Showing posts with label the beehive. Show all posts
Showing posts with label the beehive. Show all posts

Monday, May 2, 2016

Valhallopolis: 4/25/16 - 5/1/16

"All the paper gods in the sky of grey / All the fools in town are ruling today"

(The Aesir, returned)

(Art by Dean Stahl)

* * *
22
* * *

Monday: 4/25/16

It's early morning, in Moscow, and the pale man gets out of his crowded, warm bed to watch the sun illuminate the Kremlin, across the way.

The hotel isn't the most modern of things, at least by his very exacting standards. But one thing you can say about the Baltschug Kempinski -- other than its absolute discretion, left over from Soviet days gone by -- is that the view is worth every ruble. 

There's a half-drunk glass of cognac by a table near the window. He takes it and sips, letting the heady liquor play with his nose and tongue.

(It smokes, there, ever so slightly. One of the hazards of living in this powerful body. Maybe the next one will be better in that respect.)

Someone shifts on the bed, behind him. One of the many shlyukhami he brought in for the party, last night. The rest are doubtlessly scattered about the many rooms of this extensive suite Odal's been using as their headquarters since they took Moscow.

Their little way of telling the other bratva that this city was now theirs, and they should not dare to think of dislodging them.

Not until they'd done what they'd come to do, anyway...

Once he was Wilhelm Kietel: a founding member of ABWEHR, gifted with exceptional control over others' minds. He still is that man, but now he wears the skin of Helvete -- the notorious Finnish pyrokinetic, still wanted for his role in Le Compagnie.

And so he has become both immortal and more powerful than he ever was before. And in a few days' time, he will become something even more spectacular...

He looks to the morning sun and raises his cognac to it, thinking of the day ahead, and the work to come.

And the Godhood that awaits at the end of the week...

* * *

"... or do you think that's too soon?" Josie asks, looking at the orange-armored android's face as she wonders when to finally expose SPYGOD's perfidy, and clap him in chains.

"I think..." Free Fire says, tapping his chin with his finger as he considers: "I think you should consider putting it off for the near future."

"Why?" the burly, pink-haired clone asks, leaning forward in her office chair and regarding her mole: "We got him cold, Free Fire. He was supposed to be chasing the Mahdi all this time. Instead he's been having you all run around to look for Straffer."

"Which is also important, given what we just went through in Miami," the android points out: "And what happened to the International Space Station before that."

"True, but then he zapped poor Peg and has her dosed and hidden, somewhere on the Flier."

"Actually, no," Free Fire says: "That's what I meant to tell you, yesterday. He's got her enrolled in a nunnery in Winnipeg. Apparently he got one of his fish to block her memories, give her new ones, and sent her off to the last place you'd think to find her."

"Fish?" Josie asks, putting aside the fate of her clone sister for a moment.

"Useful people who owe him a favor or ten," he replies, smiling a little: "Mostly strategic talents, or people who've worked with or around them. How else do you think he's been covering for our movements with the Mahdi while we've been going around in search of Straffer."

"That son of a !@#$," Josie mutters, looking down at her desk screen. From there, she can see the superspy in question -- sitting at the hospital bed of Director Straffer, holding his hand and hoping he comes around soon. 

"Given what he's said about his family's history, that might not be too inaccurate an assessment," he replies: "His grandmother sounds utterly terrifying."

"Yeah, I think he told a story or two about her, once," she says, tapping her fingers on the desk: "You know, you'd think I would have known. I helped him pull off a scam like this before. I should have figured that, sooner or later, he'd turn on me."

"Which is why you continued our arrangement," Free Fire says, smiling: "I'm simply surprised he hasn't figured it out, yet."

"Unless he knows, and this is also part of the plan," Josie says, raising a pink eyebrow: "You have to consider that as well."

"That's... disconcerting," the android says. "Also commendable. Exactly what you'd want in a super spy."

"Yeah, you gotta admire him."

"No," Free Fire says, shaking his head: "You don't. He's everything you warned me about when you sent me to Syria to back him up and observe. He's a braggart, a bully, a tyrant. He flies by the seat of his pants and claims it was the plan all along. He's willing to expend everyone for the mission, so long as he gets through to take the credit, but never the blame.

"And the only saving grace is that he's on our side, or what he imagines is our side. He'll never betray his country, or the world. But he'll burn everything else down to protect it, or the people he loves."

She nods: "But you're saying we do nothing for now?"

"Yes," the android admits: "Because, whether we like it or not? Straffer is the same way. Dedicated, crafty, and wiling to crash everything down just to save the planet. They're two peas in a pod, to use the saying."

"I know. I've worked with him. The man's scary, to put it mildly." 

"And if we throw SPYGOD in jail for his excesses in getting Straffer back, there's a good chance Straffer will either refuse to work until we release him, or find some very underhanded way to break him out and embarrass us, while saving the world at the same time."

Josie looks at him, then at the screen. Straffer must have woken up -- he and SPYGOD are talking, and kissing, ever so gently.

"Well, that's provided he even gets to work at all," Josie says, looking back at the android: "Remember that he was on his way to a long stretch in confinement, after what he did in Pontianak. In fact, I think they were planning on disassembling him, and leaving him in the same kind of sorry, tin can and tinker toy model they gave to Major Harvey."

"Is the UN Space Service Director demanding we give him back, then?"

"How did you guess?" Josie sighs, tapping her pad: "He sends me a message once every six hours, just to remind me we're holding one of his prisoners.  As if I'd actually forgotten."

"May I ask what you've told him?"

"The truth. He's a sick man who needs treatment, and then we need to interview him about what he saw and experienced, down there. Once that's done, they can have him."

"And they'll toss their best chances of our survival into their jail," Free Fire observes: "And then we're... what's the saying? Up the creek?"

"Hell, Free Fire. If we don't have Straffer on our side, we are powdered !@#$ing toast," she grumbles: "I just had a very disheartening conversation with another, higher member of the UN Space Service about their level of preparedness."

"How bad is it?"

"We can repel maybe one more salvo from Mars," Josie says, looking up at her android mole: "And then, that's all she wrote. We'll be crawling with more of those crap crab things."

"At least we have the Lamprey's technology to deal with the aftereffects," he says, shaking his head: "But that's not an ideal situation."

"That's putting it !@#$ing mildly. We're burning down the house to stop people from breaking in and stealing the stereo."

"I like that," he says, nodding: "The allusion, I mean. Not the reality."

"I knew what you meant," Josie smiles: "So the reality is that we have to get Straffer back in the Space Service's good graces so he can save the world. And that means we have to keep SPYGOD under observation, try to rehabilitate him, and not confront him with what he's done until we've got this damn invasion dealt with."

"And then?" the android asks.

"And then... we'll see," the pink-haired Director says.

And the android smiles...

Tuesday: 4/26/16

... as Gosheven does his best imitation of Jay Leno go-go dancing yet, which he thinks is incredibly funny for some reason.

"Alright, alright," Mr. USA says, clearly embarrassed by the spectacle: "I don't think anyone needed to see that."

"Speak for yourself," Myron laughs: "I had to watch that crap for years. This is hysterical."

"Outvoted!" Gosheven says, using Jay's voice, and people laugh some more.

They're all in the Freedom Force's executive lounge, on the Flier's main deck. Everyone's there but Dr. Uncertainty -- who had some things to run past Rakim -- and American Steel, who's helping oversee the last stages of the wall in Miami.

"So," Blastman says, raising a glass: "Swiftfoot."

"Yeah," a few people say, some of whom join him in the glass, and some of whom don't.

"What?" the older hero says, looking around: "Come on, folks. He wasn't the best hero in the world, I'll admit. But still, getting blown up in that raid to get Straffer? You gotta give him that much."

"He did go down fighting," Shining Guardsman says, nodding as the lie they all came up with gets its first inter-team usage: "That's very true."

"Some of us are still sore at him for !@#$ing running out on that fight with with Metal Plague in Buryat," Red Wrecker says, remembering that weird mission all too well.

"Not a lot of us left from that," Mr. USA says, looking around: "God, we've lost many since then. Yanabah, Chinmoku, New Man...."

"Russian Steel," Shining Guardsman says, thinking of his brief time in Syria.

"Whatever happened to Red Storm?" Hanami asks, looking around: "Has anyone heard from her since then?"

No one has, really.

"I guess all I'm saying is that, well, I've known Stephen for a long time," Mr. USA says, looking around again: "Since the War in Europe, Korea. Two teams. And no, he wasn't perfect. He was selfish and stupid. A lot of us were, come to think of it.

"And that's including me," he goes on, looking at Shining Guardsman: "I haven't told too many of you that he and I had a very bad history, together. And a lot of that was on me. I was jealous of the relationship he and SPYGOD had. Envious of their success. And I let that color my actions and my feelings, and, well... I !@#$ed up. Badly. Let's just leave it at that.

"But we don't have to be perfect to be heroes," he says, raising his glass: "We just have to be willing to step up, just once, and run towards the danger, instead of away from it. And as long as I knew him, even when his nerve failed and he ran away? Before long he'd run back. Because he knew it was the right thing to do.

"Because he was a hero."

He leaves his glass raised. One by one, everyone else there joins him.

Even those who know better, by now, but have been sworn to utter secrecy as to the depths of his real treason...

* * *

"... gets paid for very quickly, here," the FAUST Agent says to his superior, over the communicator he's managed to smuggle into the Odal meeting in this old, creaking warehouse along the Moscow River.

"I can imagine," she says: "What is going on there, 78?"

"Well, before I say that, I want an extraction team standing by," he says, looking over his shoulder at the crazy, violent throng in the main area -- (was that a gunshot back there?) -- and then looking back: "I'm very uncertain about my security, here. I don't think these Sons of the Serpent people we're impersonating were held in very high regard to begin with. We're getting a lot of double-takes."

"That might be why our unknown benefactor arranged for us to know about them," she says: "Maybe they were expendable to begin with."

"There's a lot of this that's too damn convenient for my liking," the agent says, wondering if his holouflage suit is starting to show at the edges yet. 

"I'll get a team scrambled soon," she lies: "Tell me what's going on."

"It's crazy, even by these people's standards," 78 goes on, turning to make sure the corner he's talking from isn't under observation. People are making too much noise from out there for him to be easily overheard, but still...

(And yes, that was a gunshot. There went another.)

"Go on."

"Alright. Gods, madame. They want to become gods."

"I beg your pardon?"

"I'm not entirely certain how they intend to do this. Something about Soviet magic-tech from the SQUASH days and good timing. But this Saturday they're planning to send some of their people through a portal to... well, I don't know where. And when they come back they'll be gods."

"That's... mon dieu,  78. That's insane."

"I know. And it sounds like a crazy story to keep the troops in line, but they seem to think it's real."

"So what are all you supposed to be doing?"

"That's the crazy thing," he sighs: "There are a number of them that are going to go through the portal, no matter what. Marie Le Pen, that Klansman from America, their mysterious leader. A few other notables we've been looking for since the Terre Unifee scandal.

"But everyone else? Well, you have to fight for the right to go through. Apparently these gods only want the toughest of the tough. So... they're having tryouts."

"Tryouts."

"Yes. Knots of men and women, fighting for the right to become gods. And if you lose, well..."

Another gunshot. More cheering. 

"Alright," his supervisor says, considering: "I'll have an extraction team shadowing you the entire way. But I need you stay in there, 78. As long as possible. This is as close as we've ever been to these people and I need your eyes on the situation. Understand."

"Yes, madame," he sighs, knowing he's !@#$ed.

"Just... try to avoid volunteering for a contest, alright?" she says, getting ready to call her supervisor in on this, if only to cover her ass...

Wednesday: 4/27/16

".. please, dear Aegio," Syphon says, not liking the black, rotting gash that running up and down her goddess-sister's leg.

"Do you find it unattractive, my dear sister?" the sumptuously large woman asks, her macaws flapping about as she shifts her dress up even higher, revealing a more widespread ruin: "Imagine how I must feel to see this. And be grateful I hide these grotesque scars."

"At least you can hide them, dear sister," Pontus rages from his watery throne, across the chamber: "My love Sheliast has no such luxury. She won't even leave her chamber for fear of our seeing the latest atrocity committed against her."

"An atrocity done because her entire body was in danger of being destroyed by that horrid disease," Seranu reminds them -- striding into the chamber so quickly he takes them all by surprise: "A disease suffered because we have failed to act."

"We have not failed to act, King-Brother," Pontus reminds him: "We have simply refused. And we have done so because our subjects need to learn humility."

"So we all decided," Seranu admits, sitting down on his throne and turning to regard his raging brother, lord of the Oceans and Seas: "But perhaps the lesson is learned. Perhaps the time to withhold our grace is over, and the time to show them why they should love and fear us is at hand."

"We cannot make war upon another world," Noyx observes.

"I will not allow harm to come to any of my children," Rahma thunders, her hair burning just a little brighter at the thought.

"The harm has been done," Seranu says, but holds up a hand before she can protest: "However, your point is taken. War is not called for, here. Merely defensive measures. A wall to hide behind. A shield to blunt their swords."

"You know the folly of not handling this more directly, brother-husband," Kanaan says from her small throne, not far from his own -- knitting endlessly from where she sits: "You can no more expect the Devouring to be deterred from its function than you can expect a dog to not bark at a stranger, or a man to think himself master of his circumstances."

"I also know that to destroy it is folly," Seranu insists, looking towards her with what might be gentle rebuke, or subtle condescension: "Given how much time and craft went into its creation."

"Not that its creator is welcome here, any longer," Soubre notes from his throne of shadows.

"An issue we should resolve before too long, I feel," aged Senchro says: "We are not at our best when so divided. We have the beginning. We also need the end."

"And that's my cue, I suppose," the cantankerous old man says, looking up from what he's been working on, away from the others: "You want me to make new defenses against our brother's ancient handiwork?"

"Perhaps it would be best to present them as aid to our children," Seranu says, looking around the room in the hopes his words create consensus: "If we hand them the means of their own salvation, it will raise them up."

"It will also weaken us," Pontus grumbles.

"It will also give them access to the tools of the gods," Kanaan chuckles: "Any time that has happened, things have gotten out of control."

"That reminds me," Seranu says, clearly ignoring his sister-wife's counsel: "Shining Rahmaa, the toy you took from them when they attacked your new subjects. May we present it to them as a sign of good will? It may go some distance in creating a new accord."

The sun-goddess considers the request for all of two seconds before smiling and saying "No."

"And why not?"

"I have not yet begun to enjoy having it back," she explains: "And I am certain brother Hoosk can create things much more interesting, and less dangerous, for these mortals to use."

The old man looks at her, and shrugs: "That's true. I can. And I will."

"Then we are in accord," Seranu says, not wanting to argue with his star-sister: "I will speak to our children, and convey that we are prepared to aid them in their struggle for survival. And all will be well. 

And he leaves the chamber, as do a few of the others. Some stay to gossip, grouse, and complain.

And some of them wonder where Satanoth has been, these past few weeks...

* * *

... it seems as though the usually-large numbers of Moscow's homeless have shrunk dramatically.

Normally, you can't walk down a street without being accosted for change. Now it's possible to walk several blocks without seeing so much as a single panhandler.

And those beggars are strangely spooked. 

Usually, the shelters and missions are full, to the point that fist fights regularly occur as the destitute brawl over who gets to sleep indoors, tonight. Now, there's room for everyone, and they're all very well behaved.

No one wants to be kicked out into the cold and the dark.

They say there's gangs, out on the streets. Roving bands of hoodlums in panel vans who find the homeless and poor when they're out -- driving slowly past the shelters, restaurant dumpsters, and places where the lowly beg for scraps and coin.

Bastards who screech to a halt, leap from their vehicle, chase the bums down, and then -- after a rough beating -- drag them back to the van, and take them away.

They also say there's new management at certain shelters around town. The ones that the mob used to run as fronts? Well, some new group's taken them over, lately.

And if you go in, you won't be coming back out again.

The authorities do not care -- they have been paid off by the mob. The media does not run stories on this -- they have been warned off by the government.

And any do-gooders who poke their nose into the matter? Well, the van doesn't just stop for the homeless.

All these people, missing and gone. Taken without a trace.

Where do they all go...?

Thursday: 4/28/16

"... !@#$ himself with his own damn !@#$," SPYGOD says, gesturing wildly as he tells the story to Straffer: "Now, of course, he's not happy to hear this."

"I didn't think so," the Director says, still too weak to laugh too much, much less sit up all the way in his Flier hospital bed: "What did he do?"

"Same thing every moron does when you explain that you blew his !@#$ing wonder weapon to pieces while he wasn't looking. Flip the hell out, start monologuing, and look for the nearest !@#$ing exit."

"Which is when you shot him?"

"Well, I mean... hey now, what kind of man do you take me for?" SPYGOD asks, leaning forward in his chair and looking hurt: "I mean, gosh, am I that predictable?"

"Well, yes," Straffer says, winking: "That's why I love you."

SPYGOD smiles, and, quick as he can, leans all the way out of his chair, leans over the bed, and kisses the man -- full and with tongue.

Then he leans back, crosses his legs, and goes on: "Well, just for your information, and this is why the story's so !@#$ing funny? I was actually out of bullets."

"What?"

"Yes! Can you !@#$ing believe it?" SPYGOD says, slapping his knee: "I don't know how the !@#$ it happened. Maybe I miscounted or something. But I was actually dry-firing, and had no extra clips. Not even a damn grenade. I mean, I was out."

"And there's another joke waiting to tell itself," Straffer says, smiling.

"No, wait... was Nixon in office, then? I might not have spilled the beans, yet."

"Okay," the patient says, noting as a gaggle of nurses go by, trying hard to not listen in and failing miserably: "So what happened?"

"Well, I thought maybe I could bring him in. And then I was considering just !@#$ing tearing his head off, too. And I was weighing the options. Was he worth keeping around? Yes, no? Was he worth the risk to capture alive? Yes, no. You know... the usual math."

"What did you decide?"

"That's just it," SPYGOD says, leaning forward and grinning like a mother!@#$er: "While I'm making up my damn mind, and he's talking to his damn self? The last henchman there, that I somehow missed with all those !@#$ing bullets? He pops up from behind cover, aims his gun, and fires it right at my fine, gay ass..."

"And misses?"

"Hell no. He hits me in the damn junk. But, of course, it's !@#$ing armored. So I go flying the !@#$ back, the bullet flies wild, and it hits King of the World right where his damn crown meets his !@#$ing forehead. Bang!"

"Splat."

"Thump," SPYGOD grins, stomping his foot on the ground.

"And then you shot the henchman?"

"Hell no," the superspy says, shaking his head: "I was writhing on the !@#$ing ground with my balls feeling like they got kicked by a damn roid-raging elephant. That lucky asshole got away, and then showed up again ten years later claiming to be the King of the World's son from the !@#$ing future, or something."

"Well, it was the future. Ten years into it, anyway."

"Yeah, well..." SPYGOD shrugs, and then laughs. They both do, this time.

"I love you," Straffer says.

"I love you," SPYGOD says.

"Want to get in bed with me?"

"Will we both fit?"

"Who !@#$ing cares," Straffer says, throwing the flimsy, white sheet off him: "Just be careful with the sensor wires or the nurses will coming running in."

"!@#$ing let them," SPYGOD chuckles, and dives on in...

* * *

"... to the big question, here," former Secretary Wheeler says, patting his hands together as he leans forward on the well-appointed hotel suite's sofa, smiling like a lion at prey.

"And what would that be, sir?" Jana asks, leaning forward and smiling at the man. 

He looks askance, trying to seem like he's wanting to be disarming, just before being sleazy. She smiles and wishes he'd just come out and say it. 

And all the while, the little piece of herself that still knows this is !@#$ed up -- and that she should not be here -- is screaming for her to just punch this guy in the nuts, kick him in the throat, and run like hell. 

But she can't. The voice of the pale man is still echoing through her head -- reinforced by his calling her every night, just after he's done talking with the Candidate. 

And he will never let her go. 

"Well," he says, looking at her: "Now that our mutual friend has swept the Northeast, his election's all but assured. It's only a matter of days before Carson has his black ass handed to him so hard he'll need to see a surgeon."

He laughs at that, and she joins him -- not wanting to, but not able to resist, either. 

"And when he gets elected, I will be Secretary of State, again. Thanks especially to your charming advocacy on my behalf."

"I simply told the truth, Mr. Secretary," she says, smiling and leaning forward a little: "That's all."

"Well, that truth has set me free, Jana. And I would like to repay you for your kindness."

"It's really not necessary," she says, but allows him to kiss her hand, anyway. 

"Perhaps not, but I think a bright, attractive young lady like yourself has a lot to offer this administration," he says, kissing her between each knuckle, slowly and with some panache: "And while the Evansville Holiday Inn isn't exactly the best place to begin such a partnership, well, that's campaign life."

She smiles at him, and leans forward just as he does, letting him kiss her. His breath smells like rotten onions and battery acid. She lets him lick her teeth with his tongue, anyway. 

"I should..." she says, gesturing to the suite's bathroom. 

He's about to say otherwise, but then the door gets knocked upon. 

"Must be room service," he smiles, raising a finger as he gets up from the sofa: "That'll be the champagne."

"Lovely," Jana says, getting up to head to the bathroom: "And perfect timing."

She goes to the bathroom and closes the door. Maybe she shuts the door a little too hard, unconsciously. Maybe she's just imagining it. 

As she pees, she wants to vomit. As she cleans herself, she wants to run. She wants to tear her hair, weep, and flee. 

But she can't do it. She can't do it.  She has to sleep with this fat, balding pig of a man. Because she's supposed to do whatever the Candidate needs.

Because the pale man said so...

She thinks she hears something weird, outside. But she can't not react to that, properly, either. She gets dressed, cleans her hands, spritzes the nasty, overpriced perfume she's expected to use on her neck and cleavage, and then goes out into the room.

"I should warn you," she says, opening the door: "Champagne tends to go straight to my head..."

"I know," a masked man dressed in black says. 

He's standing over the prone body of Secretary Wheeler. The pig is lying on his back, bleeding from his nose -- clearly alive but knocked unconscious. 

"Who are you?" she says, about to call for help. 

"You know, Jana," the man says, nodding at the space right behind her: "And I'm sorry for this."

And as Jana turns -- just in time to be gently tapped in the right spot by someone who knows a certain, exotic martial arts technique  -- and then falls down unconscious, she realizes that she does know who the man is. 

She just can't bring herself to believe it, right now...

Friday: 4/29/16

"... we shall gladly take all the help we can get," the rail-thin, officious, and newly-appointed Director of the UN Space Service says as he and his many assistants walk down the hallway from his office to the main assembly room: "I do not care about their motives, or their methods. So long as Earth remains free and clear, we shall count our blessings."

"Yes, sir," some of them say in unison. Others merely mouth the words.

"Besides, the sign that they are coming to us, instead of to the Americans, is a good one," the man goes on, putting his hands behind his back somewhat smugly: "Clearly they recognize the worth that a unified world has, in contrast to a single nation, however powerful."

"Yes, sir," more of them say.

Then they're in the main assembly room. There's no one in there, other than their guests -- there were no meetings scheduled for this morning, and they're too cash-strapped to keep the lights on, otherwise.

That's okay, though. Their four guests have brought the light with them -- a tall, beautiful woman with round hair like a burning sun.

"Good morning, sir," Seranu says, floating just before the dais the Director normally speaks from: "I apologize for not giving you much time to assemble your body, here. But we felt it necessary to speak to you as soon as possible, given the seriousness of the matter."

"Of course, yes," the man says, adjusting his mustache and stepping forward to look up at the bearded man he's speaking to: "And I do appreciate that. It just would have better have to addressed the full body. They can be rather contentious."

"So can we," Hoosk grumbles, stepping out from behind the podium, a large briefcase in his hand: "Believe me, you don't want us standing here answering questions. It just gets ugly."

"Not true," Soubre says, stepping from the darkness beyond the light from the halway: "We are merely abrupt when dealing with lesser beings." 

"Brothers Hoosk and Soubre are... correct and blunt, respectively," Seranu chuckles, lowering his height and coming down to just above the ground: "But I think what we have to show you, and to give you, will more than make up for our unconventional presentation."

"What is it?" the Director asks, craning his neck to see as Hoosk opens it up to reveal... a box.

The Olympian takes the box out of the briefcase, and then another box, and another. Soon he's piled up the top of the podium with several boxes -- many more than the briefcase should have contained.

"Are we to stop this invasion with boxes, sir?" the man asks, raising an eyebrow.

"In a way," Hoosk grumbles, putting one of them into his hand. It instantly unfolds into a strange, boxy helmet with a visor: "Try this on for size, mister Director sir. See what the Lords of Olympos have brought you, in their kindness and mercy."

The Director's too busy putting it on to be as insulted as he should be. He fumbles with it, and then gets it situated just right...

And as soon as he does, his eyes get very, very wide behind the visor. He gasps, and puts his hands to his mouth. Shivers, though not in fear.

"What you are seeing is a realtime projection from one of the new platforms we have, just this morning, released into trans-lunar orbit," Seranu explains: "Just one of those platforms has a tenth of the equivalent firepower the platform we made before, the Wonderwall."

"How... how many...?"

"Twenty," Hoosk says, hoping the man doesn't urinate into his fancy, white suit: "They're evenly spaced at all points, to make more of a protective grid than a wall, this time. That should give a little better protection than the last one."

"One more thing," Seranu says: "Unlike the last model, these have been specifically programmed. They cannot fire back at the planet. To try and do so will cause them to be destroyed."

"No more 3/15s," Hoosk chuckles: "Which means you had best have your best shots wearing this helmet, because once they get past the grid, there's no more chances."

"Well, we do have our attack craft," the Director says, looking around at things only the helmet can show him: "Not as many as we should. But still... this is... my God, this is amazing."

"You are most welcome," Seranu says, smiling: "A small gift from us to you, to show you that we are here to help you in all things."

"Yes," the Director says, taking the helmet off and looking for a hand to shake -- any hand: "And... in return? Do you require? I mean..."

"Don't mess this up," Hoosk says, slamming his briefcase shut: "That ought to do for now. I'd put your best person on the project."

"Oh, of course," the Director grins: "Of course! We have many people who will be perfect for the job. You know us. Yes..."

"There is only one man who can be trusted with such a responsibility," Soubre says, crossing his arms: "One of my many facets worked alongside him, some time ago. We faced the Decreator together, hand in hand. He was a natural leader, a force of nature, the last defender upon the hill. And the first person I would want to lead such an effort, given his history."

Seranu looks at his shadowy brother-subject, and then smiles: "Yes, I think Brother Soubre is right. You should put the one known as Straffer in charge of this. I believe he has recently been found alive...?"

And the Director of the UN Space Service chokes, then coughs, then turns red, and then white.

And then, ever so slowly, nods...

* * *

... as they consider what they have all just been told by their leader, here in this darkened conference room.

"Good," Helvete says, leaning back in his well-upholstered chair and sipping at his cognac, looking from person to person: "You see, what is about to happen? It is not merely a change of power level. It is going to be a change of mind, of personality, of perspective. 

"You are not merely going to take on the power of a God. You are going to become that God."

"And... they'll, what exactly?" the high-ranking Klansman asks, leaning forward in his chair and looking around to the others gathered there -- allies and fellow travelers from all over North America and Europe: "Join with our souls? Merge with us? Did I understand that correctly?"

"You did, yes, David," Helvete says, nodding and smiling: "You see, it's not merely enough for these beings to exist within this world. They must be made a part of it. To do that, they must join with someone else who's already here. Otherwise, the danger of their being attacked and overriden is much greater."

"Which is what you're saying happened to these Olympians, back in the day?" the Muslim-hating science-fiction author drawls: "Someone came along and rewrote them?"

"Not just anyone. But yes. And even though there were those amongst them who had joined with a mortal, when it happened to the others she was likewise swept along with the tide."

"Well, then," the Old Man's daughter says, having a sip of the exquisite wine they provided for her: "It seems fairly straightforward. We shall effect a compromise of sorts, with both sides stepping towards the other in mentality and temperament. Like yellow and blue paint mixing together to become green, without losing any of its vibrancy."

"I like that metaphor," the Klansman says, sipping at his cognac: "And I think we're good, if I can speak for all of us here."

"I am kind of curious about something," one of their number says, itching at his neck a little -- maybe his blocky, black tattoos are fresh: "Once we're joined, and we do this thing? How do we, well... end it?"

Everyone looks at the person, and a few of them laugh. A wave of Helvete's hand ends all chatter, though.

"My dear Mr. Busey," he says to the person who won through so many contests to be here: "Perhaps those who adjudicated your victories were not clear. If so, I apologize. But once you make this journey with us, into the lands of the Aesir? There is no coming back, then or later. 

"What the Gods have joined, none -- not even they -- may tear asunder."

"Okay," FAUST Agent 78 says, nodding and sitting back: "That's good. I was just afraid of going that far, having it all, and then having it taken away. It's happened to us White Men too often in America, you know?"

There's some assent to that, and a nod of agreement from the Klansman. 

But something in how the pale man in charge of Odal looks at him, a second later, makes the undercover agent -- who really didn't intend to get this far in his infiltration -- realize that he'd better get that exit strategy working. And soon. 

In fact, he's about two seconds away from realizing the answer's been right in front of his face the entire time when the black-haired, skinny kid with burns on his face comes into the room, leans over Helvete, and tells him something. 

Something that makes the pale man's eyes burst into angry flames...

Saturday: 4/30/16

... coming out of the top of the man's head as he reaches out to take Straffer's hand -- in full view of Josie, Hanami, and SPYGOD.

"You do understand that this in no way acts as an abrogation of our... misgivings in regards to your recent actions," the Director of the Space Service says, shivering a little as he shakes hands with the wheelchair-bound man in the early light of the morning. 

"If you mean to say you're not sorry about locking me up for doing my job, I figured that," Straffer says, clasping the man's hand with his other, and looking him right up in the eyes: "And while I regret the loss of life and property damage that came from that decision? It was the right one. And I'd do it again."

"Yes, well..." the Director says, still shaking his hand: "There we are, I suppose. There we are."

"Blah blah !@#$ing blah," SPYGOD mutters from his place, over by the door of Straffer's hospital room: "You should have given him a goddamn medal, mother!@#$er."

"I beg your pardon?" the Director gasps, looking between him and Josie, who's been standing by the door this entire time.

"I can't entirely disagree, sir," the COMPANY Director says, her hands behind her back as she smiles, ever so slightly: "The medal, I mean."

"Well, I never," the man says, releasing Straffer's hand: "I realize that things may be a little... strained between our two organizations, but-"

"Sir, we cleaned up your mess," Hanami says: "Miami? The rot in the Atlantic? That was us."

"And if you mess up again, we'll be the ones who do it, again," Josie adds: "Provided we survive the experience."

"So you'll excuse us all if we're not all !@#$ing feeling the love right now," SPYGOD says.

"In other words, sir, we're all standing on shaky ground with one another," Straffer says, standing up from his chair -- weak legs or not: "But the planet's defenses come first. So in spite of what's gone before, and however we might feel about one another? We need to table that and go forward. Agreed?"

He looks to each person in turn -- even SPYGOD. Something about the steel in his eyes makes it impossible to disagree with him.

And so, however reluctantly, they do...

* * *


... what they're told, in regards to the "lesser people" their associates have been collecting in for the last couple weeks.

The Beehive is a massive, domed, concrete room -- one created in such a way that all sound within it is collected and amplified. Even the slightest of whispers sounds like a shout, and melds with all other noises within the center. The resulting buzz sounds like the endless, even droning of winged insects in their paper nests.

Hence its name.

The noise was bad enough when the place was being repaired -- patches being fixed in the cracked and broken roof, and then smoothed out perfectly. It became worse still when the crews came in to replace the ancient, Soviet-era computers and electronics with shining, new ones.

And now that they're bringing in the people, the noise is just awful.

They're weeping and afraid, the lot of them. Drugged out of their skulls on old, Russian pacification drugs, maybe, but still aware of their situation enough to be terrified.

Because no one who gets abducted, beaten, starved, stripped, and fitted with some weird box on the back of their skulls for a good reason.

The Odal grunts are being instructed to take the people off the vans, bring them down the hallways, past the black door, and then haul them to some position relative to the large dais in the center of the domed room. There's some kind of pattern being formed, but no one can really make it out because it's only visible from up high.

Not that anyone really wants to see it. Much like the weird things being written on the walls: words of power scrawled in ancient alphabets by the weird Nekronaut fellow, as he gambols around the Beehive -- face painted like a skull, hands brandishing long lengths of white chalk.

He seems to be the only one enjoying this. And it may be because he's the only one who will walk away clean...

* * *

"... from what can only be described as a massive scandal, unfolding here, this morning. 

"About twenty minutes ago, a live signal was broadcast into every major television network news around the world. Here in America, that consisted of ABC, NBC, CBS, CNN, and we here at FOX. 

"That signal appears to show former Secretary of Defense Wheeler. As you can see, he's reading from a statement, and appears to be doing so in a public location. We think that's the Holiday Inn in Evansville, Indiana. He appears to be groggy and very tired, and may have been drugged. He may have also been beaten, given the blood on his shirt and his appearance. 

"But what he's said so far is nothing short of astounding. He's claiming he was behind the attack on Toon Town. He hired the people to do it, made sure they were equipped with state-of-the-art arms and equipment, and arranged for their evacuation. Their orders were to destroy as much property, and kill as many Toons as possible.

"But he has just said that this was done to target missing Outlaw Reporter Randolph Scott. Their orders were to destroy his studio, and to kill both him and as many of his news team as possible. Obviously, they failed, but... wait, let's go live with this. Can we go live?

"'...Candidate is the one who asked me to do this for him. He and I both had an axe to grind against Randolph Scott for his reporting, and he thought that getting him out of the way would stop that. But then, he had an ace up his sleeve, too. The young lady who's been talking on his behalf, Jana Scott, has been brainwashed and forced to lie about her father's activities.

"'And that's just the tip of the iceberg-"

BANG! 

"What? What's happening. Oh my god, he's been shot. The former Secretary of Defense has been shot by... someone's fleeing. Not sure, but it looked like a security guard...

"Yes, we can confirm that Secretary Wheeler has been shot. People there are saying he was shot in the back of the head. 

"We're trying to raise our correspondent there. We can't get through at this time.

"My God. What a statement. If this is true, what does this mean for..."

* * *

"... tonight?" Karl asks as Helvete puts the final touches on his clothes.

"Absolutely nothing," the pale man says, making certain his tie is just right: "He was never going to become President. He was only ever there to be killed at a time of my choosing, in a manner that suits my needs. This merely hastens the timetable."

"So the team you've had following him...?"

"Not just yet," Helvete says, turning to look at Karl -- his black lips curled into a cruel smile: "Let us pluck as many feathers as we can from this cock before we cook it. He needs to give a few more speeches, in which he shall decry the racial situation in his country for the powderkeg it is. He must blame the Muslims, the Hispanics, and the Blacks..."

"Homosexuals?" Karl asks, following him into the next room.

"No, I don't think that will be necessary," Helvete says: "A man's sexual exploits harm no one. But one's race is as certain a sign of destiny as any. And when our white hope is killed by some mongrel, well..."

He smiles, and regards the others -- all pressed neat and clean, and ready to meet (and become) Gods.

"Let us just say our message will have much more urgency, shall we?" the pale man grins, waving to...

* * *

"... another damn storm of those black balls," Straffer explains, trying to fit himself into his old uniform as best as he can: "They need me in Neo York City as soon as possible."

"I'm coming with you," SPYGOD says, getting out of the hospital bed they've essentially turned into their bed.

"No," Straffer says, looking at him rather intently: "(REDACTED), I love you. And I know you want to help. But this is my fight, and my war. If I lean on you now, I won't ever stop..."

"And that'll !@#$# up your authority to no end," the superspy nods, sitting back down on the bed: "I see what you mean."

"Thanks," the newly-appointed Campaign Director of the Space Service says, smiling: "Besides, you got a weird menace to catch, too. Don't you?" 

"Don't !@#$ing remind me," SPYGOD sighs: "But yeah. And I wouldn't ask you for a shoulder for his sorry ass, either."

"Exactly," Straffer says: "But... I wouldn't say no to you helping me with these damn boots."

And SPYGOD smiles, and...

* * *

... the masses that have assembled to see their new gods-to-be off, into the next world, all cheer as one.

The angry and the impotent. The hideous and the broken. The hateful, the spiteful, the fearful. 

The doomed. 

They stand there in masses, making the Odal salute as, one by one, the luminaries that the group has gathered to this strange place, here in Moscow, walk down the long corridor from the entrance to the black door, and then into glory. 

They shout their compliance, their obedience. They beg to be remembered, to be given special powers. They claim they will wait on these beings hand and foot, and kill without hesitation at their slightest command. 

Their eyes are blank with fury and adulation. Their minds are gray slates, waiting to be written upon. 

Their souls are wastelands, waiting for some higher presence to fill them up. 

One by one, the objects of their utter affection are marched by them. Brave men and women, ready to be flung into the strange spaces between worlds where the old gods dwell, waiting for their children to come back into their good graces. 

Waiting for the world to have come back around to them. 

And as they walk by, one of them -- still chafing under the holographic camouflage that no one's managed to see, yet -- wonders at what point he can risk breaking away, contacting his superior, and putting an end to all of this.

Agent 78 could have done this at any point. But somehow it all seemed too risky. There was never no one around. Never a quiet moment for him to change and run. Never a convenient second to call in an air strike. 

Just the quick, certain march from mortality to godhood -- sweeping him up along with it and not letting him go, even for a second. 

And at some point -- maybe as they march him to his section of the dome, stand him against the wall, and have him prepare to read certain arcane words -- he thinks that, if he goes through with this, he'll be in a better position to stop it. 

But as soon as the ceremony begins, thirty seconds to midnight, and the white noise machine blares, and he begins to read his words, and the poor people of Moscow begin to die, he realizes that it's just too damn late for any of that now. 

Too damn late to...

Sunday: 5/1/16

"... be serious," Tombo says, looking down at Moscow as something goes horribly wrong, right around Midnight, their time.

"What's up?" the newest member of the All Dead Rock Band asks.

"I think someone just did something really !@#$ing stupid down there," the redhead says, grabbing her cloak off the wall and getting ready to go.

"Girl, you got a filthy mouth," he tsks, getting ready to go shred his purple guitar again.

"Just wait 'till I find out who just wrecked reality, again," she says, a cloud of glowing dragonflies surrounding her as she leaves this part of the Afterlife: "They're gonna hear some really choice ones..."

* * *

"... have come to rejoin us," Seranu announces to the others. 

None of them seem very pleased at this notion. In fact, some of them look rather scared. 

"Sister-wife Kanaan," the lord of the Olympians says, looking to his wife: "Does this augur well?"

She looks up at him. Everyone gasps. 

Her needles have been plunged into her eyes, and not by her own hand.

And then...

* * *

... every psychic talent in and around the Moscow area screams and falls down, unable to get the sound of a long, loud horn out of their head. 

... the massive cemeteries and burial grounds for hundreds of miles around the great city shiver and shake, as their occupants find themselves awake once again.

... fate and destiny become frayed at the edges, and those who had no luck find it in abundance, while those who had coasted too long on good fortune suddenly land on their backsides. 

 * * *

.. and in a domed, concrete room soaked in the blood of the undermen, the Aesir open their eyes in their new bodies, raise their weapons, and shout -- loud and long. 

And their followers cry out to be led.

(SPYGOD is listening to Paper Gods (Duran Duran) and having an Aesir Mead) 

Monday, April 11, 2016

Valhallopolis: 4/4/16 - 4/10/16

"I Cannot Escape This Fate / It's My Approaching Doom"

(Art by Dean Stahl)

* * *
25
* * *


Monday: 4/4/16

"... ongoing coverage of the aftermath of the Freedom Force's fierce battle with the afflicted members of the New Kingdom Pentecostal megachurch in Tampa, Florida continues, here on CNN, tonight.

"We have just learned that two more of the victims, Roger D. Oldson, 47, and Jeremy P. Columbus, 6, have succumbed to injuries received during the fight. 

"That brings the total death toll to 28. The remaining 969 victims remain in critical care in a makeshift field hospital, set up by the COMPANY, in conjunction with Hillsborough County emergency services-"

(CLICK)

 "It's a tragedy, clearly. These people didn't ask for this to happen to them. They were the victims of a sick individual who escaped incarceration, used banned bioweapons to alter their bodies, and mind control to program their minds. We still have yet to establish a motive... yes, you had a question?"

"Yes sir, Tonya Brooks, WTSP. What are the chances that these victims can be cured?"

"Okay, Tonya. That's a two-part answer. The good news is that the programming was short-lived, and they are themselves, once again. However, as for the damage done to their bodies, we don't have as good of news. We're working with the COMPANY to determine if there was a cure for what they were given. Hopefully they can find it, or develop it, but these kinds of alterations don't just heal. If we can't find a cure, well, they will be stuck with this condition for the rest of their lives-"

(CLICK)

"The Pentecostal? Who the hell is that? I swear, these supervillains and their stupid names. Like that Penitent moron up in Michigan..."
(CLICK)

"... are asking that citizens at all points along Florida's Atlantic coast avoid drinking coastal water, or eating fish gathered along that side of the state, as the black slick created by the as-yet unidentified creature that attacked Miami, last Monday, is spreading North.

"When asked for a timetable, the EPA said they weren't sure, but would have more information forthcoming-"

(CLICK)

"A full week later, Miami remains a no-go zone. The fires are still raging in some parts of the city, and large pools of toxic sludge are everywhere. Conditions are reputedly even worse on Miami Beach, where the creature itself is being carefully deconstructed and removed.

"Emergency workers tell us that Federal authorities have told them to not go into the city, citing extremely hazardous conditions. They have been ordered to step back, deal with the survivors who escaped before the Gold Soldiers threw up the cordon, last Tuesday, and assist in keeping people out of the city.

"As of this minute, the White House insists that they're not writing off the city. They are simply waiting for a more comprehensive plan to deal with this extremely tragic and traumatic event-"

(CLICK)

 "See, if This Is Bull!@#$ was still broadcasting, they'd be all over this story. And that's because there's a lot of BS going around, if you get my drift. 

"Take the denials that the accident that took out the International Space Station had anything to do with this. There's a video going around, out there, that came from a departing Soyuz module. The Russians are claiming it's a hoax, of course, but it looks shaky enough to be real if you ask me.

"This video shows the station being plowed into by a giant, black ball. It just smashes through the central part like it's made of paper, and drags the rest of the pieces into each other. Where the ball goes after that, who knows?

"But then, this thing that came ashore at Miami Beach? Eyewitnesses say that there was a sonic boom. The sort of boom you'd hear if something large fell through the sky, just like what happened in Russia a couple years back when that meteorite exploded in their atmosphere in 2013.

"So, it looks like these things are falling a week apart. If that's right, that means we might get lit up any day now. And if it's as bad as what came shore in Miami, well, we could be in for some interesting times..."

(CLICK)

I only came for two days of playing
But everytime I come I always wind up staying
This the type of town I could spend a few days in
Miami the city that keeps the roof blazin



Tuesday: 4/5/16

It's not hot, down in hell with the dead. But it's not cold, either. Not even "lukewarm," whatever the hell that means. 

It's just flat. That's the only way Gail can describe it -- flat.  

She has no sense of touch or temperature. The brick walls of the rounded chamber seem rough and pitted, but she can't feel the texture, just the their solidity. Nothing has taste, or smell, or anything beyond sight and sound. 

No gravity means no real up or down. No sense of movement or inertia. No physical presence at all.

Her sight is distorted, as though she's seeing through smudged glasses. And sounds are strange, as though heard from just underwater. 

What she does have is a keen sense of time. 

She knows that she has been in this soul prison, trapped with these other ghosts, for exactly ten days, four hours, twenty-nine minutes, and six seconds. 

(Seven, now. Eight. Nine. Ten.)

She knows it's been twenty three hours, fifty-nine minutes, and ten seconds since the Olympian who cast her down here has come down to here to feed on one of them. 

(Eleven. Twelve. Thirteen.)

She's not sure how many ghosts are down here, shrieking and crying. They come and go. Are noticed and then are replaced, or removed. 

Or eaten whole.

(Thirty-one. Thirty-two. Thirty three.)

When Satanoth comes down here, he wastes no time. He immediately grabs and then slurps down one of his captives -- just like they were a ball of orange juice, floating in zero-G.

(Forty-seven. Forty-eight. Forty-nine.)

And each and every time, Gail's realized that he is looking right at her. 

(Fifty-three. Fifty-four. Fifty-five.)

As if to say "I'm going to enjoy it when it's your turn."

(Fifty-six. Fifty-seven. Fifty-eight.)

And she can feel him coming on down, even now...

(Fifty-nine...)

* * *

 "... sixty," Gail Reynolds -- the former Red Queen -- counts as she bench-presses 300 for her COMPANY inquisitors: "Sixty-one... sixty-two... sixty-three..."

She's not in a cell -- at least that's not what they're calling it. Officially this is "debriefing." But she's been here in this large, high-tech gym for a full day, had only minimal contact with anyone other than the three AGENTS on this detail, and been subjected to dozens of tests.

(And that's just the tests she knows of. Other, more surreptitious ones are doubtlessly going on around her.)

They've made her run on a treadmill and climb a wall. They've watched her eat and !@#$, sleep and dream. Word association and firearms practice, memory tests and balance beams. They even had her arm-wrestle someone, just to see if she'd win or lose.

She's doing her best to not complain too much. She has nothing to complain about. 

Still, this is sort of galling, all things considered...

"I think that's good enough," one of the AGENTS assigned to her debrief says, making a note on his pad: "In fact, I think we're completely satisfied. Your health and fitness levels are exactly what we'd expect them to be."

"A little too exact," one of the others says, leaning over in the corner and observing the goings-on with what's either suspicion or fey disinterest: "Especially since you won't tell us what's happened to you."

"Ain't secrets just a !@#$?" she snorts, sitting up and drying herself off with a towel: "I'd tell if I could. Really. But I made some promises-"

"To whom?" the third person in the room asks. It's one of Josie's clones -- some femme-looking one with long, purple hair and nails so black they look like wet coal.

"Sorry, Rikki," Gail shrugs: "Can't tell that either."

"Can you tell us anything at all?" the one tapping on his pad asks: "Straffer saw you at Olympos, and you were alive and altered. And now you're back and you're human, so far as we can tell. Something's happened in-between, clearly."

"We're not giving you access to any guns and sending you out into the field without a full and frank accounting, dearie," Rikki says, somewhat apologetically: "So unless you felt like parking your buns on the bench...?"

"Well, that's one thing we have to get straight," Gail says, putting her hands together: "When I come back to work for you? No guns."

Rikki blinks: "What?"

"No guns. No knives. Nothing that could kill or seriously maim an opponent. I'm... no longer allowed to take lives."

"And who told you that?" the clone says, clearly shocked.

Gail just smiles: "Sorry, Rikki. Can't give you that number."

* * *

"Ouch!" Blastman says, slapping his forehead as he groans: "I can't believe she just did that."

"I can," Mr. USA says, smiling, turning away from the screen that most of the Freedom Force are watching the interrogation on, in the well-furnished lounge above the room she's being interrogated in. 

(American Steel, for her part, is looking down through the one-way mirror -- hands on the glass, and totally silent.)

"What do you think?" Hanami asks the older hero.

"I think it's her," he says, looking back at the screen: "She's different, though. Less abrasive, more controlled."

"She isn't saying '!@#$' every other word," Red Wrecker says, amazed at how easily the curseword just slipped out of her own mouth. 

"According to the data I'm receiving, it's her," Dr. Uncertainty says, holding up a pad and tapping on the screen: "The DNA is an exact match. Blood type is the same. Her scars and broken bones match everything in her record."

"But...?" Hanami asks, turning to look at the masked genius detective.

"Was it that well telegraphed?" he asks, adjusting his sunglasses.

"What's missing?" Mr. USA asks, pretty concerned.

"Well, for starters, her liver is in pristine condition," Uncertainty says, calling up a scan of it: "Gail drank fairly regularly. Not enough to be in danger of cirrhosis, but enough to show some degradation."

"What else?" Hanami asks.

"Well, it doesn't say if she smoked or not, here," the detective says: "But her lungs are pink and clear, which your average adult in an industrialized country does not have, thanks to pollution and secondhand smoke. And as for her bones..."

"Wait, is it like that one movie?" Red Wrecker asks: "The one where the Angel's body had no bone rings, or something?"

"Well, they're not rings, Florence. But yes, exactly like that. Her bones are that of a fully grown female adult, but the solid matter doesn't show any signs that growth actually occurred."

Everyone sort of blinks for a second. 

"So, what?" Blastman asks: "This is a clone?"

"No," American Steel says, not turning from the window: "Clones grow just like anyone else does. They just do it a lot faster."

"Exactly," Dr. Uncertainty says, seemingly perplexed by his fellow new teammate's grasp of the subject: "And you'd think that, if she was a clone, there would be no sign of scars or past damage."

"So, they want us to think it's her, but it isn't?" Hanami asks.

"If so, why go half-assed on the job?" Blastman asks: "Why give her a band new engine in an old chassis?"

"Nice analogy," Red Wrecker snorts, and he grins at her for a second before he realizes she's being critical, and then shuts up and looks away -- embarrassed.

"What about her psychological tests?" Hanami asks the masked detective, who nods.

"Well, there's clearly been some kind of trauma she's not telling us about. it might have something to do with why she won't kill, anymore. But in terms of her personality, and other things... it's matching."

"It's her," American Steel says, turning from the window at last: "The way she moves? How she's talking with the people down there? That's her."

"I didn't know you knew her, Jelena," Mr. USA says.

The new heroine smiles: "I wasn't always piloting an experimental tactical battlesuit, (REDACTED). Her and I go way back."

"But you can't tell us because it's all classified?" Red Wrecker asks.

"Got it in one, girl," the armored heroine grins, snapping her metal fingers in Florence's direction. The gesture just annoys her further, but American Steel either doesn't notice or doesn't care.

"So what do we !@#$ing do?" Blastman grumbles: "It's her, but it isn't? I can't be the only one spooked by that, given what's going on."

"I say we take her in and keep an eye on her," Hanami announces, standing up and looking around: "But we all keep an eye on her. She steps out of line, does something weird, then we close her down. Can we agree to that?"

"It's risky," Mr. USA says: "But... yeah, I can see the wisdom in that."

"Why not?" Blastman says: ""We need a new martial artist after what happened with Chinmoku, after all."

Everyone nods sadly at that, and Red Wrecker pipes up: "It'll give her a chance to prove herself if it's her."

"And if it isn't..." Dr. Uncertainty says, but needs say no more.

Wednesday: 4/6/16

"No, really," the AGENT in charge of the interrogation of one Gerry Oliver Glory -- aka The Pentecostal -- says, all but slamming a heavy binder down on the table in front of the man: "You want to talk to us, Gerry. You want to give us something, here.

"Because right now? You aren't just looking at a world of hurt. You're looking at a whole damn solar system, Gerry. Planets and moons and a big, angry sun, coming to burn you down."

The man just looks up at him, and then back down at the table below his chin -- mostly obscured by the binder, containing the names of all the people he victimized.

He looks like crap, this sorry supervillain. His long hair -- meant to be crafted up into some kind of weird altar -- is slopped around his shoulders. His forehead is badly bruised from where Dragonfly's stun baton smacked him, and he's got raccoon eyes from where the resulting goose-egg drained. He's pale and unshaven, somewhat unsteady.

And still he won't talk.

"You know what, to hell with this," the AGENT says: "I don't know why we're bothering with you. Because we already know everything we need to."

That gets him to look up, just a little.

"That's right, Gerry. You were in jail, serving two life sentences along with a few other gimmick villains like yourself. You got to know some of them, I'm sure. Like maybe this guy, here..."

He pulls a picture of a scary-looking man up on his wrist pad: "Frederico Barnes, otherwise known as The Solution. Arms dealer, fixer, occasional bioterrorist. Done up for selling weaponized anthrax to the FBI in a sting operation. Been there three years out of a triple life when you got in."

He waves the picture in front of the villain's face a couple times: "Friend of yours, right? Cell across the hall. Sat at the same table for dinner. Played cards on saturdays... except you don't play cards because Jesus, right?"

No reaction, but the AGENT goes on: "He had access to a stockpile of a Massive-7 before he got caught and sent up. He told you where to find it, didn't he?"

The Pentecostal doesn't say anything to that, either and just looks back down.

"Now, my only question in all of this is what good it would have done him to have you know that," the AGENT says, bending down to try and make eye contact: "It's not like you'd have been able to pay him for it. And it's not like he'd have wanted you to dose a whole megachurch congregation with his !@#$, now would he?"

Silence, but at least he's making eye contact, again.

And maybe that's something.

* * *

 "Sir, I need you to understand exactly what I am saying," the CDC official is saying to the Interim President, who's sitting behind his desk in the Oval Office like something akin to a statue -- staring at the wall and hardly blinking.

She looks at the others in the room with her, and then back at him. They're not sure what to do now. The man's hardly spoken a word since she started explaining about what's happening in Miami, right now. 

"Go on, Gloria," one of her cohorts whispers: "We have to say we tried."

"Mr. President, this is the issue," she continues, after another few awkward seconds: "The creature that we destroyed? Its very presence was highly toxic to the environment around it. 

"If it'd landed on land, that would have been bad enough. It ruined the vegetation and infected every living thing it touched. And it spat up that horrible, corrosive liquid onto people, and shot projectiles that exploded with the same substance, only flammable..."

She coughs into her hand, nervously. His lack of expression and reaction just makes this that much worse.

"Now, I'm sure you remember people telling you that everyone who was touched by that substance was infected by it. They've become monsters, Mr. President. There's no other way to put it. They can't be reasoned with, anymore. They just want to kill and eat anything with a pulse, and turn them into things like themselves.

"And that's bad enough. I mean, we can cordon off with the city and burn it down. That's a horrible thing, but it's doable. 

"But it landed in the ocean, Mr. President. And that means that every living thing in the water was also infected. And not just the fish, sir. It's also the microscopic life. The plankton. All that life in the ocean, already trying to kill and eat each other... well, it's gotten worse.

"And because it landed where it did, the infection is going north, along with the Gulf Stream. I'm sure you can appreciate what that means...?"

She looks to him, hoping to see some glimmer of understanding. But he doesn't even blink.

* * *

"So what am I missing, here, Glory?" the AGENT asks: "Help me connect the dots, and maybe I can get you put right back where you escaped from. Otherwise, we'll just shove you in basement with the rest of the scum we can't risk having in the normal prisons, and-"

"You think I'm afraid of you?" The Pentacostal says, raising his head up proudly: "You think I'm terrified of you? Of your jails? Your threats? This is just flesh, sir. Bone and skin. It'll be gone, soon, and then it'll just be my soul, standing before the Lord, ready to take my punishment and claim my reward."

"Yeah?" the AGENT sneers: "Well, between you and me? I think it's going to be more of the first and less of the second."

"That's not for you to say, sir," the villain goes on: "Judgment shall be the Lord's alone. Not man, not you. Him. He's the one I pray to, not you. He's the one who commands me, not you."

"Wake me up when this gets interesting," the AGENT says, plopping down in the chair across the table from The Pentecostal: "I can't wait."

"Well, that's the problem with people like you."

"What?"

"Waiting," the villain replies: "All your life you think you have time. You can't really contemplate death because you're afraid of it. You're afraid of judgment, and the pain that comes from having God turn his back on you.

"But here we are, sir! It's the end of days. The apocalypse is upon us, now. The signs are showing, the prophecies are unfolding. And now the darkness is being loosed upon the land, right here in Florida of all places!"

"It's not the apocalypse, Glory," the AGENT insists: "It's aliens is all. Giant crabs shooting nuclear poop out of their blowholes. That's it."

"No it isn't!" the Pentecostal shouts, banging his fists on the table: "It's not aliens! It's demons! It's men becoming monsters and the land rising against us! It's creatures from Hell walking among us and calling themselves gods, and our letting them do it!

"It's all these sins, caked on our hearts like filth. And you just shoot at it and threaten it and burn it and arrest it and pretend you're righteous and it's working. And all the while you know, you know, that it's just throwing ice cubes on the fire.

"Steam and spit, AGENT. That's all your best efforts are against prophecy."

"So what were you trying to do, then?" the AGENT asks, leaning forward and tapping the book: "What were you trying to accomplish by turning these people into monsters?"

And over the next few minutes -- between snarling and spitting -- The Pentecostal finally tells the ugly truth.

Thursday: 4/7/16

"I can't !@#$ing believe it," SPYGOD grumbles, leaning back in his chair in the COMPANY transport his secret team has been living out of for the last month or so, and staring at the decrypted information on the screen.

"The Korhogo facility," Gosheven whistles: "I've heard stories about that place. It's bad news."

"What do you mean?" Shining Guardsman asks: "Isn't a superslam usually bad news?"

"Not like this," the shapeshifter goes on, shaking his head: "It's underground, with only one way in and out. It's boobytrapped out the damn ass. And when it went down, in the last days of the Terre Unifee? They just left the prisoners down there to rot."

"!@#$," Swiftfoot mutters: "Of course they'd put him somewhere impossible."

"Well, it's not impossible," Myron says, but even he doesn't really believe it.

"You can't spell impossible without 'possible,' Mr. Freedom offers up: "If we can dream it, then it has already been done."

"Well, hopefully they take new age greeting card slogans at the door," Gosheven snorts. 

"So close, and yet so far," Free Fire says.

"Um," SPYGOD says, coughing into his fist: "Gentlemen, I have an announcement I'd like to make."

"Yes?" Myron asks.

"Next time someone !@#$ing says the word 'impossible' in regards to getting into this place that we've been searching for, all this damn time, and rescuing my fiancee?" the superspy asks, standing up out of his chair and staring down at each member of the team in turn: "They get my !@#$ing fist up their face. And another one up their ass.

"And then? I'm going to !@#$ing breathe fire and rotate your sorry butt around until you're well done. And then I'm going to serve your burned ass for breakfast!

"You all !@#$ing got that?" he shouts.

Everyone nods, and then he sits back down.

"No one said this was going to be !@#$ing easy," he says, steeping his hands before his face and looking at each person in turn: "It certainly hasn't been, so far. We've been fighting !@#$ing space monsters and shoggoth gangsters. And now they're !@#$ing lobbing poop balls at us from Mars, trying to soften us up for the real event.

"My fiancee? The man who says he !@#$ing loves me, and has done everything he can to prove it? He's the best chance we've got to know what we're !@#$ing up against, and how to beat it. He might be the only chance, too.

"So I don't care if this place is boobytrapped, full of dead prisoners, patrolled by those weird-ass black blob !@#$ers, or whatever. We're going to get in. We're going to get him out of there.

"And then, we're going to find out who !@#$ing put him there, and bring them the damn pain..."

* * *

"So what have you got for me?" Josie asks the AGENT who did The Pentecostal's debriefing: "Did you get anything useful out of him?"

"I did, yes, Ma'am," the man says, nodding as he stands at attention in her office: "But it wasn't what he did that was useful."

"I don't follow, AGENT," the Director says, shaking her pink head: "What do you mean?"

"His plan was just a straightforwardly insane scheme to draw attention to what he thinks is the end of the world," the AGENT explains: "Get some Russian bioweaponry, feed it to churchgoers, and then use his hypnosis powers to send them off to cause mayhem. That brings attention, attention brings cameras, cameras get his message out there."

"Really?" Josie says, raising an eyebrow: "That's all there was to it?" Really?"

"Yes, ma'am. The sort of crazy plan you think of on the fly after you've served a couple years of your double-life sentence, your cellmates trust you enough to tell you where they buried the goods, and you manage to get out of prison by accident."

"By accident."

"Yes, ma'am," the AGENT says, raising his wrist to project his pad's signal onto the screen near her desk: "Three days before the incident there was massive breakout from the Charlotte facility in Florida. There was a prisoner transfer going on, and the truck exploded on its way out of the dock."

He shows her footage of the explosion, captured on a guard's phone: "The explosives were powerful enough to crack most of that building, and they were followed up by sniper fire and mortars, along with an electronic attack that rendered their security and surveillance systems inoperable."

The angle on the explosion changes, and the phone drops to the ground. It films a bit longer and then goes black.

"Military work?" Josie surmises.

"It seems so, ma'am. The prisoners in the truck were killed right along with the guards and a number of other people. But in the confusion, about a third of the D-block managed to get out of the building, and half that number again managed to escape from the complex. The Pentecostal was one of them, though they had a hard time confirming that. In fact, they still think he's among the dead, given the damage to his block."

"So if his escape was by accident, then who was the real target?" the Director asks: "And what's the useful thing you were talking about?"

"These people right here," the AGENT says, showing the pictures of a dozen very disturbing looking white men, their skin covered in black, racist tattoos: "The Sons of the Serpent. Nasty Neo-Nazi religious cult, known for worshiping the snake from the Garden of Eden."

"Seriously, AGENT?"

"Yes ma'am. I looked through their literature last night. I feel like I need to bleach my brain."

"So how do we know this?"

"Because, on his way out of the care of the Florida Department of Corrections, Mr. Glory ran right into the seven survivors of the blast," the AGENT explains: "And they were nice enough to not only shield him from the guards, but also hustle his ass into their waiting transport, and then drop him off where he needed to go."

"Were they friends in the D-block?"

"Well, he didn't think so. But he thinks he did a solid for one of their senior members, one time. That might be why they helped him out rather than leaving him in the dust, or just shooting him."

"And on the way out they were all whooping and hollering and congratulating themselves for a job well done?" Josie asks, and makes a sour expression when the AGENT nods: "!@#$sticks."

"Ma'am?"

"Has he said anything else?" Josie asks, getting up behind her desk: "Anything else that might be of use?"

"Well, the leader of the Sons? Terry Busey? He thanked the driver for the rescue, and said something about needing to be in a plane in the next few days. But he clammed up after that, and they all went back to hooping and howling."

Josie considers that, and then nods: "Thank you, AGENT."

"What should I do with The Pentecostal?" he asks: "Send him back? Keep him here?"

"Keep him here, have a word with the Department of Corrections, and see if they can't remand his custody to a mental care facility," she answers: "He needs to pay for his crimes, but I have little doubt he's insane. And having him in with the worst examples of humanity isn't going to help him."

He nods, waits for her to dismiss him, and then marches out of her office -- orders in mind.

Friday: 4/8/16

The infected woman won't stop screaming. That's the worst part of all this.

She's been shot at least fifty times in the last minute, courtesy of the rail guns the Gold Soldier is brandishing. Large chunks of her anatomy have been blasted clear from her body -- her left arm, her right leg, the left side of her rib cage.

And now the top of her skull, trailing black, roiling mush along with it -- the necrotic slop she was hiding under her skin.

But she's still alive, after a fashion. Still twitching, and still warping, as the dark goo sloshing out of her wounds in a never-ending flood reforms her into something new and strange.

Something less human with each heartbeat.

Something that's still !@#$ing screaming...

Antonia Jones-Crisp grimaces and continues to have that unit fire at her, just as she's having the fifty other Gold Soldiers do, all around the cordon surrounding what used to be Miami.

The city is dead, now. In flames. Burning and crumbling.

And all those who remain in there, now, are officially beyond saving.

At first, she didn't want to believe it. She thought her orders had to be a damn mistake. Contain the civilian population? Shoot to kill if they tried to escape? What was this, the Soviet Union?

But then she encountered her first group of victims -- stumbling towards the checkpoint on north Miami beach, claiming they were just fine, and then slithering up to the unit and tearing it to pieces in their massive, black mouths within seconds.

Josie didn't have to reprimand her. Antonia had learned her lesson.

And now she just shoots to kill -- again, as the case may be -- and concentrates on her orders.

It's not easy, soldiering so many units around in her VR tank. Especially not while looking after her and Fred's miracle baby at the same time. But she's got her orders, and she's working from home, and she's the only one who can make this multitasking thing work.

The only one that can make sure that there's still a world left for her beautiful weird baby to grow up in. 

So she kills anything that tries to leave Miami, and wonders how long until someone does the obvious thing to the infected mess the city's become...

* * *

"And the latest numbers from the metro Police department reveal the exiting news that the crime rate here in Detroit have gone down a full 25 percent!" the vacuous-looking brunette on the TV news announces.

She's got more to say, of course -- she always does -- but no one in the crowded bar hears it. They're too busy ducking and covering as someone shoots the place up.

The gun is some weird, ceramic thing attached to a slim backpack. Whatever gets hit by its chittering, white beam turns as brittle as thin, spun glass.

Most objects simply collapse under their own weight. Some hang in there for a while, but eventually begin to crack, and then -- in a second or two -- crash in on themselves, and turn to multicolored flinders all over the floor.

"I got your attention, I think?" the man in a thin man in a white, plain mask asks, holding the gun up: "Unless anyone wants to say something?"

No one does. So he steps back and lets his boss do the talking.

"Evening, gentlemen," Morgue Anna says, tapping her staff on the floor -- each time she does, the lights turn on and then off: "I have it on good authority this bar plays host to the General's troops? Yes?"

The men on the floor all look at one another. They look like dangerous rejects from an NRA convention, and are all strapped for battle.

"I'll take that as a yes," she says, smirking: "Here's the deal, folks. The guns in this town are now mine, and I won't be taking no for an answer on that. So you got two choices. You either work for me, now, or you don't work at all."

"Any questions?" Porcelain asks, looking around.

"I got an answer, faggot," one of the larger men on the floor says, getting up -- his eyes burning with the intensity of the large, ham-fisted, and incredibly dense: "And that's !@#$ you. We work for him. We don't work for no one else. And if you think-"

"Porcelain," Morgue Anna says, and her subordinate grins as he turns his weapon on the man. The white, chittering light strikes him dead center, and he stops talking as his body turns into something a lot more brittle than flesh, bone, and fat.

And then he cracks into pieces, and litters the floor with glasslike shards of red, orange, and white.

"You're working for the lady," the villain says, lifting his gun back up again: "Get up and follow us out. We'll discuss money and orders after you get told what's what."

She grins as they all get up and hustle their asses out the door -- right into the presence of Red Devil, who's ready to make them do what she wants in his own way.

"So, what should we do with the place?" Morgue Anna asks her underling: "Leave it standing? Or make an example?"

"Well..." he starts to say, but realizes she was asking a rhetorical question.

So he grins, kicks his gun into overdrive, and turns the rest of the building into his namesake -- wondering if his colleagues are having as much fun as he is, right now.

And when the fun might actually stop and become work...

* * *

"Well done, my good servant," Helvete says over the phone as Karl reports his success: "I know it must have been hard to find. They did their best to hide it, after what happened."

"It doesn't look like much," Karl says, looking at the old, Soviet-era building his men have secured: "Apart from being a rather brutal example of statism expressed in concrete. All these years later you can still smell the authority."

"The Communists do love their dominating architecture, yes," his boss tells him: "But even what you're seeing is merely a front. The real treasure is well below the building, most likely still buried by several floors of concrete."

"And you're saying we need to have this... Beehive? Is that really what it's called?"

"Oh yes," the pale pyromaniac grins: "It's going to come in very handy when we enact our plan, in a few week's time."

"Very good, " Karl says, rubbing his face -- the burns are itching as they heal: "I'll have the men go in and see how much as to be cleared and fixed up. Is there anything else I can do?"

"You've done it, my good man," Helvete says, looking at the map, and imagining his servant standing before it: "You've earned a night's rest. But tomorrow morning let's see about getting our guests taken care of?"

"Of course," Karl says: "There were some complications, stateside, due to that weird thing that happened in Miami. But I'll see about getting it going."

"Excellent," the pale man says, and then -- after hanging up -- gets ready to call his increasingly-useless meat puppet candidate, and tell him how to screw up his chances of gaining office just that much more.

"Plans within plans..." he chuckles, thinking of his long-dead friends and rivals in ABWEHR.

And wondering what they'd all say if they saw him now. 

Saturday: 4/9/16

At first, Gosheven doesn't say anything.

He blinks a few times, unsure of what he's seeing. Is it a mirage from the long flight from Africa to here?

"Honey?" he asks, almost mouthing the words.

"Asshole?" the woman he's staring at asks, holding her arms out and open for him.

And then, decorum be damned, the shapeshifter runs all the way across the Flier's flight deck and all but jumps into Gail's arms -- crying big tears all the while.

"Oh my god," Myron gasps, following quickly behind his teammate: "Red Queen? Is that you?"

"Yes it is," she says, gasping a little to see him: "Where the !@#$ were you, Underman?"

"Oh, don't call me that," he laughs, joining in the three-person hug.

"Well, don't call me Red Queen," she says, giving him a pat on the back and trying to avoid Gosheven's sloppier kisses: "It's Dragonfly now. Long damn story."

"One she won't let us in on," Hanami says, walking up behind her: "Myron, Gosheven. Nice to see you."

"Likewise," Myron says, shaking her hand. He'd have gone for a hug but she all but shoved her right hand out for him to take.

"Well, Hanami," SPYGOD says, bringing up the rest of his team and looking down at her: "At last we really !@#$ing meet."

"We knew each other before, (REDACTED)," she says, putting her hands behind her back as a sign of respect: "I'm sorry you don't remember."

"I'm sorry I'm having to go off of notes and recordings," the superspy admits: "But let's !@#$ing get together soon and fix all that !@#$, huh?"

"If we have time," the Japanese android says, looking over to the Transport her team was about to take into the field: "Our two teams are probably going to be booked solid for a while. We're heading down to help with the Miami situation. And you're..."

"Triple Black !@#$ You Top Secret," he laughs, winking a blind eye over his round mirror glasses: "Same as always."

"Well, good hunting, sir," she says, saluting, and then brings up the rest of her team. The two groups shake hands, hug, or exchange nods as they go by, depending on how well they know the other people, or how much they like them.

And then, as quickly as it began, the impromptu reunion is over. One team enters the Flier for debriefing. The other departs for a mission.

And no one has any idea when they'll see each other again.

Or if. 

* * *

"We got them," the AGENT in charge of following up on the Sons of the Serpent announces, coming up to Josie and showing her the proof of his investigations: "I swear, these people are !@#$ing morons. They must have wanted to get caught."

"What have you got, Ramirez?" the Director asks, noticing that SPYGOD's on the Flier's deck, but not acknowledging his presence -- yet.

"The week before the breakout, someone made arrangements for twelve men to travel from Miami International Airport," the AGENT goes on: "Completely fictitious people. Stolen ID bought off the black market. A good job, but you'll notice who one of them is..."
"Gary Busey?" Josie says, almost incredulously.

"AKA Terry Busey," Ramirez says: "Now, Miami being in the state it's in, the flight got canceled. But then someone thoughtfully booked them another flight, for seven of them this time, from Southwest Florida International."

"Let me guess," the Director says, holding up a finger when SPYGOD looks like he's going to open his mouth: "The seven men who survived the escape attempt. Including Gary Busey."

"Correct, ma'am," the AGENT says, smiling: "They've got a flight booked for Dusseldorf tomorrow."

"Germany, huh," Josie snorts: "Talk about hitting it right on the damn nose."

"That's one way to put it," Rakim says, coming up and handing Josie the reports from the Brain Computer's latest project: "At AGENT Ramirez's suggestion, I looked into the whereabouts of several prominent and virulent racist leaders, here in America. I found that a number of them have also taken off for Dusseldorf under fictitious names, some of which are clearly... well..."

"Luke Skywalker?" Josie snorts.

"That's David Duke," Rakim says, brushing his long beard: "It gets worse from there."

"Wow, it really is like they wanted to get caught," Ramirez mutters, shaking his head. 

"Alright then," Josie says, nodding and handing the reports back to them: "Well done, both of you. I'll see about having them watched when they land in Germany."

Then the Director coughs, looks up at SPYGOD, and walks over to him, smiling: "Glad you could make it, (REDACTED). Ready for your debriefing?"

"I feel like I already got pantsed," he says, smiling. Her smile falls, for just a second, and he can see that, while she might have gotten the joke, she sure didn't want it.

And over the next hour, as he skillfully lies his way through another lengthy meeting with the Director of the agency he used to run, he wonders how long he can keep this up before he inadvertently gives the game away.

She's not nearly as oblivious as he'd like her to be, after all. 

Sunday: 4/10/16

"Just a little bit more," Antonia says, more to herself than anyone else, as the latest observation drone flies over the center of the city: "A couple more blocks."

"Hey you," she hears someone say within earshot of one of her Gold Soldiers. The unit looks down to see Hanami there, waving just outside the cordon.

"Well hi, stranger," she says, putting the drone feed on the back burner for a moment or two: "When are you going to come down to the creche and say hi to me and the boy?"

"When I get a day off," the Japanese android jokes: "When are you going to get back into the field?"

"That's just it, Hanami. I am in the field," the former Gold Standard chuckles: "My new telepresence multitasking programs let me run up to sixty separate units before I start breaking a sweat. A hundred if I really push it."

"We miss you, though," Hanami says: "American Steel's nice enough, but she's still learning her way around that prototype of yours."

"She'll do fine..." Antonia says, but then breaks off. The drone Hanami's talking to looks right around, towards the center of the ruined city.

They're all looking, now.

"What's wrong?" Hanami asks.

"Oh... that's not good," Antonia says, horrified at what she's seeing...

* * *

"Ma'am?" an AGENT contacts Josie in her office, just as she's taking some very private -- and highly-encrypted -- email.

"Yes, AGENT?" she says, quickly putting the pad's message out of sight.

"We've got some telemetry coming in from Miami. Gold Standard's tagged it infra-red. And it's... well, you need to see this."

"I'm coming," the Director says, quickly taking one last look at the message her mole sent her.

TEAM SPENT ALL NIGHT RESEARCHING KORHOGO FACILITY. STRAFFER IS SUPPOSEDLY THERE. COVER IS RESEARCHING AL-HADHIH IN CENTRAL AFRICA. PLAN IS TO BREAK STRAFFER OUT AND GET HIM HIDDEN, THEN FOLLOW UP ON WHOEVER TOOK HIM. PLEASE ADVISE. 


She considers the request, and then types back: GO ALONG FOR NOW. KEEP ME POSTED. 

Then she all but runs for the operations deck to see what has everyone hollering.

And when she does, she immediately calls the President. 

* * *

"I... I just don't know..." the Interim President says to his master, over the phone in the Oval Office: "I mean, I told you what they saw. What they know..."

"I know what you have told me, my good servant," the Mahdi says, seemingly unconcerned: "And I tell you, in turn, that this has been prepared for. Our God, most beneficent, most merciful, has written the end chapter on the book of our lives. Should we dare to not read it?"

"Of course not," he says, shaking his head: "But do we have to just sit here? Wait for inevitable? Can't we try to fight back?"

"Why would you do such a thing?" the strange-sounding man asks: "Paradise beckons, man. Be grateful. And be silent of its details, so that only the righteous will gain a place in the Kingdom."

The Mahdi hangs up at that, leaving his servant breathless, and then crying.

(SPYGOD is listening to Undertow (Pet Shop Boys) and having a Reserve Special Black Ale)