Showing posts with label ju kikan. Show all posts
Showing posts with label ju kikan. Show all posts

Monday, April 13, 2015

1/16/13 - Seven Days of the Con Job - Pt. 5.5

The New Men - Son and Father
(New) New Man {aka Violet Demon}, (Old) New Man
(Art by Dean Stahl)
* * *

Five miles off the coast of Choshi, in Japan, there's an undersea hangar no one's been in for at least a decade. 

It's a sizable affair, though most of it is now flooded. In fact the only areas that have not fallen to the relentless pressure of the ocean floor -- and the occasional seaquake -- are the ones that were hurriedly encased in thick, radiation-blocking concrete, just before it was abandoned.

The areas that housed a certain, amazing spacecraft that had fallen to Earth, back in the late 60's. Laboratories that played host to the brilliant exo-cyberneticist who'd discovered how to make it work in the first place. Apartments that housed the brave young men and women who made it fly and fight, all confined to the base for what they believed to be reasons of absolute security. Machines that kept it all together, somehow, there on the bottom of the bay.

Those people are all gone, now -- this cold, damp hangar their secret tomb

The problem -- as a stack of Organization 9's ultra-redacted reports would later indicate -- was the ship, itself. More accurately, it was the strange, interdimensional power that animated it, and allowed it to transmute into pure energy, for a time. The energy gave off a particular etheric vibration that eventually drove its pilots mad.

Each team of Flying Young Science Commandos could withstand perhaps seven months of near-constant flight and battle before starting to go insane. This is why they were proactively euthanized in their sleep after six. They would then be replaced by a fresh, new team that had no idea of the fate awaiting them, half a year from then.

Dr. Toriyumi Ryu believed that not being in the ship would save him, but he had no idea how long and deep the vibrations could travel. Over the years, his mind was slowly warped by the energies of his great creation, but its effects were carelessly written off as the stress of isolation or overwork. The fact that he'd been quite eccentric before being sequestered didn't help matters much.

So it wasn't until he had to be shot before he ordered an attack on Tokyo -- all over a small misunderstanding with the Prime Minister over funding and autonomy -- that his superiors realized the extent of the problem.

Worse still, without Dr. Toriyumi's unique understanding of the ship, no one else had a hope of fixing the problem. Knowing the precariousness of his position, he'd jealously hoarded all information to himself. Even the most technically-oriented members of any Commando team ultimately had to follow his radioed directions to fix the simplest of mechanisms.

So was Project Fire Flier halted and buried by direct order of the Prime Minister, himself. The workers suddenly removed the air from the Flying Young Science Commandos' quarters, suffocating them where they stood. They slathered concrete everywhere, and then left on subs that were remote-detonated to preserve the secrets of the base. 

Mister 9 is, himself, quite dead. The leadership of his organization died along with him. From its ashes rose a new Organization, Ju Kikan -- Organization 10 -- whose leader entered into a rather unusual agreement with SPYGOD and the former President of the United States of America, in order to oust the Imago from the world. 

That leader -- the appropriately-named Mister 10 -- is no longer the leader of his own group, thanks to the Terre Unifee. And even if he were still in charge, he is no longer in the mood to make agreements and arrangements on behalf of what's left of it.

Now he is in the mood for revenge -- swift, brutal, and total.

It was a simple thing to steal a salvage submersible from one of their old, secret lockups. It was even simpler to come out here, to this sealed underwater tomb, and open one of the hatches that his predecessor had installed "just in case." 

It was not so simple to come down into a cold, wet chamber, smelling of damp and rot, and trudge through the condensation and disgusting, dead bodies of disposable teen heroes. It was also not so simple to do so with only a flashlight to guide him, and so many strange and unnerving surprises, waiting down there.

But Mister 10 is not afraid. He is the one others are afraid of. He tells himself this, step after step, as he imagines the strange, interstellar radiation of the Fire Flier working its lethal changes upon his brain.

No matter. Once he gets to the ship -- still in perfect working order, in spite of what he told that one-eyed gaijin -- he needs only a few minutes to get it to recognize his commands. Then it's just a matter of getting its engines warmed up so he can lift off, which shouldn't take more than a day.

And then getting up to the Sled and back, which shouldn't be a few hours, provided they do what he demands...

But if they refuse, and he cannot have Hanami? Then he has no desire to come back.

If he cannot win her back? He will gladly turn the Fire Flier into its namesake, and plunge it right into the Sled. 

If he cannot have her? Then he will die with her, and the Earth can watch him burn.

One last passage, one last body, and he stands before the ship. The spacecraft lights up at his approach, sensing the presence of a warm body after so long in the cold and the dark.

Mister 10 takes it as a sign, and gives a rare, begrudging smile.

* * *

The old man looks down at the city fifty stories below his feet, feeling the thrill of the hunt for the first time in years.

The TU transport vibrates as it hovers, which is throwing off his aim a little. He likes to tell himself that's why he keeps missing as he tries to kill his quarry. It's not true, but it's not like he has to believe in his own lies.

Lies are for other people, after all. He can handle the truth.

In fact, he demands it. 

He is Underman -- the original Underman, at that. The one who built the Tunnelator. The one who developed the vibration guns, drill bullets, rock melters, and numerous other devices and gadgets that made his criminal career.

And what a career he had! He stole and pillaged both above and below the Earth's crust. He struck terror into the hearts of law abiding citizens and police officers. He went further and deeper than any Lithonaut before him, mapping out wide swaths of the amazing world beneath our feet.

He came, he saw, he took -- discovered, learned, and stole.

And when he no longer felt the thrill of theft or discovery, and his joints began to ache too much to keep repairing that ancient, well-worked machine of his, he did the same, smart thing so many other aging supervillains did. He auctioned his franchise off by way of the Legion, and then retired to a tropical paradise, down in South America. There, in a small house between the jungle and the city, he would spend his sunset years happily spending what he'd earned, dreaming of his glory days, and maybe someday put it all down in print. 

That was the plan, anyway.

But then the fat piece of !@#$ who'd outbid the others had gotten himself captured by the COMPANY. And, rather than tell them to get stuffed, he'd utterly capitulated to their demands. He'd gone straight, as they said, which was bad enough.

Except that part of his "rehabilitation" was telling them where his aging predecessor had retired to.

Which was why one fine morning in September, two years ago, some ridiculous-looking man in a costume led a group of much less-camp soldiers into his mountaintop hideaway, and arrested him while he was having his morning shower.

That was bad enough. Worse still was that, as he'd refused to have his mind wiped, it wasn't too hard for the COMPANY to get all the information it needed from him. Thankfully, he'd given all his files and information over to the traitor, so they didn't have to use the N-machine.

That didn't stop them from giving him quite a workover, though. And when they were done with him, they sent him off to the Ivory Coast, there to be stuck in a super-slam.

That was two years ago, and he still lives with the reality of every terrible thing about that place. The lack of privacy and freedom. The removal of humanity and dignity. Being forced to live with some of the worst examples of humanity, and be guarded by even worse examples.

That and waking up every day knowing he'd been sold out. Betrayed by the overly-eager kid whose eyes had been so alive with wonder that the aging villain had actually told the auctioneer to all but give it to him, just because he thought he'd be good for it. The fat-faced piece of !@#$ who had sworn -- sworn -- that he would keep what he knew a secret.

Lies are for other people, but no one lied to Underman. Ever. 

Which is why he's slowly floating through the city, now -- carefully watching its streets through the scope on his gun.

The laughing madman -- Friendly Fire -- is acting to flush the pretender out. He's working to get him to step out of the maze of alleys and abandoned buildings and actually show up in the main streets.

Once he does, Underman will use the vibro-cannon on him.

From this distance, it'll take a while to reach critical mass. He'll have time to realize what he's in for as his entire body shakes, and the veins and arteries begin to burst under his skin, inside his lungs, and in his eyes.

He'll know who's killing him  -- and why -- before his bones shatter and organs burst, and his mind runs out of his mouth.

All he has to do is aim straight. All he has to do is nail him with the wide beam that doesn't quite reach down from this height.

All he has to do is rely on a crazy !@#$hole who hunts by echo-location, courtesy of his insane, endless laughter.

But sooner or later, he will have his revenge. Myron Volaar will show himself. The fake "Underman" will die.

Sooner or later, his pain will be redressed, and his betrayal avenged.

And that's the truth.

* * *

"Mssr. President, I must admit to some confusion..." Jean-Jacques says, hoping the man can hear him over the sounds coming from that ridiculous rifle the man's shooting at his own office walls.

"What do you mean?" the President asks, putting his spent gun down and sitting down in his chair, waiting for his gaggle of interns to put up fresh new targets.

"Why are we putting SPYGOD back into the very cell that he escaped from?" the fat man asks, trying to mask his frustration with apprehension: "We know full well, thanks to your inside person, that he was involved in a plot. Several, in fact!"

"We do, yes," the President answers, pulling a large flask from one of his desk drawers and unscrewing the cap.

"And if he was involved in those plots, he must have many more conspirators than we know of," the Minister says, gesturing to the screen halfway down the room that's tallying which members of Team Alpha have been captured or killed: "With all respect, I fear that having him back there, in plain sight, may act to rally them."

"Well, if you had to guess?" the President asks, offering the man a drink, which he refuses.

"Are you waiting for more information from the Owl and her lover?"

"No," the President says, having a long and fragrant pull from the flask: "We've got enough info as it is. Just the original charges alone are enough to pin him to the wall for an eternity, provided you've got your ducks in a row."

"Um, yes," the man says, a little miffed that the President would doubt his efficacy: "All your ducks are, as they say, in a row."

"Then we're good."

"I do not understand, Mssr. President."

The President snorts, and, taking another pull from the flask, raises a finger: "Let me explain something to you, Jean-Jacques.... you know that SPYGOD trained me for spy work for a time, right?"

"I think so..." the fat man says, knowing full well what happened in Mongolia, last September.

"One of the things he told me was to learn to think like the enemy. And one thing I know about SPYGOD is that, no matter how well you have him backed up to a wall, outgunned, outmaneuvered, whatever? He always has an exit strategy. !@#$, he always has fifty of the !@#$ things. He's got so many plans it's a wonder they aren't all stepping on each others feet like kids at a school dance."

"He does show remarkable foresight," the Minister admits: "So, you are worried that some of them may go off? If so, should we not place him someplace more secure?"

"Oh no," the President says: "He probably already figured on that. He's most likely got the exit strategies for the ten most likely lock-ups. So putting him back where he escaped from puts him at a disadvantage."

"Except that he may have had other things hidden there-"

"He did. But we know what they are, thanks to Straffer. And we took most of them away, and left a few behind, slightly altered. If he tries to use them he'll be in for an unpleasant surprise."

"Can we trust his lover?"

"Oh, I think we can," the President smiles: "I turned him good."

"You did it?" the Minister asks -- that is a surprise.

"I did," the man says, selecting a new rifle to fire, and then hefting it: "I got in touch with him not long after that farce with the Nthernaut, the other week. I made him a promise and a guarantee, just like SPYGOD taught me. The promise was that, if he cooperated, I'd put him in charge of the Space Service again, which was more than enough to get him back on our side."

"And the guarantee? I presume that was a threat?"

"Oh yes," the President says, his eyes like cold stone: "We can take him apart a lot easier than we put him back together. And when we're done, and he's just a brain in a tank? We can leave him in a dark room, somewhere, pumped full of those drugs we use to keep disembodied brains alive.

"The kind that cause the sort of nightmares where you don't know if you're alive and in pain, or dead and in Hell. And thanks to being unable to form long-term memories without sensory input? Well, every second it's a new bit of confusion and terror. A horrible sort of thing to do to a man, wouldn't you agree?"

"I would, yes," the Minister of Justice says, thinking of how many people he has in cerebral detention: "But what of SPYGOD's connection with the Nthernaut? Surely this must be a concern?"

"Ah!" the President smiles: "You've hit the nail on the head, Jean-Jacques. That's his ace in the hole. He's imprisoned in a city run by one of the most powerful allies. And you can bet his escape plan is going to use that."

"So we should move him-"

"No," the President sighs, shaking his head and turning the gun over and over in his hands: "You're missing the point, Jean-Jacques."

"Then perhaps the President can remind me of what it is?"

"Gladly," the President says, shooting a round into the floor between the fat man's feet, which does wonders to sharpen his concentration: "Remember how this man thinks. He's so paranoid that he thinks everything is out to get him, anything can go wrong, and everyone could either screw up or betray him.

"So he makes as many plans as he can to deal with every eventuality. Plans that even Straffer didn't know about. And to make those plans he needs as much information as he can get his hands on, and as many people to help him as he can command or force to do so.

"Now, does that make sense?"

"Yes... yes. It makes total sense," the man stammers, hoping he doesn't get shot at again. 

"Knowing that, we have to assume he knows we're making something to deal with the Nthernaut."

"But how? Even that eye can only see so much-"

"Same way he knows everything, Jean-Jacques. If he didn't have someone look into what we were doing, and find out our plans, he'd probably have used that box we confiscated and come spy on us himself..."

The Minister's face goes stark white at that. Clearly he hadn't considered SPYGOD and Straffer ghostwalking all the way to Paris.

"This also means we have to assume that he knows we have to wait until it's done to use it, and that the Maker will not be rushed.  Now, what does that suggest to you?"

Jean-Jacques opens his mouth like a fish, and then closes it. He has to shrug, and feel stupid under the President's withering glare.

"It means, Minister, that your prize criminal is going to try and escape from his cell just before that device becomes available. And that's because he always waits until the last minute to pull off a plan like this. Always. It's how he says '!@#$ you' to his enemies. And because he can't !@#$ing help it."

"But that is also when he at his most vulnerable..." the Minister says, finally getting it.

"Yes," the President says with a smile: "So we pull the rug out from under him, just then, and catch him with all his pants down. And then you'll have your trial, and we'll have the city under control, and everything will be right in the world again."

"Agreed," the fat man says: "But, what of his remaining allies? Could they not try and affect some plan of their own?"

"They're being mopped up as we speak," the President says, getting another text to indicate a success by Team Omega: "And as for others, I sent Henri over to talk to Josie. She's in charge of the COMPANY now, knows where the bodies are buried, has no love for SPYGOD at all, and wants to stay at her job.

"So if there's any chance we've overlooked something? I think they'll find it," the man says, indicating that someone should change a face on the board from AT LARGE to DEAD. 

"It's all about filling in the blanks, Jean-Jacques," the President says, grinning a little wider than his Minister of Justice is used to seeing.


* * *

"What does 'vanished' mean?" a certain, shadowy person is asking over the phone.

"I mean they're not here, sir," an invisible man wearing a no-suit explains, looking around the vast, underground cavern that used to hold the Toon Nation.

"How 'not' is 'not here'?"

"Sir, there are no people here, Toons or otherwise. There is no equipment or vehicles. There are no papers or supplies. If it wasn't bolted down to the walls, it's gone."

The shadowed man sighs and shakes his head: "Unacceptable. Getting tired of people just vanishing."

"Can we get something from IMINT, sir? Something must have seen something."

"Can't depend on satellites for anything, Agent. Believe me."

"Yes, sir," the agent says, knowing full well that the man does know all about that.

"No, this is a good, old-fashioned gumshoe problem. Look around. Talk to people. A whole colony of cartoons come to life doesn't just disappear without some trace."

"Will do, sir," the agent says, turning off his phone and heading out of the echoing chamber, knowing full well that he's probably pulled a losing assignment. The Toons picked a great place to hide out in: no one for miles around. If he finds anyone out here, they'll either be lonely weirdos or gun nuts, crazed from the heat. Maybe both.

He gets about three feet from the front entrance before a shadow hides the sun. He looks up and realizes what's casting that shadow has big ears, beady eyes, and very big teeth.

And can see him. 

"Good evening, good sir," the fuzzy, non-animated coyote -- standing up on his legs -- says with a strange, upper-crust accent: "Allow me to introduce myself..."

* * *

"So, why aren't you coming to me directly?" the scrambled voice on the other end of the old Freedom Force communicator asks. 

"Because I'd rather not get my name attached to this, if you don't mind," New Man sighs, hoping this Scranton flophouse he rented for the night isn't bugged, or worse: "And I think you know why."

"I do, yes," the voice says. There's a pause, and then: "What do you think I can do for you?"

"My son," the man says, putting his hand up to his eyes: "He's... he's mixed up in something big. Something that's gone out of control, I think. He tried to tell me as much as he could, before all this !@#$ started. And I had assurances he'd be okay, no matter what. But now..."

"Now, you know those assurances aren't worth a whole lot," the voice picks up from where he's left off.

"Yeah," the old man sighs: "Not a load of beans, near as I can see."

There's silence for a time, and New Man is afraid he's being blown off -- even after everything.

"Alright," the voice says: "I'll do what I can. And you know I'm good for it. But I'm going to need something in return."

"What's that?" 

"Call it a leap of faith," the person says: "Did SPYGOD ever tell you where the Third Base was?"

New Man's heart skips a beat at that: "What, the COMPANY's Third Base?"
 
"That would be it."

"I thought... it's just a joke, right? Something SPYGOD told people to get them looking in the wrong direction to find all his secret !@#$?"

"Well, it didn't hurt that they wasted all that time looking for it. But no, it's real. It's been hiding in plain sight all the time. And back when he and I weren't exactly friends? I found it."

"You're kidding."
"We don't have time for jokes. So here's the deal. I'm going to give you the coordinates. You go straight there and secure it. And in return, I'll make sure your son walks out of this. !@#$, I'll make sure he walks on water for the rest of his adult life if you pull this off."

"Is it that hard to get in?"

"Let's just say it's... unusual."

And when the National Facilitator of the United States gives him the address, New Man understands exactly what Mr. USA means by that word, and why this counts as a favor.

He also understands just how far he's willing to go to save his son. 
* * *

"Oh God, you idiot," the Violet Demon says, looking at what's left of Sir Smashalot -- a wet human outline thrown up against the whorehouse wall.

It hadn't been too bad, as far as assassination attempts go. Talk him into a well-deserved night out, now that they'd achieved their goal. Get him a few drinks. Convince him to splurge on one of those Croatian hookers for the two of them. 

And then try to kill him while he was good and distracted. 

It might have worked, too, except that the moron made too much noise putting his smash gloves on. They were weighty metal and plastic. They clinked, just so.

And the moment he heard that clinking, and looked around, he saw the villain aiming his high-tech hands at him, clearly intending to use them for their intended use. 

The reaction was automatic: he spun right off of the woman he was paying for, ducked by the bed, and aimed his own, innate power right at the man he'd been working with for the last few weeks before he could do the same. 

He hadn't intended to do that much damage. Maybe the fact that he'd been !@#$ing had messed with his metabolism. Maybe he'd panicked. 

But now his ally-turned-assassin was a smoking spraypainting of a man -- his gloves the only recognizable thing left.  

As he stands there, hearing the woman scream and cry for help, he realizes that this was doubly senseless. There was not only no reason for him to have actually killed Sir Smashalot, but there was no reason for the man to have tried to kill him. It just wasn't in his nature -- he wasn't that kind of supervillain. 

Which means the only reason this just happened is because someone higher up in their group has called for him to die. And that means that either the Scarlet Factotum finally figured out what he was up to, or else -- and far more likely -- the crazed, red robot was no longer in charge, and the new regime was not wanting her actual allies to complain about it. 

"The Pusher," he intuits, a whole lot of things suddenly making sense. 

He grabs his clothes, leaves a lot of money, and starts running. He doesn't know exactly where he's going, yet, but he knows where he can't go anymore. 

And that's as good a place to start. 

* * *

Myron sits down in a pool of his own blood at the front of a corner party store, not really sure how long he's got after what he's just done. 

It wasn't a bad plan, after all. He just had to make the laughing idiot think he was scared and helpless. Make him chase him everywhere he went, no matter what. 

Even if it meant going somewhere like this. 

Myron had no weapons. None of his gadgets. Nothing that could help him win a fight but his brains and what little he had to show for brawn. 

But if there was one thing he had -- something he's always had -- it's the ability to cobble !@#$ together on the fly. Take ten mismatched items, break them down, and make a radio out of it, or something. That kind of thing. 

So when he ducked in here, just ahead of Friendly Fire, he knew there was something here he could use to confuse a blind shootist who hunted through echolocation. If nothing else, a few ruptured canisters of helium might make his voice go so weird he'd have trouble shooting straight. 

But when he saw the noisemakers? Oh, that was the moment. That was it. 

That was when he realized he had a chance, after all. 

The crazy !@#$hole walked right into it. He ran in, laughing like a loon and grinning like a freak -- guns blazing. And then, just as he thought he had Myron dead to rights, his quarry let a whole pack of those blaring things go off. 

The effect was instantaneous. The idiot stopped laughing and started screaming. His over-sensitive eardrums burst like plums. He dropped his guns in pain and shock. 

And Myron, not wanting to lose a second, grabbed one of those guns and shot the blindfolded man in the head. Several times. 

It wasn't until he was sure the man was dead that he allowed himself to realize that, in the confusion, the man had shot him, too. Upper chest. A lung was ragged and painful, and didn't want to inflate all the way. He coughed blood and other, less happy things into his hand. 

So he sat down, feeling the pain come on. He couldn't quite feel his legs, anymore. It was just shock, and he knew that, just as he knew that if the !@#$-scared employees had stuck around to call 911, he'd probably live through this. 

If. 

He can hear the old man coming, now. A TU transport makes the whole block hummmmm under his !@#$. There's the twinned clopping of heavy boots on the ground outside. A swagger no amount of age could disguise. 

Even now, he could still beg for his life. He could crawl and say he was sorry. He was forced, he was threatened. His younger brother, his mother, his family. 

His own life, for that matter. 

He could, but it would be a lie -- well, most of it. In his heart he knew he was doing the right thing in the wrong way, even then. He'd known the story of his life was going to go a different direction the moment he bought that old machine and made it his own. 

He didn't know all the strange turns it was going to take, of course. He didn't know he'd take down a science terrorist organization, find and lose love, and then save the world almost all by himself. He didn't know he'd lose his soul and then find it again. 

And no idea he'd put on a costume and call himself a hero.


Something that, after being caught in a vibro-blast, it had taken a long day's run to finally shake out of his brain. 


The old man's here, now. He's yelling and shouting at him. Telling him how worthless he is. How low. A liar, a cheat. A fraud. A traitor.

Myron just closes his eyes and smiles, denying the old fart the honor of looking scared in his presence.

And then, just before the original Underman can lift his rifle, and vibrate his errant protege out of his own skin and bones, he flips the old man the bird and says just three words. 

"Game Over, mother!@#$er."

And then it is.

* * *

Up Against It
The Higher You Fly - The Further You Fall
Up Against It
Wondering Why - We Fought After All

* * *

(SPYGOD is listening to Up Against It (Pet Shop Boys, remix) and having a Labelle Game Over)

Sunday, March 29, 2015

1/15/13 - Seven Days of the Con Job - Pt. 4.5

Les Trois Grandes
Foudre Blanc, Tempete Bleu, Ciel Rouge
(Art by Dean Stahl)

* * *

Far off the beaten path, in the mountains of India, there's a particular peak that does not appear on any map. 

It's a terrifying thing -- tall and scraggly, utterly bereft of plant life. The animals all give it a wide berth, and people who look at it don't care to stare for too terribly long.

It's just not a healthy thing to consider, for some odd reason -- especially not on a night like this.

Before that unholy mountain is a windswept plain. In that plain, well within the mountain's moon-shadow, is a cairn of black and tan rocks. It's maybe two feet tall and four feet wide, and with no writing to explain why it's there. 

Suddenly, there's a wavering motion in the air, and someone appears directly in front of it.

It's a man, dressed in what might be some kind of sterile suit. It's got a clear facemask and an oxygen tank. It's also got blood spattered all over it. 

The man reaches down into a pouch, on the suit's belt, and pulls up a small, plastic communicator. He says something into it, and then tosses it off into the dirt, where it sparks, smokes and warps itself into uselessness within seconds.

By the time it's broken itself down into nothing but unhappy molecules, the man has vanished again. This time it's by an entirely different mechanism, and for a much different purpose. But the disappearance is so seamless and smooth that, if anyone had been out here to watch, they might think they just saw a magic trick. 

And they might just have applauded, in spite of themselves. 

* * *

“Quite the speech, my friend,” Foudre Blanc says to a well-dressed man, shaking his hand as he does: “Very convincing.”

“Thank you,” the fellow says, clasping the hero’s hand with both of his own and smiling: “I certainly hope so. They say you can lead a horse to water…”

“But you can’t get him into the boat?”

“Exactly!” the man laughs, his voice echoing across the large, tightly-packed hall he was just addressing.

The room is filled to bursting, tonight. Hundreds of Front Nationale representatives are there, along with delegates of other likeminded groups from throughout Europe. They all press flesh and chortle, so high on the fumes of what they just heard that their normal antipathy for one another is mostly absent.

“So, do we have a timetable?” the white-clad hero asks, wondering how long it’ll be before the Lega Nord people start a fight with the Golden Dawn, just because.

“Soon,” the man says, nodding at that mousy woman from the Danish People's Party as she touches his sleeve and thanks him.

"Just soon?" Foudre Blanc replies, a little dumbfounded: "My understanding is that that... thing is getting even closer. Surely we have to be ready to move soon?"

"And we will," the man assures him, patting him on the back: "It's just a delicate thing, you understand. All these people, all these technical setbacks. And then the matter of getting us up and away in the first place..."

He pauses for a moment to nod at that weird-haired fellow from Party for Freedom, who's entertaining a gaggle of starstruck NF people with his own tales of making things difficult for Negros.

"If there are still difficulties, you can count on my help," Foudre Blanc says: "My company has gladly given time, money, and resources towards this goal. And will gladly continue to do so."

"And it's greatly appreciated, Bruno," the man says, nodding to others still as they pass (Jobbik, Finns, those ones from Spain who change their name every other year): "Indeed, if it hadn't been for Industries Roquer, I doubt we'd have gotten this far this fast."

"Even with the backing of the Terre Unifee?" the white-clad hero chuckles.

"Well, it's one thing to have the reins, and another to be able to gallop the horse out of the stable at any time," the man winks: "I'm sure you understand, having your own group of secrets to tend to."

"I do indeed," Foudre Blanc says, quietly wincing as Julien starts heading their way, the better to schmooze on the man of the hour, too.

"Have no fear, my friend," he says, smiling at the hero: "We will take to the skies, as I have promised. We will leave this sorry mess of a world behind. And we will set up a new, more pure one elsewhere."

"A noble goal," the hero says, taking a step back as the Old Man's number one comes up to fawn.

The after-speech festivities go on for some time. And with each passing moment, Foudre Blanc becomes more uncertain of things. More ambivalent.

It's not that he's against the plan -- indeed, he's one of the principal bankrollers. But rather that, when he started his campaign, he imagined that he would be cleaning up Paris of the human filth that had infested it, so that future generations could once again live in a clean and beautiful city. 

But this way? They'll be leaving it in the dust to be destroyed whenever that massive space disaster gets here. One of the greatest cities in the history of the world, rendered unto dust by some horrible thing beyond human imagining. 

Does that mean his mission is a failure, then? Or is he simply trading what would otherwise be a lifetime of work for a sharp and final lateral move? 

He's not sure. He resigned himself to a lifetime's crusade, back when he began it. Indeed, he knew he might die with that mission unfulfilled.

But now -- as he stands on the brink of seeing it done by default -- all he knows is that he will be disappointed that the final piece of negro filth that dies in his city will not perish by his hand, but instead by some abomination that he'd never dare to look upon, himself.

Disappointed, and more than a little cheated to see his promise to Sabine fulfilled by default. 

Eventually, the evening comes to a close. People leave in small knots and whorls, and then in one final trickling. On the steps, at the end, Julien shakes the man's hand, and then walks away quickly before Foudre Blanc comes up to pay his own respects. And then he's gone too -- zapped off into the electrical wires -- leaving only the man of the hour, who must now catch a cab, as though he were simply another businessman out at night. 

Unbeknownst to him, as he hails a taxi, he is being watched.

One of his spies is a woman wrapped in a red shroud, who lurks in the shadows of a nearby building and glares at him. If looks could kill, he would have died a thousand deaths by now. Indeed, it’s rather difficult for her to avoid going over there, right now, and giving the dead their due.

Especially after everything she just heard inside that hall…

But Ciel Rouge is not stupid. She knows she cannot touch him, here and now. Not with the power he holds. Not by herself.

No. She must wait for the right moment to expose him, and his followers. She must gather more facts and gain more allies. She must be ready to bring the house down in such a way that it wouldn’t collapse on her, instead.

And she thinks she knows just what to say, when she finally gets the chance. 

She vanishes, leaving him no wiser. And as he finally gets a cab to stop and pick him up, he's observed by yet another person -- a black-clad, young blonde woman who kneels on a rooftop, miles away. 

If anyone came onto that rooftop, just then, they might think she’s making ready to take his head off with the rifle she’s wrapped around. But the rifle has a long-range microphone where the barrel should be, and a large telescope attached to what should be a sight. 

Helga smirks, watching as Guillaume Brilliand, Director of the Space Service, gets off the street at last. 

I've got him, she tells the others. 

And suddenly, something becomes very clear to them all.

* * *

“So, you want to tell me what’s really going on, here?” Mark Clutch asks SPYGOD, walking into the otherwise-deserted room the man is sitting in. It might have been a library, once, except that all the shelves are empty, save for dust and cobwebs.

“Well, I’m having a !@#$ing drink,” SPYGOD says, raising a glass from the side of his ratty chair: “Straffer’s taking a !@#$ shower. Martha’s making sure the car’s good to go-“

“And you’re going to answer some !@#$ questions for a change,” Mark insists, leaning over him.

“You sure you want to take that tone with me, son?”

“!@#$ straight I am,” Mark says, too angry to be properly scared.

“Okay…” SPYGOD says, having a sizable gulp of his drink: “Let’s have it.”

“What are we doing?”

“What?”

“You heard me.”

“I did, Mark. That’s just kind of !@#$ing broad.”

“What are we doing here?”

“Well, that’s kind of !@#$ing existential-“

“Shut up!” Mark shouts, knocking SPYGOD’s drink out of his hand and putting his fist in the man’s face: “I swear to God if you get smart one more time I’ll-“

He doesn’t even see SPYGOD move. One moment he’s standing in front of a sitting man. The next he’s sitting in the chair, and SPYGOD’s standing over him.

“What?” he says, his brain still reeling from the sudden movement.

“Now it’s my turn,” SPYGOD says, pointing to the glass where it lies on the ground, empty: “And before I !@#$ing say anything, you better understand something son. I love Martha with all my !@#$ heart, but you ever knock anything out of my !@#$ing hand again, you’re going to be making yourself a new one with your other one broken and shoved right up your !@#$. You !@#$ing got that, son?”

“Well, at least now we’re being honest,” Mark snorts.

“What the !@#$ do you mean?”

“I mean you’re finally showing us how it is.”

“You mean you didn’t !@#$ing know, already?” SPYGOD asks, raising an eyebrow: “I shoot people for less backtalk, Mark. You know that.”

“Yeah, and that’s one of the few things I do know.”

“Look, son, I !@#$ing told you,” SPYGOD sighs, putting his hands to the sky in exasperation: “I’m not telling you a !@#$ thing more than you need to know because it’s not !@#$ing safe. Not for the plan, not for me, not for you.”

“Maybe I should decide that?”

“Because I am sick and tired of not knowing anything,” the man says: “I am sick and tired of being led around by the nose from place to place. I am sick and tired of following mysterious leaders who don’t tell me who they are and ask me to put my !@#$ life on the line, and then-“

“You realize you just !@#$ing described being someone’s sidekick to a t, right?”

Mark blinks a few times, and then, sighing, just looks down at his hands: “It’s just… I love Martha, (REDACTED). I’d follow her around the world. I’d trust her with my life. And the reason for that is that she does not play this secret agent man game with me.”

“It’s not a !@#$ game, son.”

“You know what I mean.”

“Pretend I !@#$ing don’t. Explain it to me, Mark. Small words, long sentences.”

“Alright then,” Mark says, looking him in the eye: “I spent a long time hiding in a treehouse on another planet, following the orders of a guy in a mask who claimed to be working for you, but really wasn’t. And then almost dying because one of the people we thought you vouched for turned out to be… what the !@#$ WAS that thing?”

“Moloch?” SPYGOD says, shrugging: “Damn if I know. Dangerous, that was for !@#$ sure.”

“Yeah. And come to find out it’s Mr. USA-“

“That was not Mr. USA.”

“No, I mean the leader of the resistance, who was Mr. USA, who’d been living a parallel life to the Mr. USA we all knew, and acting in secret all this time, and not stopping !@#$ from happening, and-“

“Stop it,” SPYGOD  commands, waving a hand in front of the man’s face, as if to wake him up: “We just got over this !@#$. Let’s not !@#$ing start it again, okay?”

“Well, that’s just it. Maybe I’m not over it. Maybe I still have a problem being led a mysterious leader who not only doesn’t want to tell me what’s going on, but just admitted even he doesn’t know what’s going on. Maybe I’m sick and tired of being in the dark.”

There’s silence for a time, then. Mark sits there, unsure if he’s going to get smacked, shot, or yelled at some more. But whatever anger he felt when he strode in here seems to have dissipated, somehow.

Better out than in, maybe.

“Look,” SPYGOD sighs, trying to be a little more gentle: “Do you know what a !@#$ N-Machine is, Mark?”

“I think they might have told me, once or twice.”

“Then imagine this, son. Imagine you !@#$ing know something, and you know you !@#$ing know something. Okay?”

“That’d be a first.”

“Now, imagine you get !@#$ing captured by someone who wants to know that something. And imagine they have people who are !@#$ing good, I mean really !@#$ing good, at figuring out that you know something they !@#$ing want to know. And imagine they’re in a !@#$ing hurry and don’t care to try to talk or torture it out of you. Especially if they’re !@#$ing smart enough to know that torture doesn’t !@#$ing work?”

“Then they’d use the machine on me,” Mark says, sighing.

“Exactly, son. They’d use the !@#$ machine on you. They’d drain your whole !@#$ing life out of your !@#$ eyes, just to find out that something. They’d inflict that horrible agony on your !@#$, just to know what you know. And then you’d be !@#$ing dead, and we’d be down a !@#$ good person at a time when we can’t afford to !@#$ing lose anyone.

“And Martha would be !@#$ing heartbroken,” SPYGOD continues, leaning in a little more: “She lost her whole !@#$ family that night. You and her son are all she’s got left, and he’s kind of !@#$ing stuck in the Big Apple. And she loves you back.

“So don’t !@#$ing ruin it,” he finishes, tapping a finger on the man’s forehead with each word.

Mark just nods, looking down and feeling really !@#$ stupid.

“Alright,” SPYGOD says, standing fully up and getting ready to go: “I’m glad we had this talk, Mark. I feel we really had a productive !@#$ing discussion, don’t you?”

“Yeah,” Mark says, weakly.

“And just for future reference?” the man says, pointing to the glass on the floor: “That whiskey was !@#$ing older than both of us put together. If you can’t respect me, at least respect my hooch.”

“I’ll keep that in mind,” Mark sighs, but the man’s already gone.

* * * 

"Tasukete..." the guard on the floor keeps repeating, weakly holding his guts in as his life trickles between his fingers. 

His words might have some weight with his killer, except that the man's not paying any attention to him. Indeed, he's not paying attention to anything in the room. Not the other Space Service guards, here in the room, who had the courtesy to die quickly, or at least more quietly. Not the alarms that are ringing helplessly, as there's no one else alive in this part of the Rebun Island facility to come answer them. 

And not the guards in the rest of the facility, as they have their own problems, now...

The beefy, Japanese man in a floral shirt sits in a chair at the central terminal in the room, which is filled with other, smaller terminals. Under normal circumstances, it would be filled with communications personnel, all eager to talk with the various missions going on right now. 

But they're not here, right now. They're all on the other side of things, fighting for their lives against some horrible monster that, up until now, they thought was a story for children, or at least people who refused to grow up. 

And as they aren't able to stop the man, he's used his recently-reinstated access codes to link up with the Sled, and look at their executive security logs. 

What he's watching is making him cry.

It's hard to be certain what's going on, in the knot of bodies that's floating in zero-G. There's men and women in there, all sliding over and around one another. People are !@#$ing and being !@#$ed, in various ways and combinations. Lots of moaning and groaning, cries and laughter. 

And in the center of that flesh frenzy is an adorable, young woman who seems lost in wonder, and yet all too eager to take part in it. 

"Hanami..." Ju-San -- aka Mister 10 -- says between sobs, pressing his hand to the screen and closing his eyes as she finally decides where to start. 

And when he opens her eyes -- just as she really starts to enjoy herself -- he sees the face of Faraj al-Ǧazāʼir above her, doing things to her that he so desperately wanted to be doing himself. 

He knows, in that moment, that everything he had feared has come true. Everything that outlaw reporter intimated to him was correct. 

He's lost her. They've taken her away from him. 

And the only way to get her back is to go up there and take her back.

"(I will kill you,)" he promises the spaceman, his sadness being replaced by a white-hot anger he can barely control: "(I will kill you with my own hands, you !@#$ing outsider worm!)"

And then he's gone to make good on that threat, leaving only the dead and the dying he used to command in his wake. 

* * *

 "So..." The Scarlet Factotum says, retracting all of her blades and guns back into herself, and holding up the Pusher's severed head for inspection: "Does anyone else have any {quote}complaints{endquote} about how I run things?"

No one does. Her personal army of supervillains and technicians all hold up their hands, doing their best to distance themselves from the steaming human meat on the ground. 

"Good," the freakishly-ugly robo-woman in the extremely revealing -- and now incredibly-torn -- red dress says, tossing the head onto a nearby table: "Because if there's one thing I cannot !@#$ing stand, it's disloyalty. Especially now that we've actually gotten to our goal!"

She waves her bloody hands at the board, where, just sixty seconds ago, they got the last piece of their plan into place. They now have either replaced or recruited all the human machinery that the Terre Unifee uses to run the world. All the super-powers they've put to civilian and military use are either under the thumb of their organization, or have been cunningly swapped out with one of their own number.

The world is hers now, all she has to do is give the order.

The world is hers now, all she has to do is give the order.

The world is hers now, all she has to do is give the order-

"Is that actually going to hold her?" The Emperor of Pain asks, looking at their now-deposed leader as she lies in a heap on the floor. 

"I think so," the Pusher says, adjusting his million-dollar tie and looking at the specialist he hired for the job: "How long can we have her like that?"

"Indefinitely," the grey-suited woman with television static for eyes says, handing over the remote box: "As long as her CPU is active, she'll loop that over and over again and have no idea anything's wrong."

"Well done," he says, nodding to her: "The money's in your account. Are you sure you won't join us?"

"I prefer being independent," she says, winking a flickering eye: "But remember me, when you come into your new kingdom."

"I will," he says, shaking her hand before she turns to go. 

"We're just letting her go?" Lord of Spiders asks once she's out of earshot.

"No one messes with Joy, or they answer to me," the Pusher insists, looking down at his twitching, former client: "We are clear on that?"

"Yes," the Emperor of Pain says, nodding a little too quickly for his own liking.

"If you really want to kill someone for real, go find that Violet Demon guy and air him out," the Pusher says: "He's a little too queer for her.  If he comes back and finds her gone, well, we might have a real problem on our hands."

"I'll do that," the Lord of Spiders says, as he never really liked the kid, anyway. 

"Chassis?" the Pusher says, gesturing at the woman made from a white car: "Take her down to the shop. Take her CPU out, hook it up to a battery, and bring it back to me. We're keeping her as a souvenir."

"I hear you," she says, grousing: "And then what?"

"And then..." the man says, sitting down in his now-deposed leader's big chair, looking at the big board: "We let the world know we're actually in charge."

* * *

To her credit, Martha feels it first. 

She's out working on the car in her civies, just to make sure it's going to be in good working order. And somewhere between checking the oil and putting the cap back on she suddenly gets the feeling that something is wrong. 

She can't say what it is for certain. Maybe a change in the breeze, or a sudden stillness. Maybe the loss of certain sounds, rather than the introduction of new ones.

But after having her own home invaded, last year, she's rather sensitive to that awful feeling that someone is looking at her with ill intent.

When she was young, and being the Talon to her father's Owl, he always told her to value her instincts. He said that perception and a clear head was one thing, but that one always had to be ready to go beyond them, and just trust that the sudden need to duck and back away, or stand up and rush in, were being guided by something. 

(They'd say God, of course. Others would say luck. Still others would say "synchronicity," but she always !@#$ing hated that word.)

So when she turns right around, swinging a crescent wrench in a long arc at what seems empty air, and connects -- hard -- with what was probably someone's jaw, judging by the crunch, she's not at all surprised. 

"We've got company!" she shrieks, bobbing and weaving her way back to the mansion as fast as she can from however many invisible people are right on her tail.

There's firing, right behind her. She can hear the distinctive sounds of darts as they thud into the dirt and trees around her. Martha's scared as !@#$ and all-too-aware that she could be hit at any moment, but right now she's too focused on getting into the house to worry about that.

It's simple math in her mind, really: house, suit, retribution. She might not even need the suit, given how badly these idiots are aiming. Just her fists, maybe-

Something hits her, right in the temple. A fist, not a dart. Excellent follow-through. Hurts like !@#$.

She crumples and goes down, but does her best to leap back up again. They call it Kip-Up. Her dad trained her for hours to get her to do it. And she trained Kaitlyn just as hard.

(My God. If they know she's here, they'll be after her next. And John.)

She leaps up and kicks blindly, somehow knowing where her opponent will be. Something cracks under her foot. A scream, then flailing strikes she can easily block in spite of their transparency. 

Martha ducks down once more, managing to narrowly miss being hit by another wave of darts. They slam into the back door of the mansion, less than six feet away, now. 

(People inside the room. Looks like fighting. Maybe Straffer, maybe Mark.)

She sweeps with her leg and takes her invisible enemy's out. There's a surprised cry and then a massive THUD in the dirt that brings up a comical cloud of dust. 

She leaps back up to continue running. "Company!" she shouts again, ducking and weaving as she runs for the door. 

The darts keep missing. Are they really that bad?

"My god," she says, getting into the kitchen and slamming the door behind her, eyes adjusting to the figures in the dark. Straffer by the door, Mark up against the wall. 

"Are you okay?" Straffer asks.

"Yeah, but they're in no-suits," she breathes: "And they've got tranq darts. Tell me we've got glasses or something."

"We do, yes," Straffer says, turning around suddenly. He's wearing a pair of black wraparounds. And he's got two things in his hands. 

One of them shoots a dart right into Martha's neck before she can even say anything. 

"What...?" she asks, feeling the drugs course through her body. She starts to fall before she can say anything more, suddenly realizing that Mark isn't just up against the wall. He's slumped there -- full of darts and barely conscious. 

"What the !@#$?" SPYGOD shouts, running into the room. He's got just a second to take it all in, and then, just before he can say or do anything, Straffer uses the thing he's got in his other hand.

Whatever it is, it makes SPYGOD jerk and dance like a puppet whose controller has just had a seizure. 

He drools and flails, unable to control himself. He falls to the floor herking and jerking. And when he tries to talk it sounds like a sped-up record.

"Don't bother, hon," Straffer says, standing close to him: "It's someplace you're not going to be able to get to, anytime soon. I slipped it in this morning while you were... compromised."

SPYGOD is trying to talk. It's not coming out well. It's shouts and tears and a question. Why?

"I'm sorry," his lover says, taking off the glasses as the door opens, and the invisible agents begin to come into the room: "I really am. I do love you, (REDACTED). I always will."

Again the question, sped up and nearly incoherent: "Thenwhyyyyyyyyyyyyyyyyyyyyyy y y y y"

"They promised me I could be in charge of the Space Service again," Straffer explains, having to raise his voice to be heard over the decloaking TU transports, outside: "All I had to do was turn you in and I'd be reinstated immediately. I'm sure they'll want to debrief me first, of course. That's how it works. But soon, I'll be back up where I belong."

More stammering. More crying. 

"Sorry, hon. I told you I valued my career. You'd have done the same."

Martha tries to fight the drugs, almost getting up to get forward and rip Straffer's smug, lying face off. Except that, before she can raise her arm off the floor, something steps down on it. A white boot, connected to a blue leg. 

A blue leg with a white lightning bolt arcing up it, towards a mocking, almost sinister face.

"Bonjour, Mdme Samuels," Tempete Bleu says, as his transparent men become translucent, and then fully visible. 

And just as she loses consciousness, she thinks she can see another face behind his own.

It makes her scream to look at it. 

* * *

 It's all about wonder
The power to be
Like thunder expressing
Electricity
* * *
(SPYGOD is listening to Axis (Pet Shop Boys) and having a WBC PsycHOPath)

Sunday, March 1, 2015

1/13/13 - Seven Days of the Con Job - Pt. 2.5

Team Omega
(Cataclysmo, Friendly Fire, Underman (original), The Technocrat, Suzi Slam, Glimmer)
(Art by Dean Stahl)
* * *

There's a room in the White House basement that cannot be found on any map or floorplan, past or present. 

It's a small thing, that room -- barely noticeable for its absence. People walk by what used to be its door every day and never think that the rhythm of the hallway is slightly off, or that its proportions seem a little out of kilter. 

If it had a function before it disappeared, it was clearly not a greatly-important one. 

Behind the wall is a thick slab of metal that has replaced its door -- an impregnable alloy forged on another plane of existence. Behind that door is a fire so bright it could blind half the world in seconds, yet so cold it could freeze it shortly thereafter.

An eerie fire that pulses from a glorious, golden sword that has been thrust halfway into the pale grey concrete floor -- both as sign of an empire’s dominion and protection from its opposite number.

A protection that has remained, though the yoke of its dominion has long since been thrown off.  

Once the fire was as golden as the weapon it emanated from, but for the last eight months or so its light has been less like the summer sun and more like an autumnal moon. Now it more closely matches the color of a bulbous, inedible gourd, festering in pallid and unhealthy soil.

It almost seems as though it’s been poisoned, somehow. Lord alone knows how that was even possible.

For some reason, at or around 7:25 in the morning – just as the morning sun’s rays strike the stately building that houses this unearthly, wounded wonder – the light changes once more. It wavers between a bilious orange and a darker shade, almost red, before steadily sliding over to that alternate hue.

And as the change occurs, a strange feeling begins to radiate out from that room that no one knows about. The feeling that something else is about to change....

* * *

… especially for Prisoner 52, who stops his stride through the superslam for a beat as he shivers a little, wondering why he feels so absent.

For a moment, he feels as though he almost sense the syllables of his own name, sliding across his tongue. He thinks he knows who he is, and why he’s really here.

For the first time in untold ages, he thinks he can see the whole picture, and his place within it.

But then, just as soon as he gets a sense of that picture – or at least the shape of its frame – it’s gone from his sight once again, leaving him blind and frustrated.

He hisses and pounds his fists on the metal railing. The sound is like a mighty boulder smashing against the hull of a ship, and the ringing causes the din to subside, suddenly and nervously – but only for a moment.

The Choosing is today, after all. And while the prisoners’ god might be angry, their new masters are here on a mission.

A mission that could mean everything to a lucky few.

* * *

“Yes, I’m aware of the privilege I’m being offered,” Foudre Blanc says as he stomps down the wet and dripping underground hallway to where the Maker holds court, really not wanting to talk to the person whose holographic head is floating above his wrist.

“Do you really, Bruno?” Julien asks, raising an accusing eyebrow: “Sometimes I cannot help but wonder. You do so say the most unkind things to us.”

“Maybe if you gave me reasons to say better things, I would say them,” the white-armored man growls as he approaches the man’s door.

“Now, see, that’s the kind of attitude I’m talking about,” the man says, sighing: “It doesn’t do our movement any good to have this kind of infighting between the people in charge-“

“Look, you putain,” Foudre Blanc hisses, stopping in his tracks: “The only reason you’re in charge is because the old man can’t get out of that bed and see what you’re doing in his name. And the only reason I don’t tell him is because it would kill him to know.”

“Now, that’s-"

“That’s the last thing I intend to say on the matter, Julien,” the hero says: “Now casse-toi or I’ll tell him, anyway, if only to see if he’ll tell me to deal with you before he has a heart attack. I will see you at the meeting on Friday. Goodbye.”

He cuts off the communication, sighs, and bangs on the door.

“Did you bring my Beignets?” the old man asks.

“Of course!” Foudre Blanc answers, holding up the still-warm bag. As soon as he does, the sound of magical, amazing gears and pistons tinkling and turning comes from within the door, and he is once more allowed into the magical cave of wonders beyond.

Pick any astounding invention of the last fifty years or so – record-setting vehicles, paradigm-changing appliances, or things once considered science fiction that are now so commonplace that no one wonders at their presence in their lives.

Now imagine their prototypes and forerunners – all invented ten to fifty years too soon, yet created with materials from over a hundred years in the future.

Now imagine each and every one of those magnificent things were housed here, with the man who either created them for someone, or else came up with them well before someone else did, and then went on to create something else, and then something else beyond that.

Here, in this seemingly-endless stone chamber, well below the sewers and catacombs of Paris, are all the unsung and unseen wonders of the modern world – all created by a single set of hands over the last century or so, all constantly repaired and dusted by a legion of clockwork, golden cherubs, flitting this way and that in an endless geometric pattern.

“Up here,” the wizened and tiny man says from a floating, square platform of bronze and marble, some distance away. As soon as he gestures, a set of bronze stairs clatters itself together, one step at a time, eventually reaching the ground just inches away from his visitor.

“Thank you, Maker,” Foudre Blanc says, quickly skipping up the steps: “I appreciate that.”

“I should hope so,” the old man says, scratching at the tuft of wild, white hair that grows between his two, large ears: “No electrical ports in here to fly through, eh? A bit difficult for you, yes?”

“All too true,” the white-armored hero sighs, surmounting the final step and standing before the man’s magnificent workbench, where he needs only gesture to have any tool he needs literally jump from its storage space and into his hand.

The old man reminds Foudre Blanc of that tiny, green Jedi master from the second Star Wars movie -- all head and hands, with eyes that see more than one might care to reveal. He wears a pair of overalls that seem as old as he is, stained with an age's worth of oil, grease, and less salubrious fluids. Beneath that, a shirt that proudly proclaims La Propriété Ce Est Le Vol!

“Put them over there,” the old man commands, not ceasing in his work on the oblong, wire-laden thing he’s working on: “And open the bag for me.”

“Of course,” Foudre Blanc says, doing as he’s told, and trying to get a good look at what the Maker is making. No sooner does he comply than he’s swarmed by golden cherubs – half of whom reach into the bag to take a beignet apiece, and the other half of whom place themselves between his eyes and the man’s work.

“Trying to get a preview, yes?” the old man cackles, happily taking a bite from what one of the cherubs offers him.

“An update, actually,” the hero says, taking a polite step back: “Things have changed a little.”

“Things often do, yes,” the Maker says, talking through his beignet: “I may have anticipated that. I have decided to kill two birds with one stone, yes?”

“You have…?”

“Yes,” the old man cackles, tapping the box: “This device will now do two things. The first will be to short out your Nthernaut, and take him right out of the system. The second will be to take over that system mere microseconds after he is gone.”

“It will?” Foudre Blanc says, blinking behind his mask: “That’s amazing, sir. Truly.”

“I should say so,” the Maker says, gesturing for a soldering iron, which duly leaps into his gnarled hand: "You will have need of it, now that your Eclat is gone, yes?"

"Yes, that's true," the white-clad hero says, quite surprised: "How did you know about that-"

“You may go now, yes?”

“Yes, of course,” Foudre Blanc says, realizing he's either offended or just overstayed his welcome: “And I can tell them it will be ready on time?”

“I should say so,” the Maker repeats: “You may go now, yes?”

“Yes, of course,” he repeats in turn, unable to help himself.

On the way down the stairs he feels as though a pair of large eyes are glaring a hole into his back. He can only hope the old man will be over his parting jest the next time he comes down; there are reasons he brings pastries from the world above, after all.

As if to answer his question, the stairs begin to disassemble themselves just as he’s on the final step down. He takes the hint and hastens his departure, trying to avoid breathing too heavily as he marches for the door, which is already closing ahead of him.

That it doesn’t slam shut right on his con the second he walks through it is either a miracle or a reminder of precarious their understanding with this tiny fellow is.

"More Beignets next time," Foudre Blanc promises, if only to himself. But he's so wrapped up in that litany that, as he strides back up the steps he came down, he doesn't realize he's being followed.

A lady in red lurks behind him, wrapped in ghosts and shadows exactly ten paces behind. With each step the anger within Ciel Rouge grows -- the desire to do justice upon him though the heavens fall.

Justice that will come, and soon. 

"More Beignets next time," Foudre Blanc repeats utterly oblivious: "And maybe some coffee."

* * * 

"That'll be six-fifty, ma'am," the skinny, pockmarked kid behind the Sixth Avenue Starbucks counter says. 

"Thank you," Martha Samuels says, handing him a ten and pretending to not be amused when he has problem counting out the change. She's heard that sometimes they do that on purpose to get customers in a hurry to say 'keep it' so they can add it to the tip jar. So she puts a dollar in the jar and smiles, which seems to miraculously trigger the part of his brain that handles mathematical calculations. 

After that, she puts her sunglasses down, takes her coffee, and walks out into the scrum of Neo York City's morning foot traffic.

She goes down one block, then over another, and then up yet another. She retraces her steps every so often, as if she's lost, but doesn't do anything to attract attention to herself. She stops into a chintzy Asian "souvenir" store for a time and leans over the long tables, pretending to be interested in their suspect, plastic wares. She watches a raggedy street performer busk for coins as he plays "Wonderwall," over and over again on a guitar that's seen better days.

(She does not, however, leave a donation. She merely hated that song the first ten thousand times she heard it. Now she truly loathes it.)

As she does her best to blend in without seeming too anonymous, she thinks she can hear the omnipresent street cameras whirl and click in her direction, every so often. But when she checks to look she sees they're not following her, after all. Just moving in random tracks, depending on what the mind behind them is choosing to focus on.

Much to her joy and surprise, she's not one of those things.

She smiles and taps the white button she's wearing, wondering what her son would think about all this. But then, Thomas -- now better known as the Nthernaut -- not only has no idea she's here, but he can never know she was here.

Not now, not ever. 

"Absolute deniability," she whispers under her breath, finally knowing the meaning of those words. The dire personal cost of each syllable.

At some point, she decides she's thrown off whatever eyes -- human, mechanical, or some combination of the two -- would have had cause to follow her, and moves towards her true goal. It's a small lockup, not too far from the Starbucks she'd gotten her coffee at. She ducks down an alley as though she owned the place, which she does (through a few shell companies), goes up to a door and puts her hand on the knob.

It unlocks, just then, and lets her into a small garage that no one outside of her small, crimefighting clan knows about. It hasn't been used in years, except as storage for various endeavors based in Neo York City, and even then it was more of a drop-off and rendezvous point than anything else.

But there has been something here, all along. Something that was meant to be handed off to someone else, quite some time ago, but that never quite got to where it needed to go in time.

Something wonderful, waiting under a dusty, cobwebbed tarp.

She pulls it off in one, fluid motion, sending a rapidly-unraveling cloud up to the naked lights in the ceiling. A line from an old song from her childhood comes to mind, and she quickly checks to see if the package has held up, after all this time.

It has, and why wouldn't it? Mark and her father worked on this, together. Assembled it in precious, spare moments in the Owl's Nest, ever-arguing over the precise placement of things. Each part laid down with care and precision. Each inch fought over and argued for, put together and taken apart, done and undone and redone until they'd gotten it just right.

And now, at long last, this masterpiece was going to see its moment come 'round at last.

She smiles a little, wiping away a tear at the thought of how her father had beamed to see it completed -- a good and worthy gift for the oldest of family friends -- and takes out a cell phone. It's a cheap, anonymous, one-shot job she's kept laying around the apartment for such an eventuality.

"Hello, hon," she says to Mark Clutch, who, wisely, does not reply: "Tomorrow's looking good. I'll see you at 8. And we'll have guests..."

* * *

And just like that, the Choosing is over, and the lucky few have left the building. 

It's always something of an anticlimax -- at least at first. The Terre Unifee's guards come out of the reinforced bunker at the bottom of the elevator to the outside, bearing weapons that could shred even the toughest amongst them, and carrying nuclear weapons on deadman switches in case those weapons do not work. 

One of them has a list. It is read off, with all the pomp and circumstance of a lowly and bored soup kitchen worker listing off the wares of the day. It's a sign that those prisoners should come forward, provided they're still alive, or in any shape to present themselves. Should they not do so in a timely manner, they read off from the list of alternates, which is quite extensive. 

It didn't take too long, this time: the ones they called for were hard cons -- tough, experienced, or at least well-versed in how to survive life in such a place. One by one they came down, and extended their necks to be scanned for the combination ID chip and micro-bomb inserted at the start of their incarceration. And after they proved they were who and what they said they were, they got lined up under guard, by the door, and waited.

Just a short wait, after having waited for so long. 

One of them had to be withdrawn from the vault, down below: the place where those convicts too powerful, unusual, or just plain weird to be locked up in a standard prison cell were kept. It's the one made of hard light, Prisoner 52 remembered. Sometimes he can hear him weeping -- even from down there -- to be so far from the Sun. 

Weeping in the dark, and slowly going insane. 

The other five were less exotic, but no less remarkable. The middle-aged human bullet eager to kill his arch enemy. A betrayed, octogenarian gadgeteer with a score to settle. A furious woman more muscle than skin. A morbidly obese man who could make machines with his mind.

And, most frightening of all, the smiling, blind assassin who hunts with maniacal laughter.

All of them had been useful assets, down here, once upon a time. After the Imago left them all to die, and the riot broke out, they'd been as instrumental in establishing their new community as anyone. They'd banded together for survival's sake, one and all, and while leaders and regimes may have come and gone -- and rivalries been forged, fused, and then settled in blood --- the simple work of life had gone on.

It was only when the TU came, afterwards -- bearing real food and poisoned favors -- that the prison truly fell to barbarism and anarchy.

And now that no one needs to be presentable, any longer, those states of being descend once more.

It's like someone threw a switch. Punches are thrown, and blows traded back and forth over seemingly nothing. Arguments become fights, beatings become murders, and long-planned assassinations become truly gruesome and degrading things.

Here, a pyrokinetic roughly violates a seemingly-indestructible man in the showers, highly amused as his burnt skin keeps healing over, second after second, as the ordeal continues. There, a man explodes as someone who can shrink to infinitesimal size flies into his gullet and then regains his normal proportions, reveling in how far his rival's remains spray across the cell block.

High above it all, Prisoner 52 stands watch. The death below feeds him, without his even having to be present at the moment where life ends and something else begins. He grips the railing tight as his bones glow from within his pale skin, skull-pupils rolled back into his eyesockets as he rides the edge of what he can know, and what still eludes him.

A name. His kingdom for a name. The world for a name, if need be.

And if the world must drown in burning blood to bring it to him, then so be it.

* * *

"You think that's enough for the gravy?" Straffer asks as he scrapes the pan under the roast.

"I should !@#$ing hope so," SPYGOD says, stirring the vegetable curry just fast enough to keep it from burning: "Not sure how the !@#$ yorkshires are going to turn out..."

"Magnificently," the blonde man says, kissing his lover on the cheek. They smile, pause a moment, and then go back to making dinner. 

"You know what's going to be nice?" Straffer says after a time as the gravy begins to gel.

"What?"

"Eating dinner in a proper restaurant."

"Oh, !@#$ yes," SPYGOD says, taking an appreciative whiff of the curry: "Something someone else !@#$ing made for us."

"That didn't come in a !@#$ pizza box."

"Or a takeaway pack, for that !@#$ing matter."

"A long walk on a sunset beach, after that meal."

"!@#$ing like people who just !@#$ing met at a bar on that beach."

"Maybe we could do it at the meal?" Straffer asks, grabbing his !@#$ as he walks past.

"What, and get @#$ing arrested?"

"Well, we'll just have to do it somewhere it's legal," his lover chuckles.

They look at each other, then, and then over at the window, overlooking all the protesters. 

They look at certain bags and boxes that are stacked on either side of that window -- seemingly innocuous, but containing things that no one knows about. 

Secret things, meant to speed them to that special somewhere that no one can touch them. 

And they smile, just a little, wondering if they can get away with this, after all. 

* * *

"(You should not be here, outsider)" the beefy, salf-and-peppered Japanese man drinking alone at the mostly-deserted, bone-white bar says, regarding the strange thing that floats in his glass.

"(I know, Ju-San)" the shadowed stranger says, walking on up and putting away the taser he just used on the man's guards. They lie on the white marble floor, gibbering as the electricity leaves them. The few other patrons are getting up to go somewhere else, clearly terrified of the cyborg as he ascends the stairs to the bar.

"(Then tell me why I should let you leave?)" the former head of the Organization asks, swirling his drink so that the human eyeball in it floats to the top: "(This is not for the likes of you. You exist to expose the truth. But here, where all things are possible, we live with secrecy and lies to hide it.)"

As if to emphasize his statement, someone screams from a hidden room, nearby. A ragged, wet cry that ends as quickly as it began. 

"(All things are possible, here, yes,)" the man says, pulling out a short stack of photographs, but not yet showing them to the man he's intruding upon: "(Even the real truth, after a fashion.)"

"(Explain yourself!)" Ju-San snarls, downing his drink -- hooker's eyeball and all -- and then slamming the glass down on the bar's surface:  "(I can have you raped, killed, and eaten here, outsider. And not in that order!)"

"(I know,)" the man says, as respectful as possible: "(And I come to you with an explanation. But also a challenge.)"

"(What is that challenge?)" 

"(To become what you once were,)" the man says, flipping through the photographs like they were cards: "(Once, the name of the Organization was enough to cause even SPYGOD to be afraid. But now that the Terre Unifee has taken it from you, and confiscated the weapons and objects you once safeguarded?)"

"(Go on,)" Ju-San says. It sounds like a threat. 

"(They say you are a joke, weeping into a drink in a Tokyo murder bar,)" the man continues, shrugging: "(And, with all respect? I cannot say they are wrong.)"

"(You dare-)" 

"(I. Dare. Everything.)" Randoph Scott insists, banging his free fist down on the bar's marble surface, shaking the empty drink of the world's most dangerous man: "(I get the truth, Ju-San. I get it any way I can. And when I get it, I hand it out freely.)"

"(The truth can kill, Outsider.)"

"(So do lies,)" the outlaw reporter says, pulling up a white and silver stool to sit right next to him: "(And I think you've been lied to enough already.)"

"(What do you mean...?)" Ju-San asks, suddenly unsure.

"(Hanami,)" he says, pulling out one of the photographs in the deck. It's of the young woman he once commanded, but no longer has much contact with. The bright, beautiful, and immensely powerful android that saved Tokyo, but at a terrible cost to her mind.

"(What of her?)" the man says, trying not to show his true emotions, just now.

"(They told you they would help regain her mind,)" Scott says, pulling out photos of various members of the Space Service -- especially Faraj al-Ǧazāʼir -- and placing them down by the man's empty drink: "(But I believe they have been lying to you. I believe they have no intention of bringing her back to you. They've emasculated your Organization, after all. Why would they fix such a powerful weapon, and then hand it to you?)"

"(You have proof?)" Ju-San asks, his eyes growing darker by the second.

"(Not yet, but I know how you can get it,)" he says, handing him a card with a string of numbers upon it: "(Your access codes were rescinded. This will allow you to log back in under your old name, with all permissions given. You can look at all files, just as you once did. And I recommend looking at the personal logs and security footage.)"

"What will I see...?" Ju-San asks as Scott gets up from his stool, lapsing into English for the first time in decades. 

"The truth, Ju-San," Randolph Scott answers, bowing respectfully before he turns to go: "I hope you will know what to do with it."

And then he's gone, leaving only a mystery behind. 

* * *

It's night in Korhogo, and the killing has stopped. 

Prisoner 52 sits in his cell, unable to sleep. He doesn't need to, though he sometimes likes to close his eyes and pretend. And when he does, the ghosts around him walk into his dreams, as though they were the court of their king.

A new spectre has joined the other four: one of the ones who was slain, this afternoon, after the Choosing. He's weak and uncertain, muttering of pain he can't really feel anymore, and the horrible injuries his former allies wreaked upon him as they decided he was more fun dead than alive. 

He should be greeting him, tonight. He should speak to him of the things he must know, and the strange places that they will have to walk, together. All those kingly duties and responsibilities. 

But right now, the king of the dead doesn't care about that. 

What he does care about is something he realized, today, as the wave of murder and mayhem washed over his mind and body. The strange and bloody overwhelming of his senses acted to shake two things loose, within his glowing skull. 

The first was a single letter. S. 

And the second was an understanding -- crystal and clear -- that before long he would not only know the rest of the letters he'd been deprived of for so long, but that he'd be returned to full power once he spoke that word aloud. 

"A king in his kingdom, once more," he says, sniffing one of the sickly roses his living followers have strewn in his cell -- grown fat and wrong in the gardens where the dead have been laid to rest.

And he closes his eyes to dream of change, sweet and certain after so very, very long.

* * *


(SPYGOD is listening to Metamorphosis (Pet Shop Boys, remix) and having a Mephistopheles Metamorphosis)