in a slump -- eyes open, mouth shut.

"Um, what?" Shining Guardsman says, looking between her and SPYGOD.

"Trade !@#$ing secrets," SPYGOD says, looking at Swiftfoot, who may or may not have just gotten out of his chair, moved across the table to Peg's seat, and gotten back before anyone could even blink: "How much?"

"One dose, (REDACTED)," he says, putting the empty vial on the table: "Just like you said."

"Alright then," SPYGOD says, looking at Gosheven, who sighs, nods, and sprouts a whole other person off of himself. It's Peg -- right down to her clothing and DNA.

"Um, what are we doing?" Shining Guardsman asks.

"Changing the rules of the game," Mister Freedom says, smiling as he gets up.

"We've got 48 hours before she wakes up," SPYGOD explains: "That gives us two whole days to think, to plan, and to move if necessary."

"Are we doing this because we suspect she's our mole?" Free Fire asks, looking at the real, apparently comatose Peg.

"It's possible," SPYGOD says: "But really? I just feel like being in !@#$ing charge of my own damn team, you know?"

"Yeah," Shining Guardsman says, nodding slowly: "I think I completely understand that concern after the !@#$ I went through."

"Exactly," SPYGOD says, clapping him on the back: "The President's gone !@#$ing nuts. So Josie's got her hands tied at the Executive level, which is why that shameful !@#$ show with Freedom Force went down the way it did. And all she can say is 'sorry' and make !@#$ing apologies.

"Well, not in my COMPANY, folks," he says, pressing a secret button under the table. A panel slides out of the top of it, displaying a cooler full of chilled beer and some party favors: "This !@#$ we're dealing with is too explosive to let Mr. Interim President remote control it. We are not having our hands tied. We are not having a !@#$ing babysitter.

"We are going to go deal with this !@#$ my way, so it gets dealt with, and stays dealt with.

"All clear?" he asks, getting a beer out and popping the cap off with a bottle opener he makes at the top side of his thumb.

The nods and 'yes'es are quick, and seem genuine. So he smiles, takes a swig, and adds: "Plus... I may have promised someone we're going to !@#$ing help him, off the books..."

* * *

"Wait a minute," the large man says, shaking his head and holding up a hand: "Are you sure... you know what you're asking me?"

"I do, Mr. Secretary," the Candidate says, putting his hands together and leaning forward -- his immense head seeming to take up most of the space in the man's solarium.

"Not anymore," former Secretary of State Paul C. Wheeler grouses: "Those bastards saw to that."

"That's right. And it would have been kept quiet, too, if the bastards in the Press hadn't gone public with classified information."

"I haven't forgotten that," the man says, patting his chest at the thought of it.

"No, I bet you haven't," he says: "But you know, they all followed the lead of one person. And that's Randolph Scott."

"Yes," the disgraced politician says, a very dark look crossing his face just then.

"And if you took him out of the picture, well... maybe the others would forget about you?"

"How?" the man says, looking very interested all of a sudden.

"Well, first you do me this one little favor," the Candidate says: "And then, when that's done? I'll see to it that certain unimpeachable witnesses come forward to say that he made up all that stuff about you."

"You can trust them?"

"Oh, they'll do whatever we need," the froglike man says, smiling: "And once you're in the clear, again? We can see about other forms of thanks."

"Such as...?"

"Such as giving you your job back in my administration," the Candidate says, extending a hand: "But first we need a certain thing to happen, inside a certain other thing."

"Well then," the man says, nodding and taking the man's hand: "You pay their fee, and I'll see to it this thing happens."

And as they shake hands and smile, the Candidate can't help but think of a line by Yeats...

* * *

"There really is no dignified way to come into the hospital when the baby's on the way, hon," Mark Clutch tells Martha as they floor it for West Suburban -- the Owl Car zooming over the buildings and trees as they really ignore the stoplights.

"Never... knew that," Martha gasps, doing her best to block out the pain: "Had Thomas... at the Owl Cave..."

"Really?"

"Yes..." she grunts, remembering to breathe: "Circumstances... dad thought... best to do it... at home..."

"We had Kaitlyn at... well, hell, you were there," he says, smiling as he remembers.

"I know..." she sighs: "Remember everything..."

He smiles at that, and then looks at her: "I love you, Martha."

"Love... you..." Martha says.

And she screams loud enough to rattle the windows as their child decides to remind her that this is not a tender moment...

Friday: 2/19/16

Randolph leans down to kiss Velma on the hand. He'd rather do it on her face or forehead, but she's bandaged and wired from her neck on up, and the last time he got too close every alarm in her room went off.

On the way out of the room, he runs his hands over the large bank of paper flowers her friends have sent her. They won't let real flowers in here, for one medically-sound reason or another, but the paper kind is okay.

And then he's down the hall -- nodding to the two armored Toons by her door -- and into the TV lounge. It's strangely deserted at this time of morning, which is both good and bad for him.

He looks at the television, which some asshole left on FOX News. They're going on about how a certain candidate's ratings are going through the room -- especially after calling Cruz a "!@#$y" at a speech -- and how said "!@#$y" is announcing a special speech on Sunday, down in Calexico, California, in which he might be throwing in the towel.

"We should be so damn lucky," Randolph sighs, doing the electoral math in his head. Sadly, he knows where most of the man's votes will be going -- and it isn't Kasich.

Then the burner phone in his front left pocket rings. He's been saving that one for a special someone, who he's been expecting a call from.

"Hey you," he says, a second after getting out of sight of any cameras and windows: "I was wondering when you might call...

"Okay, it's on? Are you sure you don't want me there to watch?

"Well, yes. But she's not going anywhere. And she'd !@#$ing kill me if I missed this. You know that.

"Ah, the doctors are !@#$ing useless. She could come out of it today, tomorrow, next week, next year. Brains are damn weird and brain doctors are...

"Well, you know how much faith I have in them after my own traumatic experience. I hear they waffled so much they could have opened up a damn Waffle House.

"What, you've never heard of them? Okay, next time you're stateside? We'll go. They're somewhere between an IHOP and a Denny's, only with fewer items and better service, respectively.

"Okay, it's a.... well, it's what it is. Yeah.

"Well, if you want to call it a date, I won't say no. I just don't want your fiance coming after me with one of his ridiculous guns.

"Oh? Oh! Well okay then. We'll call it a date.

"Yes, I'm sure. Velma would kill me if I didn't...

"Oh? You didn't hear? Well, yes. Mom and baby are fine. Mark's a little frazzled, but he's been through this before.

"A boy. Joseph Clutch.

"Yeah, well, they're not into cigars. I'll have to send balloons or something when I have time.

"Well, yeah. The one thing we never seem to have...

"Alright then. You take care, man. And good luck.

"Bye."

With that, he hangs up, drops the phone on the ground, and stamps it so hard it all but collapses under his boot.

As he dumps the smooshed burner into the nearest trash can, he catches sight of the Candidate going on about how Toons bring violence wherever they go. And something about how the piece of !@#$ says it makes him wonder what he knows.

And how much uglier this is going to get between now and November...

* * *

"Wait, are we actually having this conversation, Senator?" the Interim President asks, staring at the phone like it just flipped him the bird.

"Yes, I know what I said, sir," he goes on, shaking his head: "I was there at the time..."

He rolls his eyes, and looks around the Oval Office. It's deserted, except for him. Even his aides have stopped coming in, these days.

(Something about hygiene, they say. Well to heck with them. He doesn't have time to bathe, now.)

"Yes, I meant every word," Quayle says, spinning around in his soiled, leather swivel chair: "I asked Congress for it. They said no. Or at least they never said yes...

"Wait, wait. Are you actually telling me..."

Quayle's eyes get as large as dinner plates. He gulps, quite loudly.

"Now look. Just look here... Senator. Senator!

"Sir, you cannot be serious. You cannot be. No. No."

He listens some more. He goes pale as a sheet.

"Now sir. Ted. Come on now. You have to think about this. Think about what he said. Think about what we saw. 

"Yes, I know what I said. But I also know what I saw, Senator. And so do you. You were there, dammit! You urinated in your damn pants!"

Silence, and then he closes his eyes: "No. No no. Senator, this your President speaking. Yes, your President. Do not do this.

"Then I ask you as a man, sir. A man with a wife and children and a lot of people I care about. Do not do this. Please.

"Well then fine. You do this? We're not responsible for you. I'll call the damn head of the Secret Service and tell them to let you twist in the wind. You hear me?

"Hello? Hello?"

There's no answer. The call's been terminated on the other end.

"Oh Jesus," the Interim President says, getting up from his chair and wondering who all he needs to call.

Check that -- he knows who he needs to call, first and foremost. He just doesn't want to.

But he knows he has no choice...

* * *

"Are you sure you're ready, sir?" the Indonesian woman says, still looking uncertain in her new uniform.

"You don't have to call me sir, anymore, Yanti," Straffer says, trying to smile in an elevator full of armed Space Service guards. 

"What should I call you, then?"

"George would be nice."

"It's a bit too... familiar."

He smiles and chuckles, looking around at everyone. No one seems amused but him.

The ride down is fairly quick. Then they leave as one body, heading out of the Space Elevator, and towards a waiting UN transport -- floating an inch above the executive landing pad.

"Just take good care of it, okay?" he tells his former assistant -- now the Director of the Space Elevator: "It's a weird thing, but it's wonderful. And it's been wonderful to have rehabilitated it."

"I will," she says, shaking his hand before the guards put every manacle known to man, machine, and god onto him.

She stays and watches as they lock Straffer down, one inch at a time. If he finds the procedure painful, demeaning, or frightening, he does not show it.

About halfway through the ordeal, a transport takes off -- full of Martian refugees, bound for Mexicali. He watches it go, as best as he can, and maybe tears up a little at the sight of it. 

At last, it's done. He's encased in metal bands from head to toe, with only his his face showing.

They place further devices onto it. Life support monitors, motion detectors, and a very large bomb.

Then they carefully strap him onto an upright gurney, tilt it back down, and wheel him towards the transport. But before they do, she snaps off one final, proper salute -- making sure he can see it.

George Straffer smiles at her, then. And then they've wheeled him aboard.

And then it takes off, maybe a little quicker than absolutely necessary.

Director Yanti Hatta watches until it disappears over the horizon. And then, her duty to him done, turns to take full control of her new assignment.

She's just not at all happy with what it's cost her. 

Saturday: 2/20/16

"Hey," someone says to the Red Queen as she wakes up -- the room finally lit with sunshine from outside.

It's a woman's voice. She knows that much. And it takes every ounce of willpower to not leap out of her current position and wrap her hands around her neck.

She pretends to wake up by degrees. Opens and closes her eyes. Acts groggy. Half-sits up, and then rubs her eyes and mouth as if getting bad dreams out.

"Sorry to keep you waiting for so long," the woman says: "We've been kind of busy, the last few days. You know how that goes, right?"

"Not really," the Red Queen lies: "I was scared. I thought you'd forgotten me."

"You could have left at any time," the woman says, her eyes glittering in dark sockets as she indicates the door: "It was unlocked the whole time."

"I didn't check..." she says, shrugging. She looks stupid, now. Maybe a little mad at herself.

(She really knew all along. She just didn't want to appear to be too smart.)

"Well, that's okay," the woman says, rising up and looking down at her: "We promised you answers and left you waiting. That was bad on us. But you sat here, waiting, and trusted us. And that's good on you.

"So, answers. I got them. But I need to know something, and this is really important."

"What's that?"

"How fucking badly do you want to know the truth, girl?" Loreli asks: "How far will you go for an answer?"

"What do you mean?" the Red Queen asks, suddenly very spooked by how this crazy-eyed woman said the word '!@#$ing'

(Because she's heard it said like that before, what seems a whole lifetime ago. And it didn't end very well, thanks to the people who were saying it like that...)

"I mean that I have an army of people out there who will do anything for answers. Anything at all," the woman says, kneeling down before her and putting her hands on her new friend's shoulders: "They will die for them if needed. And that's what it might take to get these Gods to see us."

Red Queen looks into the woman's eyes. She sees madness there. Horror and terror.

The same kinds of darkness she saw in the eyes of that fake SPYGOD and the President's daughter, back in that house in Bangkok.

Something makes her shiver, and for a moment she thinks she's blown cover. But then the woman smiles at her, winks, and says "I think that's a yes, honey?"

She just nods, and lets Loreli tell her all about their movement.

And this time the shivers are real.

* * *

"Honey, you have to snap out of it," Florence's mother is saying over the phone: "I know this is a bad thing. And I know you feel bad about it. But you can't hide in your room forever."

"I know, mom," the heroine says, trying not to cry. And she keeps it up the rest of the phone call, during which her mother keeps telling her the wrong things, over and over again.

Why won't she understand? Why won't she just listen?

She's been violated. Humiliated, degraded, exposed.

Her most private self has been shared with the world against her will.

The pictures those animals took of her are now in circulation on the internet, and countless people are, at this moment, staring at her nakedness.

Raping her with their eyes.

And the one person she thought would at least understand -- at least empathize -- is telling her to treat it like she just broke her leg or something.

Can she be taken seriously, now? Will she ever get her self back from the world?

She doesn't know. She feels awful. Betrayed.

And for the love of God she doesn't know what to do, now...

* * *

"... but the people of Iowa and New Hampshire and South Carolina have spoken, and I really respect their decision," the grey-haired politician says, looking around the room as though for some kind of lifeline: "So tonight I am suspending my campaign."

There are gasps. Someone says "no." He smiles weakly and says "Yeah, yeah," before continuing on, but the newscaster doesn't give him the chance.

"That leaves five men standing in the Republican race," the blonde FOX News anchor says, her smile like a brace of knives: "With news that Cruz might concede tomorrow, having fallen behind Ben Carson in the total delegate count. Meanwhile, Sanders and Webb continue to run neck and neck, as leftist voters seem unable to decide between an avowed Socialist, and the darling of the so-called moderate wing..."

The AGENT snorts: "Heck of a way to talk about the next President," he says, turning the television off and leaning back on the bed.

The hotel room is small, dark, and not scheduled to be booked for the next three days. That makes it ideal for his purposes -- it'll give him some extra time in case things go weirder than usual, tomorrow.

He calls up the data the Time Chamber is sending him from 2044 on his holographic interface. The main cord of accepted history shows ahead of him, with something akin to a weird knot warping its features, tomorrow afternoon.

It's that knot that's brought him here, to Calexico -- evidence that something strange and atemporal happened here, on that date.

It might be nothing, of course. It's possible that his being here is what caused the knot. And so, in his time -- the future, from this point in time -- he comes back to investigate and causes the incident he's investigating in the first place.

(Temporal engineers call it a Closed Loop, maybe with a side of Bootstrap Paradox, and get all excited. He calls it a Snipe Hunt, and hates them with a passion.)

But better the simple explanation than the complicated one.

Because if it is complicated, then something else is going on here. Some weird fracture in the timeline is being committed by one or more parties.

And given how important what happens tomorrow is, there's no way in heck he's going to take the chance of things not happening the terrible way they're supposed to, as opposed to the cataclysmic ways that they might. 

Ways that might seriously change the history of Earth, or even wipe it out altogether.

So he checks the timeline -- over and over and over again. He sees who was supposed to be here, and who did what, and when. He plays the transcripts over and over until he has them committed to memory.

And then, when that's done, he meditates the rest of the night, there in the dark.

Waiting for the world as it isn't to show him how to change it back to what it should be...

Sunday: 2/21/16

Calexico, California. 6 in the morning.

A large bandstand has been constructed, within sight of the border. It's done up in red, white, and blue, with the Cruz for President logos everywhere.

Also, there are crosses -- tall, plain, and stark white. Many of them adorn the stage, and many more have been set up around the audience pen.

It's like they've been constructed to keep things in. Or maybe keep things out...

By some trick of location, the bandstand appears to be directly in a line of sight with the towering White City, itself, across the border in Mexicali.

And by some trick of the heat, even this early in the morning, the city of the Supergods seems to be less than a mile away...

* * *


"... from rejoining the portal on the other side," Myron says over the intercom: "I've got a reasonably good assurance that this should work. I'm not sure what kind of situation we'll be going into, but if it gets us all back to Earth, I don't see how this couldn't be an improvement."

He smiles, looking at Moloch, and then at the huge device they've spent the last few days putting together. It looks a lot like the old platform they used to get back and forth from the Treehouse, but with better safety features, this time.

(And a few other precautions Myron built in, just to be sure.)

"And I meant what I said, earlier. I don't hold any grudges on this. I don't care if you helped me or tried to kill me. We've all been used, here. It's time we got past that.

"So, if you want to come along? Come on down. We'll hold off on doing more than test it for a few hours, but I want to stress that, after the first go, we might not get another.

"So go to the second subfloor, look for the tube marked ORBIT, and step inside. We'll be waiting..."

* * *

... for the anointed son to come on down and say his say.

The makeshift lot fills up quickly. Cars from all over the American Southwest park so tight that it's a wonder anyone can get out of them. And they're soon joined by others, caravaning in from all over the nation.

Especially Texas.

Before long the penned-in audience area is full to bursting, and others have to stand beyond the line of crosses. Entrepreneurs sell t-shirts, snacks, and lemonade.

(Extra portajohns are eventually secured, to much cheering.)

The security is being handled by an open-carry organization, and while they stand there looking scary it's quickly apparent they're next to useless. Spot checks aren't routine, and they trust when they should verify.

The media show up predictably late, and do their best to navigate to the front of the crowd to capture what comes next. They've been told only that this is "super important," and "will change everything."

Some of them have their own opinions on what that means, and either keep it to themselves or make it the centerpiece of their early reports.

But all of them expect some kind of show...

* * *

... his face, just yet.

The AGENT is there, of course -- just quite some distance away. Watching the show through glasses that pull the world from far away up close in three-dimensions, so he can walk through the crowds unseen.

He can't be seen, either. His devices see to that.

He can see others who wish to not be seen, though.

Off to the far, far left -- just under three miles away -- is Wilbur P. Queensbush. Age 52. USMC sniper, and sought-after mercenary.

And today he's been hired to take out the man that everyone's come here to see.

He's been parked under some scrub since early this morning, wrapped around the best .50 caliber sniper rifle money can't buy in this timeframe. And he's waiting for the optimum moment to use it. 

He has no idea who really paid him, any more than he knows who ultimately set these wheels into motion. He really doesn't care.

He gets his money, he shoots, he kills, and then he melts into the haze of history.

(Dead in three days -- shot in the face by a jealous competitor. Such is life.)

If time goes according to plan, today, Wilbur succeeds in his plan. Rafael Edward "Ted" Cruz dies before he can say all of what he'd come here to say.

But not before a fanatic wearing a vest of C4, there in the front row, does something much more distracting, and dangerous...

* * *

".... we repeat, these prisoners are dangerous. Do not attempt to arrest. Shoot on sight..." the loudspeaker is blaring. But no one is listening, now.

They're screaming.

"You think you are good?" The Penitent asks the Arrow guard he's slowly choking with his fist on the cold, concrete floor: "You think God will forgive your sins? Not without pain, brother. And here it is..."

"Hey man," one of the others says, poking his abnormally-pale, white-haired head around the corridor: "Come on. We ain't got time for that !@#$ right now."

"There's always time for repentance!" the madman screams, clearly not wanting to be disturbed at this moment.

(Not when he's got his fist all the way down the guard's throat, up to the elbow...)

"Yeah, well, we got wheels up in five," someone else says, stomping on by. She's wearing a black leather business suit with a white, silk tie, and carrying a long, golden staff with a crackling, orange crystal skull at its crown.

"Are you sure we gotta bring him?" the albino black man who looked around the corner said, chasing after her: "He's trouble. Killed two guards, three inmates. No rules-"

"My employer was very insistent," Morgue Anna says, narrowing her eyes at him: "All the top security prisoners. Even him. Even you."

"Well, it ain't that I ain't grateful," Yellow Snow says, thumbing the gun he took off the guard he dealt with, back there: "I just hope your employer got a better plan than the last !@#$er I signed on with."

"Oh, he does," she smiles...

* * *

... as the candidate's tourbus pulls up, all campaign logos and URLs. 

The crowd goes wild. The bus honks in reply. 

Inside, in the back, the man of the hour kneels with his father. They've been praying since the bus left the hotel, this morning. 

So many miles, so many words.

All doubts are gone now. All considerations tossed aside. 

The father had convinced the son. The son is ready to fulfill his destiny. 

And nothing will surely stop them now...

* * *

"...that you're all here, I think?" Myron says, looking around the room, which has been partially lit by everyone's flashlights.

"This is everyone, yeah," someone says from the middle of the crowd: "The others... well..."

"They know it's okay, right?" Myron says, looking at Moloch -- who's clearly impatient to begin. 

"I don't !@#$in' think so," the large Irishman Myron tussled with the other week confides: "And neither do they. But here we all are, eh?"

"Yes," Myron says, gesturing to the platform: "So here's how it works. We all get on. Moloch powers us up. He gets in at the right moment, and we go back to BOWLER's headquarters' basement, or wherever the portal is operating from."

"And then what?" someone else asks.

"And then... we either make the best deal in the world, or kick some serious ass and get some massive payback," Myron says, looking each person in the eyes as he does: "Make no mistake, people. We left there prisoners. We're coming back as kings. 

"All of us."

"I'm so glad you feel that way, Myron," someone says from the darkness as she walks out of it.

It's the Chess Master, re-appeared at last.

And she's not alone, either...

* * *

... as he walks up the steps. His wife is there with him, along with his father. 

He waves to the crowd as he gets closer to the podium. His steps are confident and full. He looks alive and alert.

He may or may not have been crying. They might have been tears of rapture and joy. 

And as he gets behind the wooden podium, gripping the sides tightly, he lets the fury of the crowd exalt his spirit.

He smiles -- doe-eyed and vacuous, with his father and wife on either side of him -- and waits for the cheering to die down before he begins...

* * *

... to worry.

Straffer should have been let out of these ridiculous metal straps, by now. It's been a day or so.

How long do they plan to keep him here, all alone in this dungeon of a superslam?

He thought they might be taking him to Neo York City, but they diverted course from west to east, and headed for Africa, instead.

His GPS was offline, at the time. But he knew where they were taking him as soon as they landed.

The Korhogo facility, in Cote d'Ivorie. The place where the Terre Unifee kept its supervillains, until it was time to collect them to make another "hero," somewhere in its structure.

(The place that imploded, some time ago, after one of their more infamous inmates realized he was a god...)

The guards took him from the transport to an elevator, and from that elevator to a room on the ground floor.

And then they just left him, and turned the lights off as they went.

Is that their solution, then? To just leave him here to rot, here in this place that still stinks of the men and women who died here?

If so, they're making a terrible mistake...

* * *

"... the other week," the man says, holding onto the podium as if he might be blown away by the love of the crowd. Their adoration.

"I was challenged, as you all saw. The devil himself came to our debate, after I had spoken of his works, here on Earth. And he did not respond in a way that I expected him to.

"That was my fault, and I repent of it. I was proud and headstrong. I was too confident in my own self, and not confident in God's hand in things.

"And when he challenged me, this devil in the white city..." he says, loving the fact that some of his audience actually get the reference: "He was able to call my bluff. He threatened to bring down the world if I forced him to make amends for what he had done.

"And because I was not walking with the Lord, that night. Well, you saw me. I hesitated. I became afraid.

"And all I could say was..."

* * *

"... you have to be !@#$ing kidding me," Myron says, looking at Hook and Crook as they stand behind the Chess Master: "All this time? You were all in this together, all this time?"

"Yes," the two of them say -- one a split second after the other -- and hold their eponymous weapons up.

"Well, that explains a lot," he says, looking at the Chess Master: "So what now? You want to come along? I'm sure we can use the help-"

"No," the older woman says, raising an eyebrow: "Now, you and Number One get away from the platform. Then, Hook and Crook create the energy necessary to take us all home."

"And you strand us here," Myron says, gesturing to all the people who'd come down here: "I don't think so, somehow-"

"Then consider this," the older woman says: "I've heard your pathetic little speech. You think you'll all just go over there and tell them to lick your boots? Just you and a metal monster who'll betray you the second he gets home?"

There's doubt, then, and Moloch just chuckles -- deep, fiery bass.

"Now we, on the other hand. We get over there, and we can force them to do as we wish. We can reestablish connection. We can have you brought back.

"You'll just have to decide who you trust more..."

* * *

"... the Lord, or the Devil," their chosen candidate goes on: "The spirit or the flesh. The word or our flawed ability to understand.

"I didn't understand, then. Not truly. I thought I knew my place in history, and the world. But I was wrong. I was blind.

"But now, thank God, I can see!" he shouts. And the crowd shouts with him.

"Now I understand that I have a destiny. I have a mission. It goes beyond higher office, beyond elections, beyond anything we could understand.

"And now that I understand this, I understand that I don't have time to wait for another debate, another primary, or even another election.

"I have to do this now..."

* * *

... that the AGENT is realizing that something is going very, very wrong.

His tachyon detectors are going off the scale. His incursion alarms are sounding.

He looks at the thread, again. The knot is becoming even thicker, now.

More convoluted than he'd counted on.

Something else is going on, here. Someone else is coming through.

And for some weird reason, they're coming through right on top of him...

* * *

"... because we know he's listening, up there in that tower," the crowd's hero says, pointing to the White City behind him: "And let's tell this Seranu, as I tell him, that we are not afraid of him.

"Let's tell him that we are a mighty nation, with the one, true god on our side!"

"Let's tell him that we are not afraid of death, or fire, or pain, for the Lord our God is with us!"

"And let's tell him, as I should have done before, that-"

* * *

- the sniper spits out a mouthful of chaw, slowly exhales, and pulls the trigger -

as

- the man in the front row pulls the cord on his vest, and shouts that God is Great - 

as

- the AGENT screams in fear and surprise as his body warps into an unfamiliar shape -

and then..

* * *

In the locust wind comes a rattle and hum
Jacob wrestled the angel
And the angel was overcome
You plant a demon seed
You raise a flower of fire
See them burning crosses
See the flames higher and higher


(SPYGOD is listening to Bullet the Blue Sky (U2, before someone shot Bono) and having a Blazing World)