Showing posts with label syphon. Show all posts
Showing posts with label syphon. Show all posts

Monday, September 19, 2016

Apotheoclypse Now: 9/12/16 - 9/18/16


"What do you want from me today? / Going through the tunnel of another drain"

(Ted Cruz, Myron, Shining Guardsman)

(Art by the Lemonade Project)

* * *
7
* * *

Over the ages, many a person has asked me "why?" Why do I do these things that I do? 

Why do I knock over the cooking pot, or spread the rumor? Why do I lie and cheat, and then make it seem as though others were at fault, and not I? 

Why do I play jokes that lead friends to become enemies, lovers to quarrel, and kingdoms to go to war?

Why indeed, Loki. But why not? 

If a joke be told and not understood, does not explaining only diminish the humor? Ruin the jest?

Well, so too is it with my actions. I do not feel the need to explain them, any more than the bear needs explain its hunger, the squirrel its need to hide nuts for winter, the Sun to rise and to set.  

But what would I say to the All Father, were he here before me, asking me why?

Well, I suppose I might have a great deal to tell him. And perhaps this would make all manner of things plain.

But, as I have said, I have no intention of ruining my greatest jest in ages.

Especially now that, thanks to this new body I have claimed as my own, the laughter be around the closest corner...


Monday: 9/12/16

"Well, this is... awkward," Director Straffer says, watching as almost every hero Myron brought with him to Mars intervenes to keep one Aesir from killing another, right on the deck of Naglfar. 

"That's putting it mildly," Shining Guardsman says, using every ounce of his suit's strength to keep Freyja from pulping the person that hitched a ride with them, halfway to Mars. 

"It would be a good thing for the two of you to cease your argument," New Man says, maintaining a purple cylinder of light around the stowaway in question. 

"Do not interfere in this matter!" Freyja insists, doing her best to unsheathe her sword: "This is none of your concern!"

"This is our war, too, lady," Myron insists, walking forward to stare the goddess in the eyes: "And she's-"

"He," the stowaway reminds him, through borrowed lips.  

"He is part of that war effort," the former Underman goes on: "So whatever problem you have with your..."

He looks at the stowaway, trying to see past the large frame of the woman he had thrown off his lightship, less than a week ago, and tries to see the god inside. 

"Her husband, Odr of the Vanir," the Aesir riding Xhasm's body insists from behind the purple cylinder: "And I would have words with this wife of mine, who seems more intent on killing me than kissing me of late."

That brings out a gale of laughter in the other Aesir, who are all watching this. That includes Odin, who seems entirely disinclined to interfere on either side.

"This is !@#$ we really don't need, right now," Myron says, looking to all godly beings within eyeshot: "We got giant time traveling crap-crabs down below, hurling balls of acid diarrhea up at us. We got a time portal we need to shut down before this gets any worse. And we got people I don't and can't completely trust along for the ride."

"Gee, thanks," SlamBang snorts -- crossing his heavy, armored arms -- but gets rather quiet when Myron gives him the death-look.

"So if you two need to have a damn moment, you have it after we're done," the former Underman insists, looking at the two of them: "Then you can totally make the dreams of those people who write the 'can this marriage be saved' column in Ladies Home Journal, for all I care.

"But for now? I need you," he says, pointing at Odr/Xhasm: "To remember that the body you're riding made me a promise, and I intend to extract it from you."

"I have no issue with that, good sir," the Aesir says, holding up her hands: "Her word is my bond, as I told you during our journey here."

"We saw what that was worth already," The Sound says, shaking his head.

"And I need you," he says, pointing to Freyja: "To put aside whatever thousand-year-old problems you got with this guy, and be a kick-ass warrior lady who doesn't let a man get the better of her."

She glares at him for that, but, by degrees, she lets go of the pommel of her sword, and relaxes.

"For the good of the battle, then?" Odin finally deigns to interject, stepping forward to look the two of them in the eyes.

"For the good of the battle," Freyja agrees, nodding in her husband's direction (but not looking at him)

"For the good of the battle," Odr says, nodding, and New Man lets the cylinder vanish. 

"Well, I'm glad we all got that out of our systems," Straffer says, nodding to each of them in turn: "If you'd all care to get back to your duties, I think the cooler heads need to talk strategy."

They all leave, after that, other than Odin, Myron, and Straffer, who looks at the former Underman with a newfound respect.

"Ladies Home Journal, huh?" he asks as they walk to the holographic map of the battle plan.

"My mom had a subscription for years," Myron weakly defends himself, putting his hands up in defeat: "And I got bored sometimes, you know...?"

"I'm not judging you, really."

"I just read it for the sex articles, I swear."

"Uh-huh," Straffer winks at him.

"Gentlemen?" Odin asks, gesturing: "Now that we have narrowly escaped one cataclysm, I think we would do well to plan our next."

"Oh, now you're helping?" Myron scowls as he walks up beside him: "Fat lot of good you were back there." 

"What I did, and did not do? I did as a mark of respect to you," the Lord of the Aesir explains, putting a fatherly hand on Myron's shoulder: "To lead, you must command. If I had led, just now, you would not command those two, nor my Aesir. You would be forever in my shadow. 

"But by remaining silent as you dealt with the problem? I showed that you, my friend, are the one who leads here. And after how well you put those two in their place? Well... I would be proud to follow you to the frozen gates of Hel, my friend."

"Oh," Myron says, nodding: "Yeah. Okay. Thanks." 

"Twas the least I could do, truly," Odin says, winking his one good eye.

"Well then," Straffer says, calling up the areas of approach on the Lunar Planum: "Shall we decide where Myron is going to lead us, then?"

"Most likely to a hotter version of where Odin wanted to follow me," the former Underman sighs.

Tuesday: 9/13/16

"Wait, you got an interview with... who?" Velma asks over the phone.

"The old man," Randolph Scott says, standing on a bluff overlooking the Standing Rock campsite at night.

"You don't mean..."

"I do, yeah," the outlaw reporter says, looking around at the goings-on down by the fires: "It was pretty !@#$ing revealing."

"Is that good or bad?" the Toon asks.

"Depends on how you look at it," Randolph sighs: "There's gonna be a lot of pissed off activists in the American Indian movement, I'll tell you that for sure. But there's also something more to it. Something almost hopeful."

"I could use some of that," she sighs.

"How bad is it?" he asks: "How are they?"

"Not good," Velma says, quietly: "Helga's having problems walking. Helmut's forgetting things. And Karl is... well..."

"What?"

"He woke up with half his hair gone this morning," she says: "It was grey and thinning last night. This morning... it just fell off."

He grits his teeth and tries to close his eye -- except he can't. All he's got now is the prosthetic, and it doesn't close.

(It's making sleeping interesting, that's for damn sure.)

"I need to be home," he says to her: "I need to be there with them."

"With them."

"With them, with you," he begs: "With what we made. With what we've done."

"What about the truth, though?" she asks him, not without some acid: "It was worth killing for, a couple weeks ago. What's it worth to you now? Don't you owe the story enough to stick around and watch what happens next?"

"Damn it, Velma!" Randolph shouts down the phone: "The truth isn't worth a !@#$ing thing unless there's someone there to hear it! Unless we tell it to each other, and learn something from it, it isn't the truth. It's just a fact. And facts..."

He trails off, thinking of a song he hasn't heard in a long damn time. 

"Facts are just things that happened until someone makes them mean something," she finishes the thought: "And then it's the truth."

"And the truth is that I love you," he says: "And I love our kids. And I love what I do, even if it sometimes drives me to do stupid !@#$-"

"Stop," she says, and he does.

They remain in silence for a while, both waiting for the other to break it. She isn't sure. He doesn't dare.

"If you got on a plane and came here, he'd track you and kill us all," she says.

"I won't get on a plane," he says: "I got connections he can't track. You know that."

"Then get your ass back here," she says: "We need you."

And no sooner does she say that than he's got another burner phone out, and is calling someone he's going to owe one hell of a favor to when all this is over.

Wednesday: 9/14/16

"Well, that wasn't so !@#$ing difficult," SPYGOD says, lighting up another one of the black cigarettes he's convinced are trying to kill him, and looking around what's left of the United Nations Space Service lab.

Everyone who was there is dead, or worse than dead. They stood there and screamed forever as time went mad around them -- aging them forwards, backwards, and sideways at a whim. 

Human skeletons float in the air. Super-aged men and women sprawl across the floor, turned into Methuselahs in the space of seconds. White splotches on the ground indicate where people were brought back to the moment of conception. 

One poor guy -- the only one who tried to stop it, to his credit -- runs the gamut, his body going from sperm to skeleton in one long, painful arc both forwards and backwards. 

All to no avail, sadly. None of them had a hope of stopping what was begun the moment they tried to get into Space Commander's timeship. 

For that, a more powerful ally was needed. 

"Such a terrible thing," Shift says as he holds the thing they came for aloft. It's a large, silver sphere the size of a beach ball -- its skin shifting under the Olympian's touch. 

"Unavoidable," SPYGOD argues: "This started a long !@#$ing time ago, without us. And it's going to keep !@#$ing going on, without us. This !@#$? This is just the part where we finally come in."

"That is true," the Olympian agrees -- his silver mark as featureless as ever: "But I was not referring to what has taken place. That was merely a tragedy.

"This?" he says, holding the ball up a little higher: "This is the terrible thing I speak of, my friend. It is wonderful and horrible. A thing of power and terror."

"Damn straight," the superspy says, looking at what it's done: "You got a way to contain the !@#$ing thing?"

As if to answer, the supergod lowers the ball and, very carefully, brings his hands together as he twists them about, as if turning a lock. As he does, the ball gets smaller, and smaller still, until it's the size of a cantaloupe. 

And then, with that, he opens up a large pocket in the side of his silver suit, and outs the ball into it. The fabric folds around it, and then it's like it was never there at all.

"And now?" SPYGOD asks, wondering how the !@#$ he's going to explain all this to his fiancee the next time they talk. 

Shift doesn't answer. He just looks at SPYGOD, who sighs and nods, knowing full well what the time-traveling being is trying to tell him. 

There is no now, here, anymore than there's a then or a later. There's just this one place where it all meets up -- where the present, past, and future become one another.

And there's just the two of them to make sure it all goes according to the plan -- a plan they can only hope they both understand.

Especially since they're getting it somewhat second-hand from their past/future selves...

Thursday: 9/15/16

"I never want to see this scummy, sad town again," the Candidate says as he gets into his waiting limo -- parked outside a Methodist church in Flint.

"Well, hopefully we won't have to, sir," his campaign manager says: "This was just a one-time thing-"

"The nerve of that lady," he goes on, shaking his head: "They want me to take time to come speak, and when I do, they tell me not to talk about that moron I'm running against?"

"Well," the young man says, not wanting to push the point any further.

"Not good," the Candidate says, not caring to look out the window as they speed away to his next destination: "Not good at all."

"Okay," his manager goes on, deciding to change the subject: "So we fly from Detroit to New York and get that interview with Fallon for the show, tonight. And then it's New Hampshire."

"Fine, fine," the man shrugs, leaning back in his seat: "Should be good. Fallon's a good guy."

"Well, he's promised to give you a fair shake."

"Doesn't matter, really," the Candidate smiles, patting the sigil on his lapel: "Fair, unfair, what can he say about me? Nothing that will matter."

"True, but-"

"And I can do anything I like, you know? I can say anything I like."

"I guess that's true-"

"Yes, it's true. I'm going to be the next President. And if that guy wants to be stupid I'll just deal with him after I get into office."

He smiles at that, thinking of all the people on that lengthy list of people he's planning to deal with. And his campaign manager tries not to swallow too hard -- finally realizing that his client hasn't been joking about that.

Which is when his call phone rings, and he realizes something is wrong when he sees the number.

"Hey man, what's up?" he asks King Whip, knowing he'd never call him unless it was a severe emergency. But as he listens to the voice on the other end, his face falls, and then goes very, very pale.

"What is it?" the Candidate asks, unable to hear the other end of the call.

"Um..." his manager says, shaking as he hands the phone over: "I... I think you better take this call, sir."

"Who is it?"

"It's.. well-"

"Give it," the Candidate insists: "Whatever it is, it can't be that bad."

But then he takes it, and hears what the Penitent has to say.

And he realizes just how bad it can be. 

Friday: 9/16/16

"How, exactly, does one lose a comatose patient?" the Assistant Director of FAUST says, not really amused at the latest turn of events.

"Very !@#$ing carelessly, apparently," SPYGOD says, glad he's got a bunch of his AGENTs around him on the bridge of the Flier. He'd be afraid to face this woman alone, otherwise -- even if it is just a video projection.

"I see. So Mister Freedom is, shall we say, rather ironically named, then?"

"He always was," the superspy says, hoping the joke means the worst part of this conversation is over.

"And now that he is an Olympian, and supposedly the pinnacle of restraint and containment, how does he explain this utter lapse in security?"

"That's just it, Ingrid," SPYGOD says, not daring to drink in front of this stern-faced woman (and desperately needing a !@#$ing slug right about now): "He !@#$ing can't. It's like it was with the President's daughter and that guy you all sent over. One minute everything was fine..."

"And the next, she's wearing his face out like a mask."

"Yeah. Only this time, one minute the damn bed was full, and the next it was !@#$ing empty."

"Nothing on camera, and no one saw anything?"

"The damn life signs monitors didn't even !@#$ing go off. It's like they thought the poor guy was there, too."

She nods, and considers that: "There are any number of meta-humans who could engineer such a feat, I suppose."

"We're !@#$ing running them down. We just need a motive."

"Revenge for Moscow?"

"Possibly, though it's my understanding the bastard that was riding him wasn't really on their side at the damn time."

"No," she smiles: "I suppose not."

"Well, I'll get back to you as soon as I know more."

"Oh, I expect you will," the temporary head of FAUST says, pointing a finger at him: "And you tell that lazy-eyed fool who looked after my man that I am keeping a very close eye upon his failures. At some point I am going to have to stop looking upon this as incompetence, and instead call it collusion."

"On that day, I'll !@#$ing drag his ass in myself," SPYGOD says: "You know I will."

She looks at him with something approaching surprise, and then shuts off transmission without so much as an other word.

"Well, !@#$," the superspy mutters, realizing he's really put a goose into the shark tank now. 

Saturday: 9/17/16

MISSION REPORT
AGENT (REDACTED)
TIMEFRAME 09/10/16
OPERATION ERASER 

There are times when I have to wonder if the reason we're mind-wiped after each mission isn't necessarily to protect us from going mad due to minor changes to the timeline, but rather because the irony of our actions has to be thick enough to spread on toast.

Case in point: to save my life, and maintain the mission, I just simultaneously created and destroyed the Wandering Shadow.

Yes, you have heard that correctly. It turns out that, while he was more skilled at temporal combat that I may ever be, he never had any safeguards. Killing him was only a matter of time, if you'll excuse the turn of phrase...

*coughs*

Well, I suppose I should start at the beginning.

I decided to take advantage of a lull in my observation of the primary subject of OPERATION ERASER and look into the 2016 assassination of the Japanese Prime Minister, at the Rio Olympics. The true culprit was never ascertained, as we know, as there was a lot more pressing business going on at the time.

However, the subject, (REDACTED), was convinced that the murder weapon had to be Hǫfuð, given the ballistics involved. At the time, the weapon was known to be in the hands of his Alter-Earth doppelganger, (DETCADER), which would indicate that he was the culprit.

However, the subject was uncertain of this. The act lacked his doppelganger's usual mad poetry, as he put it. I had to agree, so I decided to take advantage of Hǫfuð's presence, on my person, to look into the matter.

I tracked the real murderer to the central domicile of the legendary Wandering Shadow, only to find a dead NGUVU agent, known as Khalil. You might remember him as being one of the subject's suprspy contemporaries, notably active in the run-up to the so-called Reclamation War, and then occasionally useful afterwards.

Following a failed romance with Skyspear, he fell of the grid, and not even his fellows could locate him. I can now confirm that he had been working with the Wandering Shadow for some time, following the end of his relationship with the teleporter. I can also confirm that he died here, at the hands of the Wandering Shadow, either before or after being dismantled, for want of a better word.

I'm not entirely certain how this could have happened, but somehow (DETCADER) used his so-called Eye of Horus on the Wandering Shadow, and flipped his brainwaves to match those of someone from Alter Earth. This turned him into a sadist, a voyeur, and a cannibal -- terrible traits for someone with time manipulation powers to have,

But the Alter-Earth AGENT did an even worse thing. He gave the man Hǫfuð, and talked him into using it to cause chaos and panic on a global scale. Gods alone know what might have happened if I hadn't blundered into him at home, and been forced to defend myself.

And yes, I am calling all this an act of self-defense. I was temporally shielded the entire time. He saw right through it, as though I wasn't so much as a second out of sync. He attacked me from behind, and confirmed that he had killed and partially eaten Khalil.

And as soon as he realized that I had the same weapon he did, just 28 or so years older than his, he went berserk.

No, he didn't try and shoot me. He somehow knew the same thing that I did, that him firing at the wielder of the same weapon would create a paradox that would destroy both weapons, to say nothing of ourselves. So he just tried to punch me backwards and forwards along my own timeline, hoping to send me to its end, or murder me at its beginning...

As I said, he was very skilled at temporal combat. He almost got the drop on me about three instances in the first two seconds of perceived timeflow. However, once my suit analyzed the pattern of his attacks, we were able to formulate an effective countermeasure, and match him blow for blow, dodge for dodge.

Not that it wasn't painful. It was like fighting a stone mountain that decided to shake itself to pieces on top of me. And as we danced about one another, with me blocking his every attempt to harm or erase my past, he fought bravely to prevent me from doing the same to him. Bravely and expertly, I must say. If I hadn't possessed the safeguards I did...

*pause*

The enormity of my action didn't strike me until I was standing over his badly-pulverized body, breathing his last within sight of his teenage self. In that instant, a connection was made between past and present, and all that time energy was sent right into his younger body.

All I could do was watch it happen, and then close the loop with extreme prejudice before things got any worse -- killing his adult time-aspect with a blow to the third eye Chakra, not quite driving his nose back into his corrupted brains. 

Thankfully he'd dropped Hǫfuð on the ground of his cavern before we began to truly fight, so I didn't have to risk the paradox associated with holding onto two temporal slices of the same thing. As of now I've secured it, here, thus ensuring it'll be found by the right people at the right time, between this timeframe and our own.

Which means I've taken one of the most dangerous weapons in the world off the board, until we take control of it in about 24 years. Which would be very satisfying if it hadn't come at such a cost.

We never really knew what happened to this amazing man. He cast a long, deep shadow across the 20th century, and then just vanished, leaving no successor. We'd all assumed he'd gone down fighting some ultimate foe in some unseen battle, blessedly raging just beyond or beneath the world's ability to see.

But no. He died because a monster turned him, and then I came across him while satisfying my curiosity after I got bored and went off mission.

I understand the need for the mind wipes. But this time, I'm actually kind of glad I'll be forgetting this when I get back. I don't know that I'll be happy knowing I did what had to be done, but only because I was in the wrong place at the wrong time.

"When I get back," I just said. More like if I get back. Let's not forget that.

The combat took several days of elapsed time, even if it only felt like minutes. I'm tired and my chronal batteries need recharging. I will get back on Operation Eraser within a reasonable amount of time.

But right now I just want to lie here, and pretend I didn't just have to perform two-fisted euthanasia on a man more remarkable and honorable than I may ever be.

REPORT ENDS

Sunday: 9/18/16

"What are you doing?" Freyja asks, coming around to the side of Odr, who's kneeling prostrate upon a towel on the far end of Naglfar's stern, and muttering to himself.

"Praying, my wife," the man in the woman's body says, rearing back up: "Earth is that direction, and so is Mecca. So I pray."

"You... pray?" the shield maiden of the Aesir says, incredulous: "To whom does a God pray? Have you gone addled at long last?"

"I pray to the one who created us, my wife," the Vanir says, putting his hands on his borrowed hips and turning to look at her: "The source of all power and matter. The one who created Man from a blood clot, and gave him a soul. And that soul gave him belief, and thereby created us."

She looks at him with some mixture of confusion and pity: "Odr... I know something of being in a body not well suited to our true nature. I fear your time in this woman's frame has confused you."

"Perhaps," Odr says, nodding: "It is a melding of souls, in many ways. I am not as accustomed to it as you have been. And perhaps the circumstances of our joining have affected my views."

"How so?"

"When I found her, she had just been condemned to die in the cold of the void between worlds," he explains: "She had never been in such a situation, before. And in such a time, her mind turned to Allah, whom she scorned and had turned her back upon long ago. She remembered the certainty she felt as a child, and the comfort such faith provided. 

"In that moment, I came upon her. I made her my offer, both to speed my journey to you and to save her life. And in that moment, many things within her mind came together."

"And so you would worship their God?" She asks, somewhat offended by the notion.

"I would, if you would permit me," he smiles at her: "But I am glad you are at last willing to speak with me, rather than strike at me. Perhaps the tide of our battle has turned?"

She looks at him again, and shakes her head: "The true battle begins in but a few days. I have sworn to the All Father to put all my strength into that. And that means that, for the time, you and I must be as one, as allies.

"After that..."

She pats the pommel of her sword, and raises an eyebrow. Odr nods, sadly, and turns back to Earth to pray.

And the stars roll on above them -- perhaps uncaring, perhaps not. 

* * * 

"I... I don't know what to say..." Syphon says, putting her hands over her mouth as she shakes her head: "This is... it can't be happening-"

"My son is gone," Martha Clutch says, doing her best to not let her fists talk for her, the way she's been wanting them too since she first crossed paths with this irritating Olympian.

"I see that...." the large woman says, looking over stacks of paper and things on her office desk, as if the answer were there: "But that can't be possible-"

"I closed my eyes to go to sleep," the heroine says, stepping closer to the desk: "When I opened them, he wasn't in the chair. He was gone."

"I can check... I mean, I'm sure we can find him..."

"Save it!" Martha shouts, knocking all the handy stacks of paper off the woman's desk with a swift kick: "What are you hiding?"

"Hiding...?"

"You told me he'd be awake in a few days," the Owl insists, pointing a finger at the zaftig Olympian: "I've been there for weeks, waiting. And you keep saying he'll come out any day. And I keep waiting.

"And now..." she puts her hands over her face, and then puts them down at her sides: "And now he's gone, and you can't explain a damn thing to me."

"He's... he's got to be somewhere-"

"You don't want me to see the security tapes," Martha suddenly realizes.

"No, it's not that-"

"Yes it is," the Owl says, stepping closer: "You'd have offered me a look right away, otherwise."

The Olympian looks at her, and her face falls. She's been caught.

"What haven't you been telling me?" Martha shouts: "Where is my son? Where is Thomas!?!"

* * *

"How..." the alter-Earther starts to ask, holding his bleeding nose: "How... did you..."

"An excellent question," the man who just abducted him from his slaughter-safari says, giving him a lightning-swift punch to the kidneys before he can get his wind back: "But not, perhaps, the question you should be asking."

"I'll fucking... fuck you..." SPYGOD's doppelganger hisses, going down on his knees and wondering where his nearest knife is.

"No doubt you would," his assailant says, stepping well clear of the man's arm-range: "And even worse, in fact. I have seen your handiwork, sir. Especially what you and your servants were doing when I found you. Not a pretty sight."

"It's not like this fucking world is going to miss a few more idle rich," his 'guest' sneers: "Do you know how much they paid me to shoot that damn rhino?" 

"I do, yes. But I suspect your tour brochure did not include your letting the rhino stomp them to death, before you killed and cooked it yourself," the man chuckles: "That being after you and your servants had your way with your clients, in several senses of the word."

"What... what do you fucking want?" the damaged man says, looking around the square and featureless room he's been transported to for some kind of weapon, or advantage. 

"Many things, in fact," his host says, making an ornate, wooden chair appear from seemingly nowhere, and dropping it down between his guest and himself -- straddling his legs around the back of it: "To take you from your current playing board, and minimize the damage you do to this world by merely existing within its confines. To place you onto my playing board, in turn, so as to secure your unique services for things to come." 

"My services?" the SPYGOD of Alter-Earth says, judging that he can raise himself up on his knees to look his captor in the face, instead of his feet: "You could have just fucking asked. I'm flexible."

"Yes, but then you would inevitably betray me," his captor says, grinning ear to ear: "This is your nature, as it is mine."

"Who says I won't, now?" 

"Because you have something to gain from this," the man goes on, pointing a finger at him: "You spoke of a way to kill gods, my servant. I would have this magic for myself. I would be the one who decides who dies and who lives, and then only at my sufferance."

"How do you know..." the counter-world man says, rubbing his nose -- enjoying the pain that is his alone to give. 

"Because Loki Laufeyson of the Aesir knows many things," the god wearing the body of Thomas Samuels says: "And I know that it would be a good thing for these gods to be dead or suborned ere my father returns to the world..."

And as he smiles...
* * *

... Randolph Scott cries with helplessness as his son, Helmut, dies in bed from a disease that should only take the aged and infirm... 

... SPYGOD takes the news with a lot more stoicism than he should, and wonders why he's suddenly so uncaring about something so damned tragic...

... Straffer, Myron, and Odin make their battle plans a final thing, all wondering if this will be the last they all stand together as one...

... as Freedom Party Candidate Ted Cruz stands nearby, wondering if the grace he feels watching this moment is God's hand in his life, or the calm of the condemned...

... and the Candidate wonders if the dead body he found in Detroit -- what little remained of King Whip -- means this election is lost, or his administration saved...

... while the American people are shocked and scared by the image of the Great Spirit, himself, and what he had to say in the interview going viral on THIS IS BULL!@#$'s website, right now...

... and Shift, knowing more than he can ever say, casts aside a useless tear as he puts the future and past together, once more...

* * *

... and the Alter-Earth SPYGOD -- so long used to no longer being anyone's slave -- bows and scrapes before a God, of all things, and promises that one day he will avenge this gravest of insults.

But not before he finally gets the one thing he's wanted to do since this whole, protracted mess of a mission began. 

A thing that this God has claimed he will, at last, let him do.  

Kill SPYGOD.

 (SPYGOD is listening to Fuel (Front 242) and having an Abandon Ship )

Monday, February 15, 2016

TechnOlympos: 2/8/16 - 2/14/16

"Say it To Me / Let's Embrace the Point of No Return"

The Candidate, with Karl, Jana, and Odal Associates

(Art by Dean Stahl)


* * *
29
* * *

Monday: 2/8/16

... and Randolph Scott watches the sniper line up the bridge of his lover's nose in his crosshairs...

* * *

... and Myron presses the red button that's supposed to destroy the whole of the Green Dome..

* * *

... and the Freedom Force's transport is seconds from crashing into Syphon's Detroit Temple...

* * *

... and then...

* * *

... Velma's head moves quickly, just a second before a strong, evening wind knocks her white, knit hat from her head.

(She must have felt it would happen before it did.)

It's too late for the sniper, though. The trigger's just been pulled.

There's the shot, but it misses.

But just not by enough...

* * *

... time has gone by for Myron to realize the bomb is not going off. 

(Did he really want it to, though? Or was this just another dumb attempt to forestall the inevitable?)

He stands there, somewhat stupidly. He looks at his finger, then the woman he just spat upon. 

The woman who's got a gun aimed right at him.  

"I told you," the Chess Master says, a wicked and crooked smile crossing her old face: "Now, let's try this again..."

* * *

"... because the last time I came to one of these places, I beat the stuffing out of everyone there!" Martha Clutch shouts at the red-clad Midwives who've come out to see what's going on: "And I was just mad, before.

"Well, now? You've got me good and angry, folks. Righteously angry, I should add!

"And this time?" the very pregnant woman shouts, gesturing behind her: "I've got friends with me."

"In other words, you might want to just go home," Mr. USA says. Red Wrecker and Blastman both nod.

"Unless you feel like taking some displaced anger right on the damn chin," Blastman growls, punching his fists together...

* * *

... on the fancy, old desk as it becomes apparent his sniper's failed to kill that stupid woman. 

"Feurer wieder, verdammit!" Helvete shouts: "Schnell!" 

Randolph sees Velma lying in the street. Blood coming from her nose.

(Concussion? He hopes so.)

The crosshairs line up again, and...

* * *

... Myron's in motion before she can say another word.

He all but hurls the useless destruct box at her. She puts up her off hand to block it. 

He pivots quickly and brings his other hand down on her gun hand, right at the wrist. 

The gun goes up and out of reach. It clatters across the room. 

Then she puts her foot somewhere she used to put her lips, on him, and...

* * *

... every single Midwife looks at them, and then move to form two, parallel lines

They stand at some kind of attention, staring across the space at each other -- their bodies a human corridor leading into the temple.

All but inviting them in.

"I don't like it," Red Wrecker says: "This is way too easy."

"After the week I've been having, I'll take too easy," Martha says, and quickly moves...

* * *

... to surreptitiously pull something from inside his belt. 

"I'm so sorry," he whispers to Karl and Jana, who clearly aren't in control of themselves right now. 

He presses the screechbomb's button, and closes his jaw as tightly as he can.

The sonic weapon goes off. He is ground zero. 

And the only one with smart earplugs.

His kids scream as their ears betray them, and every bone in their body vibrates painfully...

* * *

... as they both scramble after the gun, each one trying to slap, slam, punch, kick, and gouge the other away from it. 

He never knew she could fight that well. She seems to have known his limits all along. 

But he's not giving up -- not now. No matter how many times she hits him somewhere very tender and sore. 

By some chance, they reach it at the same time. 

And as they wrestle for it, they realize they're no longer alone, here...

* * *

... in my own home, again," the large woman in the blue business suit says, glowering: "This is getting to be an unpleasant habit. One I told you to break."

"That was before you stole my son's body," Martha says, pointing a finger at the Olympian as they march into her office: "And I know you did it, too. So don't-"

"You have no right to be here and demand anything of me!" Syphon says

"Perhaps not, sister," someone says from behind them, and all eyes turn to see Mister Freedom standing there, in the room: "But I think you owe me an explanation. And you will give it to me."

"How dare you, Brother Restriit," she hisses, but it's too late. He waves at a viewscreen, nearby her desk. 

And it...

* * *

... explodes, along with every other glass object in the room. 

Randolph throws his kids off him as gently as he can. He gets to his feet, wondering how he can get them out of here. 

But then Helvete looks at him -- ears bleeding -- and holds up a small, black box.

He presses a button, and something red starts flashing on the belts of both Karl and Jana.

The message is clear, even over the white, painful noise...

* * *

... of the approaching mob, their hands and faces wet with others' blood. 

"We can fight each other, and they'll kill us," the Chess Master says, looking him in the eyes.

"Suits me," he lies, punching her in the damn face. 

She loses her grip. He grabs the gun.

He gets to his feet and holds it up, wondering how many bullets he's got...

* * *

... a little while to go before his body's natural healing turns back on again," Syphon explains, gesturing to the image of Thomas' mutilated body, floating in a tank: "It might be days, or weeks. But he will recover."

"Even after all that?" Martha gasps, astounded: "Even after..."

"An autopsy?" Mr. USA says, even more astounded. 

"Even after that," Syphon answers, a prideful smile on her face: "That's part of why I've been so infuriated by your issues, woman. I've given your son an eternal life in an immortal body.

"Some gratitude would have been nice..."

* * *

"... to see you, again," Helvete says through black, bloody teeth, now that the bomb is done: "But you remember, Herr Scott. Regardless of whether your whore is dead or alive? I have your children. And I know how to hurt you.

"Remember that, before you print what you think you know about my puppet."

Randolph Scott looks at the pale, red-eyed man, and flips him the bird: "The truth will be told, you Nazi !@#$. They'd want it that way."

"Yes, but you don't," Helvete says, grinning. And Scott knows he's right. 

"Now run, little man, or I'll blow up one to break the heart of the other..."

* * *

... wall of the morgue, where she must have stepped out of. 

"Well, !@#$," Myron sighs, realizing he's alone in this, now. 

There's a dozen of them. He doubts there's that many bullets in the gun. 

But as he sees them stalk towards him, their eyes glassy with bloodlust, he thinks. 

He remembers. 

And, putting the gun into the waistband of his pants, raises his fists... 

* * *

... and points to Syphon: "I charge you, sister. You will tell them when he is whole, again. You will deliver him whole to his mother. And you will interfere with their lives no more."

"He is my property," she hisses: "I do not interfere with your doings, brother. How dare you do so with mine?"

"Because he is mine as well," Mister Freedom says: "In the sense that he is part of us. You have made him one of us."

"Wait, what?" Martha gasps.

"Congratulations, Martha," Mister Freedom says, smiling: "You are the mother of a god..."

* * *

"... damn !@#$ mother!@#$," Scott hisses as he retraces his steps, knowing how hard it's going to be to get out of here alive.

He shoots when he has to, dodges when he doesn't. He prays he won't run out of ammo, but knows he eventually will.

He thunders up the steps, tossing another screech bomb ahead of him. It screams and knocks most of his assailants down.

But as soon as he's outside, he hears the telltale click of at least a dozen rifles. 

And he realizes he's surrounded, just as several camouflaged men and women appear from...

* * *

... out of the sick bay, covered with bruises and sporting a black eye and at least one broken finger. 

They couldn't fight, most of them. But what they lacked in skill, they made up in numbers. 

Still, Myron got through them. He even managed to avoid killing any of them. 

But he's broken, and he hurts. And he's certain he's still waiting for just one more shoe to drop.

But he's got his life, now. And a gun. 

And he knows...

* * *

... they've won, even if it feels like they haven't.

(And Martha hasn't said a word this whole time -- stunned, and maybe scared.)

"Should we trust her?" Mr. USA asks Mister Freedom, who's smiling mysteriously -- as always -- as they walk quietly between the line of Midwives.

"No," he says: "My sister has her own agenda. She always has. But she will comply with this, because she knows I can say what I know. 

"And she does not wish to explain to the others what she has done, and why."

"How could the others not know-" Mr. USA asks, but then throws up his hands as bright lights...

* * *

... shine down from the Space Service transport, just after it finishes gunning down his would-be assassins.

"Nicely timed," Randolph says, running up the half-deployed gangplank and buckling himself in.

"I thought there were meant to be two more passengers?" the Indonesian pilot shouts as they fly off.

"They... can't make it," Randolph Scott says, trying to place a call back to San Francisco: "Tell the Director I said thanks for the save."

And then he prays to a God he's not sure is looking out for him, right now, that the worst hasn't happened...

* * *

... as the hallway to his right lights up with explosion after explosion.

!@#$, Myron thinks. The Chess Master has control of the explosives.

And the !@#$ is trying to kill him,.

He runs. It's all he can do. And he hopes he can make it to safety in time. 

Only more explosions come ahead of him, now. It's almost as if...

* * *

"... you're completely surrounded, and outnumbered," the huge leader of the Arrow Security team shouts through his megaphone, walking in front of the pack of heavily armed and armored goons: "And we have orders to detain you for breaking your agreement with the city of Detroit."

"What do you mean?" Mr. USA shouts back, not liking the looks of the security vans pulling up (or the media trucks, for that matter).

"You just had one rule, pal," the guy says: "No costumes inside Detroit."

Everyone turns to look at Blastman, who's wearing his helmet, of course. 

"Hey, come on," he shrugs: "No helmet, no powers. You know how it is."

"So, we can do this easy, or not," the guy says, not caring: "You can let us detain you, and we can get it all settled. Or else we beat you down on live TV, and you look damned stupid..."

* * *

"... jackass, just put me through to the hospital!" the outlaw reporter shouts as the transport reaches NEO, heading for the West coast:  "I don't know what hospital, dammit! Just... yes, I'm her boyfriend, dammit.

"Velma. V-E-L-M-A. I think she was... wait... please, no... you have to...

"Look, she was shot, right? I think she was shot. Just please tell me...

"Damn it, you're the only Toon hospital in town! She had to go there. Please..."

And Randolph Scott feels small, and stupid...

* * *

 ... as Myron realizes the blasts weren't meant to kill him, but to kill other people. 

The mob wasn't alone. Others were on their way. 

Not anymore, though. The nasty !@#$ has seen to that. 

It seems she was telling the truth. She does need him alive. 

He can apparently get them home, or at least she thinks he can. 

And that might be the best weapon he has, right now...

* * *

"... (REDACTED)," Josie says over the communicator as the heroes back into one another: "This won't stand, but it'll take time to get it sorted."

"Look, ma'am, we've got a very pregnant woman here, and these security people aren't well known for their kindness," the older hero sighs, looking at the advancing Arrow Security forces.

(And the cameras -- so damn many of them)

"I can look after myself," Martha says, looking at Mr. USA: "Any one of them lays a bad hand on me..."

"We can all look after each other," Red Wrecker says, putting her fists down: "It'll be okay."

"Alright, then," Mr. USA sighs: "We'll surrender. But you might want to get help here as soon as you can, Josie. I think this could get really damned ugly..."

Tuesday: 2/9/16

"... thing?" the nude, middle-aged woman is screaming, her hands red with the blood that's soaked through the grass beside Rosi's pyramid: "How could this happen? How?"

No one's got an answer for her. All the people who came here with her, intent on making love to celebrate the coming of morning, are just as shocked and speechless.

The pyramid has been defiled. Someone has made a hideous mural of human bodies, up on the side that is just now catching the early rays of dawn. A massive human chain of exsanguinated, partially-eviscerated people, arranged to spell out one phrase.

FUCK YOUR USELESS GODS

She keeps repeating the question. The others take it up. How? Why?

Who?

There's no answer from on high, either. The stern, burning face of the sun goddess, Rahmaa, comes up over the horizon, but seems unable to see the mess someone's made of her sister's part of the White City.

One among them is not shrieking, or crying, or asking questions of the gods they walk with, though. She's looking up at the sticky, red mess, all the way up there, and making some gruesome deductions.

But the Red Queen isn't sharing them with her traumatized neighbors, much less their gods. 

She's finally feeling more at home in her old skin, and with her all-too-human limitations. It's taken her this long to not wake up screaming from an intense sense of loss. Not have to stagger around as though drunk, unable to move through the world with so few senses -- so little input.

She looks once more, and then turns to leave the crowd before it descends into despair. With each step she becomes more certain of at least one fact.

There is no way any one person did all that, in the time it would have taken to arrange it.

That person had to have help.

And she's got a very uncomfortable feeling she knows who...

* * *

"... did it?" the redheaded Toon in the purple clothing asks, stirring her Dynomutt coffee as she sits in the ICU visitors' lounge at St. Joseph's.

"Like, the All Stars got him, but he blew himself up," the Toon sitting with her says. He looks like he just got back from Hawaii, with long, scraggly hair and a chin-beard: "Some suicide commando or something."

"Jesus," remarks a Toon with blonde hair and a red ascot poking out of his white shirt: "I'll have to ask Antonia about that. She might know something."

"Is she even allowed to talk about stuff like that with you?" the woman says, trying not to sound bitter.

"Not always, but in a case like this, totally."

"Like, shouldn't you be back with her, man?" the scraggly Toon asks: "I mean, you got a miracle baby at home-"

"She's fine," Fred insists, really tired of hearing about it: "I'm more worried about Velma, right now..."

They all turn as Randolph Scott comes down the hall from her room, looking like someone stole his guts while he had his back turned.

(Walking between a cordon of American All Star Security agents, in their distinctive armor -- here to make sure whoever tried to kill her doesn't send another assassin.)

"Any news?" Fred asks, getting to his feet.

"She's still out," Randolph says: "They say... well, they think there was no brain damage. It's hard to tell. You know how normal bullets are when you've had the treatment."

"Like, no, thankfully," Shaggy says, shivering: "That's why I didn't do it, man."

"So, best case scenario, she's just got a concussion, she'll be out of it soon, and then... home?" Daphne asks.

"Yeah," Randolph says, plopping down next to Fred: "And then I have to tell her that I almost watched her get shot live on Hitler TV. I bet she'll !@#$ing dig that-"

"Shhhhhhhh!" an old Toon lady hisses at him from the other end of the room. She and some others are watching the news, apparently.

"So, what now?" Fred asks: "Can you get them away?"

"Asshole had them wired to pop," Randolph sighs: "He also made some very clear threats about what would happen if I said anything about what I've discovered."

"So, like, what are you going to do?"

Randolph looks at the beatnik, and then down at his hands. He thinks of the woman he loves, lying in the other room -- the woman who could have been shot dead yesterday if it hadn't been for the wind.

"I don't know, yet," the outlaw reporter says, patting his hands together: "I need a better plan, clearly. This bastard's got something major going on."

"Obviously," Daphne says, sipping her coffee: "He's got that scary rug-head under his thumb."

"Yeah, but it's not just him," Randolph says: "That skel I beat the !@#$ out of to find out where their headquarters was? He told me all kinds of stuff."

"Like what?" Fred asks.

"Well, this group, Odal? It's making alliances with countless racist and fascist organizations throughout Europe, North America, and even Russia.

"I'm not sure if it's the end result of what the Terre Unifee turned into, or if it's the next step in the chain. But it's big. Scary big."

"Well, like, don't you know scary people?" Shaggy asks, shrugging and crossing his legs: "Don't you you pal around with assassins and superheroes? Can't you bring them down, man?"

Randolph sighs: "Yes, Shaggy. I can. But I have no idea who else is being ordered around by their leader. They could have people in the COMPANY, Freedom Force, other governments' supers agencies. All sort of !@#$ing places-"

"SSSHHHHHHHH!" the old lady says again. And when Randolph turns to tell her to shove her shhhhh up her !@#$hole, he realizes what she's intent on watching.

It's the puppet in question, up on a podium in New Hampshire, and he's delivering a speech on America's many ills:

"... I mean, when people say, what's the worst that could happen? Let's let in all those Muslims, those Martians, those Mexicans. We're a prosperous nation. We have good police. Why not let them in? And I'll tell you why, because they'll become just like the Toons."

There's applause, then -- thunderous and frightening.

"I mean, have you been to San Francisco, lately? Ever since they made that place an enclave for Toons? I mean, you can't go anywhere without running into some really weird people. Their economy is wrecked because no one goes there, anymore. Business isn't happening. Jobs aren't being made.

"And as for safety? It's just like the Muslims going into Europe. They bring the violence with them. Why, just yesterday, there was an assassination attempt on one of them. Why them? Why her? Probably because people feel the same way about Toons that people feel about Muslims. And do we need that kind of crazy in our country?"

The crowd shouts "no" so loudly the TV's speakers almost blow out.

"Well, there's your answer," Fred says: "If you do nothing, we'll get that in the White House. And then we'll all be in trouble."

"Oh, he's got no chance of winning," Daphne shrugs: "Rubio will pull ahead."

"But, like, you can't even vote if you live in the enclave," Shaggy says. And before long he and her are back into one of their old, endless arguments, and Fred's just rolling his eyes and feeling useless.

And Randolph's wondering how long he can sit on what he knows, even if saying it will mean the death of one or both of his stolen children.

And what he's willing to risk...

Wednesday: 2/10/16

... to get out of this awful place. 

Martha's been in this holding cell for two whole days, now. And she is not willing to be here for an hour more.

At her peak, she could have been out of here by now. There's several ways out of this place -- concrete walls and steel door or no.

She counts them down, one after the other, when she feels antsy or afraid.

She prays to God and talks to her child the rest of time. One tells her she'll be out of here, soon, and she passes the message along to the other.

(Joseph, if it's a boy, after her father -- The Owl before her. Rachel, if it's a girl, after her cousin -- Kaitlyn's mother.)

Her body feels sore and angry. She's cold and uncomfortable. It's been too long since they brought her anything to eat, and the last time they almost didn't give it to her.

Serves her right for asking 'how much longer,' apparently. How dare she expect to be treated with dignity and rights in a private security lockup?

How dare she, indeed.

She's been in worse situations, of course. She's been captured, before. Beaten. Tortured. Starved. Used as a hostage.

But this time? Somehow it feels worse. And not just because she's pregnant, this time. Not just because of the circumstances.

It's because she knows -- she just knows -- that her allies are in trouble.

She heard the guards chuckling about it when they walked by her room, the first day. Something about the Federal Strategic Talents database. Something about the file marked K.

K for Kryptonite.

She thinks of Red Wrecker, down there, somehow powerless. Blastman without his helmet. Mr. USA, somehow bereft of his strength and stamina and at their mercy.

(And Mister Freedom... is there anything they can do to him, really? She shudders to think.)

Every so often, she thinks she hears a scream. She tells herself it's just her imagination, but she's sure she's wrong.

Very wrong. 

And every so often, she thinks about what Mister Freedom said, back in that temple -- about her son being a god, now. Was that just speaking metaphorically? Or have they actually elevated his body and spirit, somehow?

And when she wonders if it's true, she's even more afraid for him than for her, right now. 

So she closes her eyes and prays to God for help and deliverance. Especially if she has to break out.

God only knows what she'll be forced to do...

* * *

... once Myron's had more than enough time to consider his next moves.

He's holed up in Number Two's office. It was where she seemed to be herding him with her explosions. And, thanks to them, no other mobs have come to bother him since then.

Still, here's stuck here. And while there's enough food and water to hold out for quite some time, it's not very comfortable.

(Especially since he kicked the ball chair off its base to get the destruct box out)

He sits between it and the door, gun in his lap. He thinks of what to do, next.

Well, scratch that. He knows what he has to do next, really. What he's supposed to do, anyway.

What she's kept him alive to do.

It's just that he's not really in any damn hurry to do just that.

So he sits there, carefully weighing over each and every piece of evidence in his mind. He thinks of all that he knows, and all that he doesn't know.

And he hopes, against all hope, that there's some small, weird thing he's overlooked that would allow him to not have to go down the ORBIT tube, into the bowels of the Green Dome, and face what's waiting down there.

The horrible truth he's been avoiding all this time, like a rotten tooth he just won't go to the dentist to have yanked out.

Because he's afraid.

And for a damn good reason...

Thursday: 2/11/16

"... obviously, there was some miscommunication," the Governor of Michigan says, really not wanting to have to talk to this Josie person again: "I didn't expect them to be held this long."

"One of them is pregnant, Mr. Governor," Josie glowers down the viewscreen.

"Well, maybe she should have thought about that before her and her friends invaded private property and threatened physical violence."

"Maybe your prisoners don't lose their rights when they get arrested."

"It's a private security firm, Mrs. Director-"

"Ms. Director, thank you," Josie corrects him: "And that might fly with your citizens, sir. It does not work with Federal Agents. Especially when they're following up on the remit that you agreed to."

"Well, they weren't supposed to be wearing their costumes outside of Flint."

"Mistakes happen."

"Yes, and that's why they've been in lockup."

"For a lot longer than is necessary."

"Well, obviously, there was some miscommunication..."

* * *
... because all of Detroit's police are in hiding, now.

The takeover's been a couple weeks in the making -- ever since Tommi Gun took care of that goth freak with the Crow fixation. Since then, the dozen or so of D-town's new rulers have been slowly moving their forces into town, and their pieces into position.

Deathdealer's been cornering the drug trade, one corner at a time. The General's been making sure the gun-runners are all under his thumb. Mr. Fix-It has City Hall in a bind, and the Camera Eye has put her shiny, new spokespeople on all the TV stations, and gotten the old ones to play ball with 'how things are.'

As for the assassins -- bright young things like Tommi, Pell-Mell, and the Xtrmin8er -- they're all waiting in the wings. Sooner or later the competition will spill out of the back rooms and into the streets, and then their skills will be needed to settle matters.

And then, as they've promised, Arrow Security will have all the crime it can pretend to solve.

Of course, there will be limits, as they've also promised to maintain certain standards of behavior. No menacing or harming of children, to a certain degree. No overly vulgar displays. No grotesque spectacles or gruesome gangland slayings.

In public, anyway.

A more cynical mind might believe they'll break that promise as soon as they can. They'd be wrong, though. This is actually a good deal for all involved, so long as everyone behaves themselves.

And no one is in any hurry to return to the way things would normally be, with a fully-functional police force, steadfast district attorneys, and a Chief of Police willing to do whatever was needed to get the city's crime back under control.

This way, it will be under control -- its own.

And heaven help anyone who screws that up...

Friday: 2/12/16

... at the huge, burly fellow who all but storms through the front door of the lockup. 

"Excuse me, sir," the Arrow guard says, getting up from behind his secured desk, his hand on the butt of his holstered pistol: "I'll need to see some ID-"

"No !@#$ing problem, son," SPYGOD says, pulling a handgun the size of a toaster from seemingly nowhere and aiming it right between the man's eyes: "I'm Mr. 666-caliber. Nice to !@#$ing meet you."

"Sir...?'

"Shut. Up." SPYGOD hisses, and a second later he's no longer alone -- several COMPANY AGENTS are lining up behind him, equally large handguns at the ready: "I'm here on Federal business, son. All your prisoners are belong to us."

"He means the ones from Freedom Force," the AGENT next to him says.

"Yes," SPYGOD says, allowing himself to be corrected: "Unless there's anyone else here being held that the COMPANY ought to !@#$ing know about?"

"Um..." the guard says again, putting his hands up: "I really need to check with my supervisor..."

"Hey, Charlie?" his communicator goes off: "Dude, you're missing out. The short one's taking a shower and we've got the cameras on..."

The guard gulps. Every gun in the room gets cocked.

And SPYGOD picks that moment to go very berserk...

* * *

... in the night, around Aleppo.

The nights are the best time for the beast. When the sky is black, and the Moon looks down, and all the stars are the eyes of the spirits who marvel at its brutality. Its savagery.

Its perfect dance of killing and eating.

As the sky darkens, it slides from its nest of human bones. As the night sky whirls above it stalks and kills anyone it can find, dragging them back to its lair.

And as the hated sun begins to tell, on the Eastern horizon, it retreats -- there to feast and dream.

Was this not what it was meant to do? Was this not what it was created for?

It's been too long shacked inside this woman. Too long trapped behind the painful metal.

The pathetic cunning of its prey.

Still, no prison is perfect. It could get out, but only ever so often, and even then just around the edges.

A nudge, here and there. A suggestion or two. A delicious, toothy decision that might lead to its release...

When its jailer finally died, it thought it might be free, soon. It tried to drive its vessel to despair and anger. Tried to make her doubt and hate.

But she had strength it hadn't counted on. Wisdom hard-won from a near-lifetime of sharing her body with such a creature.

And friends! Only in a horrible world such as this could the damaged vessel for one such as it have those who would stand by her, no matter what she did or said.

No matter how far she fell.

But now the prison is gone. Now it can rage, and fight, and feast.

Now, once again, the night belongs to it -- as it always must.

In the promise of its rage, it finds it's starting to become more like it should be. Vanishing are the strange, alien myths of the girl's people -- the furry, wolf-like form, with its odd fear of silver and turquoise.

Appearing in their stead are the true trappings of the beast. The emaciated, corpse-like flesh. The mighty legs of the stag and long arms of the bear. The grotesque, elongated mouth, filled with mouths within mouths, and teeth upon teeth.

The towering antlers, announcing its coming to those to slow to run, or too foolhardy to fear... 

Djinn, these people scream as it comes upon them. They have no idea.

And as it laps up a perfect line of offal, spilled from a dying man's chest, the Wendigo thanks the Creator for the gift of its life, and its freedom..

Saturday: 2/13/16

... from the pain of whatever wounds brought him low, here on this battlefield.

"Hey," Mr. USA hears someone say to him -- someone familiar.

For a moment he thinks he's back in the War, all those years ago. Maybe in France, waking up after a fierce battle. All those dead German soldiers lying around them, their war machines all smoking wrecks in the morning sun.

Sgt. Shatter looking down, extending a friendly hand to get him up...

The older hero opens his eyes, then. Slowly, at first, then wide open. Blinking.

"So, you gonna !@#$ing lie there all day, old man?" SPYGOD asks, looking down at the hospital bed the man's currently in.

"If I can get away with it," Mr. USA says, closing his eyes again: "I'm tired."

"Yeah," the superspy says, pulling up a chair and sitting down next to the bed: "That's an aftereffect, I hear. That and you might have some damn itching on your skin for a while."

The older hero hears that, and then snaps his eyes back open wide. Remembering. 

"Oh... oh !@#$," he says, trying to get out of bed: "What... where am... where are-"

"Woah," SPYGOD says, holding up his hands: "One !@#$ing thing at a time, (REDACTED). First of all, it's over. You're safe. Everyone's okay."

"Where am I?"

"Back on the Flier. You had it the worst, so we !@#$ing evaced you out. Everyone else is back in the field. Well... Florence is taking some time off. Well !@#$ing deserved."

"What happened?" the older hero demands, clearly angry: "What did they do?"

"They got access to the K File," SPYGOD says, clearly unhappy about that: "Some goddamn bozo somewhere in the structure between here and the !@#$ing White House thought it would be a good idea to hand it over to that podunk security firm."

"Is Martha okay?"

"Yes. She is. She's fine, the baby is fine. She's back in Chicago."

Mr. USA nods, clearly relieved: "Blastman?"

"They just took his damn helmet off. But they did work him over a bit. He's okay, though. Nothing having it back on didn't !@#$ing heal."

"And you said... Florence?"

SPYGOD scowls a bit: "They... well, they didn't touch her, at least. They had that much !@#$ing sense."

"Oh God," Mr. USA says, trying to sit up: "What happened? (REDACTED), what the hell happened?"

"They took pictures of her," the superspy says, looking askance: "Hidden cameras. Apparently all the damn cells had them."

"Pictures," the older hero says, knowing full well what that means.

"Oh the toilet, in the showers," SPYGOD goes on, not realizing he doesn't need to elaborate: "Changing. !@#$ like that."

"Oh God," Mr. USA says: "And the pictures are out there already, aren't they?"

"Yeah," SPYGOD says, putting his head in his hands: "Jesus Christ, it's like that time with Mrs. Liberty, all over again. Only this time I can't !@#$ing firebomb the !@#$ty little men's mag that got pics of her changing, can I?"

"Well, you could kill the internet," Mr. USA says.

"Can I?"

"You did it before."

SPYGOD coughs into his fist: "Well, I don't !@#$ing remember that. And maybe I shouldn't advertise."

"Maybe not," the older hero says, looking at the window by his bed, which is showing him a lovely view of DC from however many feet up.

They sit in silence for a while.

"So, thanks for the save," Mr. USA says, looking back: "Why didn't you come sooner?"

"Official !@#$ery and misdirection," the superspy explains: "You were only supposed to be in there, overnight. The Governor's office !@#$ing told us you were out and back in Flint. But the Agent who was supposed to be monitoring didn't !@#$ing call to check."

"Oh," the older hero says, rolling his eyes.

"Yeah, we had to learn of the mistake from a !@#$ing news broadcast, wondering where America's heroes were when Flint needed them."

"Well, thank God for a free press. What happened then?"

"Well, it turned into three-way arguing with that !@#$er in Lansing, and his scared-stiff lackey Mayor in Detroit, and trying to get the CEO of Arrow Security on the phone. And Josie couldn't make a move because the White House was riding her to do it right."

"What?"

"Yeah, that's what I thought. So, you know me..." SPYGOD shrugs: "I decided to cut to the !@#$ing chase."

"Well, thank you," Mr. USA says, smiling: "And... my weakness?"

"Flushed it down the !@#$ing toilet as soon as we got back on board," the super spy says, miming the action: "All in a day's work."

"Can't believe this has happened," the older hero says, stroking his chin and finding his beard is coming back (and wonders if he should grow it back out again).

"Well, I can," SPYGOD says, getting up and walking around the room: "Something is not !@#$ing right, (REDACTED). The President is being a putz. We're being jerked around. And I do not like not knowing who to trust."

"Well, you can trust me," Mr. USA says: "I know that hasn't always been true. And I keep kicking myself for all of that. But..."

SPYGOD lets him trail off into silence, and nods: "I finally !@#$ing caught up with all of that. I figure we owe each other a million damn apologies for being so goddamn stupid, and neither of us got time for that !@#$. Especially now."

Mr. USA nods, wondering how much the man knows: "So, we're good?"

"We always were," the superspy says, walking to his bed and taking his hand.

The older hero smiles at that: "I hated you for so long, after the War. And that was stupid. And then I was afraid of you because of what I thought you were doing to me. And I tried for so long to get you thrown under the bus so I could save my family.

"And if I'd just trusted you... if I'd just said that this man who stood shoulder-to-shoulder with me during the war, and then after, couldn't be doing these things? We could have exposed that bastard so long ago."

"Yeah, we could.have," SPYGOD says, squeezing his friend's hand: "But that's not the way it happened. And that's sad, but it's behind us now.

"I love you, (REDACTED). You're an ally, a friend... !@#$, you're my brother. We went shoulder-to-shoulder time and again, during the war. And even after, when the !@#$ hit the fan, I knew that if I needed help saving this world, you would be there beside me.

"Even if you didn't like me. Even if, as it !@#$ing turns out, you didn't trust me. You'd be there, all stars and stripes and that big, white smile."

"What, you've got a problem with my smile?"

"Of course I do, man. It's a !@#$ of a lot better than mine."

"Well, go see the damn dentist once in a while," Mr. USA says. And they both laugh at that -- long and well.

"So," Mr. USA says: "Do you know how long I'm in here before I can go back to work in Flint?"

"Not long, I don't think," SPYGOD says, looking out the window: "But they might be gone by the time you get !@#$ing bounced. I think Flint's about to become a Federal baby, soon."

"Oh?"

"Oh yeah. The Governor !@#$ed himself in the ass, this time. He's having to answer questions about poisoned kids and imprisoned Strategic Talents, now."

"Couldn't happen to a nicer nerd."

"Nope," SPYGOD grins: "I wonder who the downhill-rolling !@#$ is going to land on, this time?"

"Hopefully the deserving," Mr USA smirks, thinking of...

Sunday: 2/14/16

... the sad fact that he can't keep hiding, anymore.

Myron looks at the gun. Then at the door.

Then back at the chair, as best as he's been able to stick it back on the dais in the center of the room.

The mob is outside the door, now -- raging and screaming for his head. His blood. His guts.

Revenge for the crime of failing to lead them back from this madness.

He gets up and walks to Number Two's desk. He puts the gun in the back of his pants, and grabs a few others things.

And then there's just one more thing to do before he can earn his...

* * *

... Freedom, as he shakes SPYGOD's hand in the elevator, accepting his offer to be on his new team.

"I thank you for this opportunity to solve my new mystery," the Olympian says. 

"Think nothing of it," the superspy says: "We need someone who can think outside the !@#$ing box."

"And, I suppose, effective Godhood doesn't hurt?"

"Not at all," SPYGOD says, handing him a rather thick file: "However, the assignment comes with homework. Big !@#$ing pile of it."

"Looks... dense," Mister Freedom says as he takes it in hand.

"Very. And the plot sucks, the pacing is !@#$ing off, and I can't guarantee a happy ending."

"No one truly can," he says, opening it up and running a finger down a page: "We can only do what we can, until the time comes to do even more."

"Did you !@#$ing get that from Chinmoku?" SPYGOD asks, raising an eyebrow as the elevator slows, and then moves over a lane.

"Wisdom is everyone's birthright," the Olympian smiles, closing the file and holding it close to his chest, as though it were a long-anticipated book: "And we all get to share, in our time."

"Yeah, well, that's another thing," SPYGOD says, holding up a finger: "And I am !@#$ing, dead-dog serious about this, my friend. No telling your fellow Supergods about this. At all. I need the secret kept."

"Absolutely," he says, nodding with firm sincerity: "You can trust me in this, as you do all things."

"Well, see, that's something I'm worried about," SPYGOD says: "You also promised that Gosheven would be locked up, but there he was, pretending to be a goddamn sex pachyderm."

"I said I would look after him until it was no longer necessary," the Olympian smiles: "And I did. He was there for as long as was necessary for him to be there.

"And then, when it wasn't... he left."

The superspy raises an eyebrow at that, and then nods: "Well, alright then. But for future reference? On my !@#$ing team? No turning my words into a tantric sex pretzel. I say jump, jump. I say duck, duck. I say stick that damn shapeshifter's insubordinate ass into an escape-proof trap...?"

"Consider him trapped, then," Mister Freedom says: "But, as for your concern about my family? I can assure you that won't be an issue."

"Good."

"In fact, this comes at an opportune moment," the Olympian says as the elevator opens up in the secret room, deep inside the Flier, that SPYGOD has gotten for his team: "I'm not really welcome in the White City, right now. They have nothing to say to me, for I have said far too much. And so, anything I could say would go unheeded."

"Well halle-!@#$ing-lujah," SPYGOD says, exiting and waving a hand to the room, and the talents who are there: "And in that case? Welcome to the team...

* * *

 "... players, rabblerousers, malcontents," Myron goes on, thinking it's strange to hear his voice over the speakers throughout the Green Dome: "As well as those who thought they knew better, or knew too much.

"They brought you here, and didn't tell you why. They left you to fight one another, and maybe they thought you'd give up the information, or at least be a good little slave. A cog in the machine, once again.

"So of course, they had your number, right from the start," Myron goes on: "They had all our numbers. They knew how to push our buttons, how to make us jump. When we got out of line, they nudged us back into place.

"And when we became expendable, or more trouble than we were worth... well, they knew how to get rid of us, or make sure we got rid of ourselves.

"So, just so you all know? I don't blame any of you for this," he says, amazed to hear himself say these things -- much less believe them: "None of you. All this blood is on someone else's hands. We've been used, all of us.

"And I think I now know by who.

"I'm going down below, now," he says, getting into the ball chair, and hitting a specific combination of buttons on the controls, causing the dais below to slowly sink into the office floor: "When I get there, I'm going to confront Number One. I'm going to ask questions and get answers.

"And then, when I'm done? I'm talking us home.

"I'm taking us all home..."

 * * *

 "... not everything you wanted?" the strange-looking, grey-robed man asks the lost woman.

She looks up at him. His hair is unkempt, and his eyes are wild in the light of the living Moon, above.

And he seems to be off somehow, beside that.

"What do you mean?" she asks, holding herself in her arms, shuddering on the bench by Restriit's pyramid -- strangely darkened.

"We all came here because we felt unwelcome out there," he says, kneeling down before her: "But even here there are divisions. There are those who serve willingly and blindly, who are given everything. But those of us who came here to find answers, and not orders? We are unwelcome here as well."

She looks at him, and his glittering eyes. She swallows, and nods: "I've felt it, too. There's something !@#$ing wrong with these people. It's like they're rushing to a cliffside and they can't even see it."

"Exactly," he says, taking her hands in his: "But you can see it. And that's why they're pushing you aside."

"Who are you?" she asks, cautious -- especially when she sees there are more of these grey-robed people coming out the gloom around the abandoned pyramid of an exiled god.

"Liberators," he says, raising her to her feet, gently but firmly: "Emancipators. We will no longer serve these gods. We will have the answers they promised us."

"How can we do that?" the woman says, trying to sound more scared than she is -- or maybe less. 

(She's not sure, anymore.)

"Come with us," the man says, gesturing to the gloom they've all come from: "Let her explain it to you, as she explained it to us. It'll all become so clear."

And the Red Queen nods, and lets them take her into the dark...

* * *

... below the main level of the Green Dome, not far from where the ball chair stopped descending.

Myron looks at the tunnel marked ORBIT, realizing that every single choice he made, upon waking up in the Village, has led him here.

Every betrayal, scripted or otherwise. Every manipulation, planned or accidental.

Every coincidence that wasn't, every friend that was a foe.

Everything.

He can hear shouting behind him. The mob has come down here, knowing this is where he went.

(Maybe two wall shifts behind. One change in the scenery and he's done.)

So he makes sure he's got the gun, turns on the headlamp he brought, and steps into the breathing tube.

And lets it take him...

* * *

... and Jana into his new office, in their new building -- a whole country away from where they were before. 

"I am sure we will all be quite comfortable, here," Helvete says, sitting behind his desk before his towering cabinet. If they didn't know any better, they'd swear it was the same office, cut out of the Frankfurt base and moved here whole. 

"I'm sure we will," Karl says, trying to smile: "At least, until our father finds us again."

"You think he will?" the leader of Odal asks, leaning forward.

"I can guarantee it," Jana says, sitting down across from their leader: "You should consider yourself lucky you failed to kill Velma. For now, he's by her side, wondering what to do next..."

"...but if she died, there would be nothing to stop him from looking for us..." Karl picks up, mid-sentence.

"... and then he would be here, killing you..."

"... and this time, he won't be alone."

"Well, then," the pale-skinned Super says, steepling his hands before his face -- red eyes burning behind black lids -- "I think I shall have to give him yet another restraint..."

 * * *

.. vanishes from around the platform below Myron's feet. And then he's only surrounded by the cold, still dark, which reeks of iron and burnt things.

The cavern is hard to see in, even with the headlamp. He looks around as quickly as he can, trying to get a sense of his surroundings. 

The walls are metal, down here. And there are stalagmites, reaching up...

No, wait. Not stalagmites. They're thick conduits -- ones he somehow knows will be warm to the touch. 

He steps off the bouncing platform that brought him here, and looks down. As soon as he does he sees a body. 

It's burned to a black cinder, and stuck in fetal position. 

And it's not alone. The floor is littered with bodies -- so much so that he has to step carefully to get around them. 

(How many bodies? How long has this been going on for...?)

And then, from behind him, there's a whoooosh and a bright light. A horrible warmth.

A bass chuckle, all too familiar...

* * *

... from behind the desk of the leader of El-Hadhih, as he learns from one of his spies that his enemies know who he is, and from whence he came. 

And he can only smile, because that knowledge just makes what must come next so much easier...

* * *

"... way to say this," the Indonesian Minister of Space says, seeming very apologetic on the viewscreen in Director Straffer's office. And he talks of dates, of arrangements, of security.

And surrender...

* * *

... his will to his far-away master, once again, as the head of Odal tells the Candidate what he must do to guarantee victory from here on out.

And what he must say about a certain Outlaw Reporter, and to who...

* * * 

... is standing right behind Myron, breathing like an iron lung.

Myron turns around, and looks at the enemy he thought he was done with so very long ago. 

"Hi, Moloch," he says, regarding the bronze-muscled, hollow minotaur that towers before him: "It's been a while."

And then comes the Hellfire...

(SPYGOD is listening to Magnets (Disclosure) and having a Moloch)