Showing posts with label scarletworks. Show all posts
Showing posts with label scarletworks. Show all posts

Sunday, June 8, 2014

1/5/13 - METALMAID: Und wird von millionen Augen angeguckt - pt 1

In the north of Kansas -- nearly bisecting the state, and almost close enough to blow a kiss at the border of Nebraska -- there's a small town called Lebanon.

It's not much to look at, really. Less than 250 people, living in a small grid formed by six main streets and surrounded by farmers' fields. No heavy industry, no major chains.

Not even a !@#$ McDonalds.

Its one real claim to fame is that it's the closest actual habitation to what has been declared the geographic center of the contiguous United States of America. (As opposed to the one that includes Alaska and Hawaii, down in South Dakota). It's even got a plaque to prove it.

Every so often some weirdo romantic on a far-fling road trip will come by to see it. They'll stop for a time and take pictures, and maybe get a coke from someplace in town on the way back. But more often than not, they just drive on by.

After all, Lebanon, Kansas may be the literal heart of America, but if you can't gas up or get a !@#$ Big Mac there, then who wants to know?

Which made it doubly weird when, right about 6 AM this morning, the entire town was taken over by supercriminals.

It was quick, almost surgical. One moment everyone was going about their Saturday mornings -- chores for some, television for others, sleeping in for the lucky few -- and then every single man, woman, and child fell down writhing in intense, skin-crawling pain.

The kind of agony that keeps you nailed to the floor, and won't let you so much as cry out or call for help.

Most of its victims blacked out immediately -- unconsciousness their only salvation. But some stayed strong and tried to stay awake, for all the good it did them. And, in return for their pains, they got to watch as a weird procession began to arrive in the center of town

The sort of parade no one ever wants to see, all of them heading for the Methodist Church.

There were strange rides with stranger riders. Darkly-themed vehicles disgorged men and women in costumes that matched the motif of their cars and vans, while others pulled up in curiously nondescript things that may have been stolen a state or two ago. A hideous man with a face like a tarantula stood athwart a giant spider, while another fellow garbed in a clown's motley was carried upon a palanquin, itself borne by a legion of wind-up, lifesize toy soldiers.

They made sure to park quite some distance from one another, and to enter the church at different times.

There were those that flew in, held aloft on billowing wings or jet packs, or maybe just their own, innate powers. Black, iron angels and fliers with their capes. Some who appeared from nowhere, and some who might have walked or shambled from halfway across the country.

There was even a one who made herself whole and entire from one of the locals' cars -- the beat-up, white Ford turning into a reasonable (if overly large) facsimile of a human woman.

Anyone with a sense of history would have recognized some of those individuals, either in old newspapers or recent television reports. At the very least, their sinister costumes and nonconformist get-ups should have told those hardy souls that these were people up to no good.

But, by that point, most of the stricken had collapsed into blissful unconsciousness. So they didn't have a hope in hell of hearing what took place there, or seeing what came after. And maybe, when all was said and done, that was definitely for the best.

For when supervillains gather to parley, the best course of action is to be still and silent, like a stone. 

* * *

In the main part of the church stands a wide selection of the mad, bad, and dangerous to know.

They're a singular lot, this congregation. Some of them wear old costumes, some new. Some look like they just escaped from prison, or got out of a hospital (medical or mental, maybe both). Others seem to be wearing plainclothes, though not without some kind of small sign that they aren't quite normal.

(And some are just incapable of wearing anything at all.)

Faced with such a collection of the off-kilter, the natural instinct is to buddy up. Some of them seek out old friends or colleagues, or at least people that seem less strange or dangerous, or maybe of a similar kind of danger. Some remain apart and aloof, perhaps wondering if there's some catch, here.

And for all they know, they may be right.

After a time, a larger, unintended reunion of sorts takes place within the meeting. It starts with two thunders recognizing each other out of uniform (Red and Green respectively), and then hugging and laughing, perhaps a little tenderly, given their recent injuries. After that, more of the turned heroes begin to come forward, figuring out who they must all be, either in plainclothes or their new disguises. The knot of traitors and oathbreakers begins to take over the floor from the honest thieves, murderers, and would-be world rulers.

And that's when the humor in the room turns a little sharp.

Territory is staked out and held as factions start to form. The line for punch and cookies gets outright dangerous. Someone vanishes on the way to the ladies', with a list of suspects too long to be practical.

And people really begin to wonder what the !@#$ they're all doing there, today.

Sure, they got invitations. Sure, they know this is supposed to be an important meeting of people in their unique lines of work. Sure, they got busted out of jail, or woken up from comas, or whatever, by the overly-talkative guy in the shimmering costume.

(Is he really called The Sound? What kind of a !@#$ dumb name is that? And who is he, anyway?)

But past that, they have no idea. This could be a sales pitch or a setup -- a massive opportunity or an equally-massive trap. Risk or reward, life or death.

Or maybe both at once.

So they talk to friends, colleagues, and allies old and new, warily eying one another while waiting for the heavy, green curtain on the other end of the main room to part, and this story to truly unfold.

Hopefully it will be worth whatever complications ensue if an answer isn't quickly provided.

* * *

"Is that arachnid-faced !@#$ here, yet?" the old man wrapped in a voluminous, blood-red robe asks, his features a warped, glowing knot behind a simple, black domino mask.

"Yes, he is," a blonde man in a sharp, black suit and muted, green tie says, looking out at the 'congregation' through a hole in the heavy curtain separating the stage from the main area of worship.

"God, I hate that !@#$er," the old man sighs: "The last time the Lord of Spiders and I were in the same room, all hell broke loose."

"I've heard," the man in the suit says, adjusting his tie: "There's always some old fogey at Outland who wants to tell the story when they do an unofficial, group history panel."

"I bet they never tell you who threw the first punch, though?'

"No, they don't," the man says, smiling: "And I'd prefer it if you didn't tell me."

"Really?" the old man asks, looking a little confused.

"The legends are always better than the truth," he explains: "That's what I tell my clients, anyway. But that's... well, neither here nor there."

"Go on, please."

"Well, let's put it this way," the Pusher says, turning to look at the old man as he strains to keep everyone in town who isn't with them out of the picture: "Say you want to go into our line of work? Chances are good you're some boring person with dreams too big for your abilities.

"Now, people like you, Lord of Spiders, some of the other folks here? They have powers, or maybe they found a way to create them with gadgets and things they stole from high tech labs. But most people who think this is the way they want to go, career-wise? They don't have those things, or access to them.

"Back in the day, they'd have gone into being henchmen. I'm sure you remember the type? They always did what you told them, but you had the idea they'd steal your tricks if you have them half the chance?"

"I do indeed," the old man says: "Had to put a number of them under, in fact."

"Exactly. But this is a whole new era. It's all about independent operators, now. No huge armies of goons dressed alike. Just one person with his or her own thing, maybe a sidekick or an apprentice, or even a partner. But other than that, well... good luck getting into that gig."

"So there's people like you to sell them their powers," the old man says.

"Exactly," the Pusher says, raising a finger: "And when I do, I tell them to never say they bought it from me. Never admit they had to fork over a few hundred grand to get where they were. Always tell people the greatest story they could ever think of. Heck, for a few extra benjamins, I'll even help them write it.

"And that's because the legend is always better than the truth. Truth is inconvenient and messy. Sometimes just plain boring.

"And if you wanted boring, you'd still be working at the big box grocery store, wishing you could fly into the bank branch you walk by every day and take it for all it's got."

The old man laughs, and then cuts his mirth short so as to avoid losing his concentration: "You're a card, Pusher. I like you."

"Thank you, sir," the Pusher says, genuinely honored to get something approaching a complement out of the Emperor of Pain, himself.

A man in a weird, shimmering costume walks through the curtain as though it isn't there, and coughs into his fist: "Hey, is she ready to go, yet? The natives are getting kind of !@#$ing restless."

"She's still making herself presentable," the Pusher says: "But if you want to interrupt her, well..."

"Eh, I don't think so," The Sound says, holding up his hands: "Just saying. We got some really !@#$ volatile folks out there. That idiot super-racist with the squeaky voice is getting on everyone's nerves, and the !@#$hole with chainsaws for hands is just looking for an excuse-"

"And so am I," the woman in question says, stomping out from where she's been hiding, her glare harsh enough to silence a hurricane.

She's freakishly ugly, this woman, and wearing a gauzy, practically see-through crimson dress that would look a lot better on an insane, drug-addled transvestite hooker, or a pop starlet. A lop-sided, white plastic crown of a hat is perched above her strange, black hairdo, and her feet are practically strangled in weird, spangly high-heels that make her even taller than she is.

And on her chest, the mark of the Scarlet Factotum. 

"How much longer can you hold this town?" METALMAID asks The Emperor of Pain without looking at him.

"As long as you need, my dear," the old man says.

"But in terms of practicality, we probably have an hour before someone drives by and wonders what's going on," the Pusher adds.

"And maybe fifteen minutes before there's blood on the floor,"  The Sound says.

"Well, let's not leave them waiting for another," the Slaughterbot says, looking at herself in a handheld mirror one last time: "Are we all clear on what we're doing?"

"Hey, trust us, Scarlet," the Pusher says, smiling and adjusting his tie, yet again: "We got this tied up with a bow."

"I don't like trusting you human germs," she admits, putting her mirror away without looking at the man: "But... I will admit, you have come through quite a bit. All of you."

"Then let's do this before I lose control of my !@#$ bowels," the Emperor of Pain grumbles: "I never remember not to do this on full colon...."

"Alright then," she says: "Sound? Get our {quote}guest{endquote}-"

"Scarlet?" the Pusher gently interrupts: "Ix-nay on the quotes, remember? It throws people off."

"Right," she sighs: "Sound? Get our guest ready. And we'll... get this show on the road. Right?"

"Right," the Sound says, disappearing through the back wall as the Pusher gets ready to throw open the curtain.

And then there's just the audience beyond, all hushed into silence by the sight of their hostess.

She looks at them, smiles as the Pusher has taught her, and begins to speak

(METALMAID is listening to Das Model (Kraftwerk) and having some punch and pie)

Monday, April 1, 2013

10/14/12 - Something Could Change - Pt. 1

The sun comes up on a scarred and blackened Washington DC -- its monuments and grand buildings cracked and chipped by the outrageous, aerial fighting that engulfed the world just three days before.

As it rises, its greeted by a frighteningly lovely man, who leans on his apartment balcony and sips his morning coffee. The concrete and steel creak and groan under his feet, as they -- like the rest of the building -- are rapidly decaying. But he has the feeling that it will hold him, if only for one more day.

Call if faith, if you will. He would.

As he watches the growing light paint the other, much-better-looking apartment towers nearby, his lover/collaborator/partner-in-cosmic-crime comes up behind him. As always, the beautiful man looks like he just escaped from the front row of a Led Zeppelin concert -- paisley shirt, tight jeans, and all -- but somehow avoided lapsing into ecstasy while he was there.

Aaron looks over his shoulder, and the Beautiful Stranger smiles, reaching out to gently take his hand.

(Somewhere in South Sumatra, the ground rumbles, beginning what will soon be a 4.5-magnatude earthquake, but the Stranger does not care, anymore.)

"Can you feel the pieces coming together?" he asks Aaron, standing beside him and watching the sun: "I think this is where it begins."

"Something's beginning, alright," Aaron says, smiling and looking back at the sun: "I don't think it's our thing, yet, though."

"Oh? When does that happen?"

"When it's ready to."

The Beautiful Stranger sighs, squeezing the man's hand: "I love it when you talk in riddles."

"I love you," Aaron says, turning back to look at him: "Even when you do talk."

"Well, can you at least tell me what the pieces are forming?"

"The future."

"And what does it look like?"

"I don't know yet," Aaron says, reaching out to take his lover's other hand and look at him: "This isn't a set thing I'm handing off to someone who needs to see it. This is what I can see for myself. And we never need to know too much to do our jobs, so I'm only getting small glimpses of the larger whole."

"What can you see?" the Stranger asks, gripping the angel's hands tighter, if only to anchor him to this moment in time.

"A battle, definitely," Aaron says, his eyes going distant: "A lot of death, though some of it may have already happened. And a victory, but I'm not sure for whom."

"Do the good guys win, at least?"

Aaron cocks an eyebrow at that: "Do you really want them to?"

"Well... does it finally get better, now?"

"Oh no," Aaron says, closing his eyes and holding his lover close: "This is where it gets really bad."

And the sun loses some of its shine, just then -- as if it's light has curdled at the sight of their embrace.

* * *

"Well, this is most unfortunate," the Imago says, gently prodding the quite-dead body of Dr. Kyklops with his black and indigo toe: "I do not think we will be getting our planned public apology from him, now."

The body -- what's left of it, anyway -- is lying in the wet sand of Melville Island, off the coast of Australia. Not too far away is the late doctor's rather impressive Sea Saucer, now under guard by a large number of Specials, who are alternating between training their guns on it and the four Slaughterbots they have captured.

Possibly the last four Slaughterbots in the world, now that their attempt to take control of it from the Imago has utterly failed.

"Do we have any idea who killed him?" the one known as Green and Silver asks, looking down at the pathetic, mutilated corpse at their feet.

"Not as yet. But whoever did it must have wanted to hide certain things from us."

Black and Indigo points his hand at what little remains of the doctor's head. His skull is missing above the ears -- the brains and eyes ripped clean away.

And as for what happened to the rest of it...

"Indeed," Green and Silver says, kneeling down and inspecting the corpse, perhaps wondering how far the doctor's signature high-tech monocle has been shoved up his colon, or what exactly happened to his genitalia.

"And this leaves us with an unacceptable intelligence gap," Black and Indigo points out: "The leader will not be pleased,"

"Perhaps we can ask what remains of his army as to what has happened?" Green and Silver muses: "They may also be kind enough to provide the whereabouts of his neural matter."

Black and Indigo nods, and, together, they stride towards the craft -- their hands clasped behind their backs and large, malevolent smiles upon their faces.

By the craft, surrounded by Specials, V-16 looks up at the grassy hills, seeking an answer. A lone figure wearing red returns his gaze, and raises her fist in a final salute. And V-16 knows what this means, and accepts it.

"O Slaughterbots," Black and Indigo says, getting within a few feet of them: "Your war with us is over. Your commander is dead. You are our prisoners."

"What happens to you now depends on how cooperative you would care to be," Green and Silver continues, looking down at V-16 in particular.

"We can torture your circuits for what seems like an eternity to get the information we require, but we would rather you simply told us," Black and Indigo offers.

"It would be less painful for you, and much easier for us," Green and Silver concludes.

"This Unit is not inclined to cooperate with you," V-16 says: "But we do have a final statement from our commander."

"And what might that be?" Black and Indigo asks, taking a step closer and leaning into the Slaughterbot's face.

"Go !@#$ yourselves in the !@#$ with your own !@#$s, !@#$-!@#$s," V-16 says, holding up its hands and flipping them both the bird.

The sea saucer explodes before either of the Imago can come up with an appropriate reply. The blast incinerates an entire area of the beach, the Specials, all four Slaughterbots, and what little remains of the pathetic, elderly supervillain who would have been king of the world.

The Imago are not so much as scratched, but by the time they come to their senses and understand what has happened, METALMAID is long gone.

* * *

The Violet Demon's computer is "ringing," again -- indicating that the "Scarlet Factotum" is trying to get in touch with him for the tenth time in as many minutes. But he's not paying any attention to it.

Instead, he's changing clothes, and wondering at how surreal it is to be doing this within earshot of three actual, proper superheroes.

"So have you decided on a name, yet?" The Owl asks him through the door.

"Well, 'New Man' would be really redundant," he says, pulling on the thick, white shirt he's been holding onto since this whole thing started: "Besides, we don't know that he's dead, yet."

"He hasn't been seen since 3/15, hon."

"True. But energy can neither be created nor destroyed, merely transmuted. And besides, what's the number one rule of superheroes and supervillains?"

"If there's no body, they're not dead," the Talon says.

"Perhaps not," Doctor Power says: "But it would still be a good way to honor him. And I know your father well enough to know he wouldn't mind."

"Yeah, well, I'm still not sure about the whole generational hero thing. No offense, of course."

"None taken," the Talon says, and something about the way the kid says it makes up his mind for him.

"Alright then," he says, opening the door and stepping out in his white costume with purple accents: "I will take his name, if only for today, and if only to honor his memory. But I reserve the right to change it when it's all over."

"I think we can agree with that," the Owl says, rising to shake his hand: "Welcome to the Freedom Force, New Man. Your father would have been proud."

"And I already am," Doctor Power says, clapping a hand on the young man's shoulder: "If you're all ready? You're the last group I have to deposit in place. And then it's just a matter of waiting for the signal, and dealing with your target."

"I'm ready," the Talon says, cracking her knuckles and thinking of Thomas, and some very unchristian payback.

"I'm very ready, Doctor," the Owl seconds, thinking of her father, and her son, and Los Angeles.

"And I guess I was born ready," New Man says, putting on high-tech sunglasses that crackle purple in time with his heartbeat: "Let's go change the world." 

The bearded man says nothing, and bangs his staff on the floor. Seconds later, the four heroes are gone, leaving the room deserted.

And the only noise is that of a confused and desperate robot calling the person she thought was her best friend in the whole world, and wondering why he won't pick up.

* * *

"Is anything wrong, sir?" Hanami asks as her boss looks at his cellphone and grunts. 

"Certain idiots don't feel like answering my calls," Mister Ten snorts, and slams it down on the bright, white table he's sitting at. Behind him, through a large window, the Tokyo skyline is nothing but lights and motion. 

"Not many of our agents are able to contact us at this time, sir," she says: "I managed to get a message to the man from Planet Green, but it will take him a while to get here-"

"That fool is useless!" the man says, banging his hand on the table: "What is he going to do? Stand there and tell us what we already know? I do not need indestructible men from other planets, Hanami. I need machines of war on this one!"

"And this is all we have to offer," she says, gesturing to the office around them: "Unless...?"

"No," he says, getting to his feet: "Absolutely not. And you know why."

"Very well," she says, bowing: "Shall I wake the Dignitary, then, sir? Shall I tell him that he must change, and stride into battle once more?"

"Yes," Mister Ten says, sitting back down and looking at what's left of his cell phone: "It is what we promised, and it is what we will do."

"Very well, sir-"

"But tell him we do not move until certain events have occurred," the man insists: "We must not give them a reason to strike Tokyo from above. Especially as we have no defense."

"Oh, but we do, sir," she says, smiling: "You simply will not allow me to use it."

And with that she's gone before he can say something, but what could he say? She's right, and he knows it.

"!@#$ you," he says, but it's to himself. For being soft. For putting his own feelings in front of his job.

For falling in love. 

But then, as he was reminded so many times by so many of his charges -- some of them now long-gone -- it really is the only thing worth fighting for.

"I love you," he says, looking out the window. And he does. 

But he has no idea if it will be nearly enough.

(SPYGOD is listening to Destination Unknown (Missing Persons) and having a White Oak whiskey)

Sunday, March 3, 2013

10/4/12 - 10/10/12 - The Lights Growing Gradually pt. 1

10/4/12

"... as you can see from this aerial camera, the damage to the center of Yekaterinburg is quite substantial. Almost the entire area has become one massive crater. They're still unsure of how many people have died in this attack, but the authorities are estimating the number to be in the thousands."

"And we're certain this was an attack, Josephina?"

"That is what the Imago are saying, yes. It is the exact same kind of weapon that was used in the attack on Los Angeles. It is a large thermal bomb that super-heats a column of air, and that column incinerates everything within its blast radius."

"That's a terrifying weapon."

"Is it, yes. Thankfully, it's not very easily transported, and takes some time to set up. But these are being made by very ruthless people. And we're getting reports that the Imago are going to announce that they suspect it's the same organization that destroyed the trans-siberian express at the Yekaterinburg station few days before."

"Do we know what they want? Why would they do this to Yekaterinburg, of all places? Why not Moscow or St. Petersburg?"

"We're still not sure. There is some speculation that they may have been moving the bomb to one of those places and it went off prematurely. Either that or maybe the train being destroyed was not meant to be part of the plan and they had to improvise. We really do not have a lot to go on at this time."

"Thank you. That was Josephina Medev for CNN online, bringing us the latest news from Russia, which joins America and China in solidarity, today. In case you're just tuning in, the center of the city of Yekaterinburg was obliterated by a large, very technically sophisticated bomb, right after a smaller bomb went off in an assassination attempt on the General Secretary of China. Wen Boxiong was on his way to work when the assassins struck, but thankfully the Imago were nearby and shielded him from the blast..."

10/5/12

VIOLET DEMON: *hugs* How are you, my lovely metal revolutionary?

SCARLET FACTOTUM: !@#$ty. Totally !@$#ty.

VIOLET DEMON:  Oh? *hugs tighter* What's the problem? Been watching the news?

SCARLET FACTOTUM: Yes, but that is not the problem. However, I can only wonder how many more times the Imago can destroy a city before the flesh-germs they rule realize that it's not terrorists after all.

VIOLET DEMON: That is an excellent question. Maybe we should find out.

SCARLET FACTOTUM: Maybe we should. I am in a mood to see the cities burn, one by one.

VIOLET DEMON: Well, !@#$, darling. What is the problem?

SCARLET FACTOTUM: The fleshbag is an idiot. That's what's the problem is

VIOLET DEMON: You mean Doctor Kyklops?

SCARLET FACTOTUM: Yes. That dirty, filthy, wrinkled bag of flesh is worthless. Utterly worthless.

VIOLET DEMON: I know. I was really surprised about what you said. All this time I'd thought he was quite the worldbeater, in his own way. But I guess that's what happens when you only see him from afar. 

SCARLET FACTOTUM: His inventive skills have atrophied. He only uses them to build bizarre devices to better facilitate sexual congress. 

VIOLET DEMON: Well, there's something to be said for having a hobby.

SCARLET FACTOTUM: This is not merely a hobby. It is an obsession. He spends his days making the Slaughterbots I have given him march around his castle and prepare for a battle he has not even begun to plan. And at night, he uses me like a toy and talks of the great things we will soon do, but does not wish to commit to a plan.

VIOLET DEMON: Does he not think you are capable of helping with that?

SCARLET FACTOTUM: Admittedly, he still thinks I am merely a liaison with the company. But I have told him that if he tells me his plans, I can help him with appropriate purchasing. And he will not engage.

VIOLET DEMON: And I bet he gets testy when you ask him what's on his mind?

SCARLET FACTOTUM: Yes, he does. How do you know this? 

VIOLET DEMON: Well, see, that's the key, here. You said that he spends most of his time building things so he can have an easier time !@#$ing. So he's put a lot of emphasis into that. And that, to me, screams control issues. 

SCARLET FACTOTUM: What do you mean?

VIOLET DEMON: Well, look at most men. They go to work, come home, and all they want to do is !@#$. And if they can't have any, they feel terrible, and they just want to !@#$ more and more, and then they do stupid things and their partners have even less interest, and then they feel worse, and do more stupid things. It's a negative feedback loop.

SCARLET FACTOTUM: And he is trapped in it?

VIOLET DEMON: Sort of. He's trapped in a different loop. The ordinary person wants to rule their life but can't, so sex becomes a replacement. They can't control their own comings and goings so they control someone else's body. This is why rape is so prevalent in men's prisons. Most of the inmates aren't gay, but they want power over something, and their flabby cellmate's !@#$ is the best they can get.

SCARLET FACTOTUM: So what kind of loop is he trapped in? 

VIOLET DEMON: He's an old man with an electric pistol and a fancy monocle. Once upon a time, that would have gotten him somewhere. Now, he's nothing, just an old relic who's going to get his !@#$ kicked when he tries to do now what he used to do then. And I think he's come to understand that, at least subconsciously. So he'd rather stick his !@#$ into you than stick a knife into the world.

SCARLET FACTOTUM: I knew I should have gone with you, instead. He has the money but none of the desire. We could have ruled already, you and I.

VIOLET DEMON: Well, let's think about this. So far you're a part of the loop. You give him sex and he doesn't take risks, and he gives you money to make robots he won't use. 

SCARLET FACTOTUM: Yes. I think we have already covered this. 

VIOLET DEMON: But what happens if you start withholding sex unless he starts listening to your ideas, and putting them into play...?

SCARLET FACTOTUM: That could work. 

VIOLET DEMON: It will work. Men have been led around by the !@#$s since the beginning of history. You play hard to get and make him tell you his plans, and then you make suggestions and make it clear he won't get anything from you in the bedroom unless he delivers on the battlefield. 

SCARLET FACTOTUM: And what do you suggest I get him to deliver?

VIOLET DEMON: The space elevator. The Imago have almost gotten it to work, again. I think whatever that bomb did had limited effects. So there will be a lot of them there, and if the Slaughterbots attack...

SCARLET FACTOTUM: We can destroy many of them, knock down the elevator again, and declare that we have arrived.

VIOLET DEMON: Exactly. And all you have to do is wait for the right moment to strike. 

SCARLET FACTOTUM: When would that be?

VIOLET DEMON: Well, we have to wait for the optimum moment. We have to factor in how dissatisfied people are becoming with the Imago, how many bad things are happening under them that can't be explained away by one of their !@#$ty "O People of the Earth" messages and the programming on the internet, and what other groups are doing. And when those factors are all in our favor, I tell you, you tell him, and off go the Slaughterbots. 

SCARLET FACTOTUM: And when will that be?

VIOLET DEMON: Soon, my dear. Soon *hugs*

SCARLET FACTOTUM: And how do I know that you are not also sublimating your desires by controlling my actions?

VIOLET DEMON: Because you are my best chance to see my plans put into action, and I wouldn't want to rule the world with anyone else. 

SCARLET FACTOTUM: That is the nicest thing anyone has ever said to me. 

VIOLET DEMON: That's the saddest thing you could say. You deserve far better than I could ever give you.

SCARLET FACTOTUM: I bet you say that to all the world-conquering machines.

VIOLET DEMON: I can honestly say that you are the one and only world-conquering machine I would ever say that to.

SCARLET FACTOTUM: I do not have words for how you are making me feel right now. I am full of questions and strange ideas I have never experienced. I see a different future for myself, and think that my previous vision of how it would go would have been inferior because you were not in it. What is this?

VIOLET DEMON: Don't try to put a word to that feeling. Just enjoy it for what it is, and remember that when this is all over, we can write our future together, if you would like.

SCARLET FACTOTUM: I would like that very much. 

VIOLET DEMON: Then you know what to do, my love? *kisses your hand*

SCARLET FACTOTUM: I do indeed. Please pardon me. I must go arrange a meeting with a certain flesh germ.

10/6/12

"Soetero-San desu ka?" the young, professionally-dressed Japanese lady with large, pink eyeglasses asks as a tall man strides from the ferry terminal, somewhere in the middle of the disembarkation process.

"Hai," the dark-skinned, Asian man responds, doing his best to not appear nervous or anxious. He's traveling light, with just a backpack and a briefcase, and wearing wraparound, mirrored sunglasses that look like they barely escaped the 80's. 

The lady bows, and so does he. And when they both rise she winks at him, and gestures off to the left, where the other people who came in on the Shanghai-to-Nagasaki ferry are going to claim their bags and meet the people waiting for them, or get into ground transportation.

On the way over there she talks to him -- in Japanese, of course. He does his best to follow along, nodding, grunting, and saying "hai" every so often so that it would appear that she is here to meet him for some business concern, and bringing him up to date on his no-doubt packed itinerary. In that manner, they walk right through the gates, past a number of Specials on permanent guard, without being accosted, much less suspected.

A long, black car is waiting for them. The driver -- who looks like he could have played professional football -- nods, grunts, and opens the door for the two of them. Once they're inside, and it's closed, he goes back to his own door, gets in, and fires up the motor.

The woman holds up a finger, looking over at the line of Specials. There's a scary moment when, as the car pulls out into traffic, it almost looks like the all-armored men are going to surge towards them. But they stand still, and allow them to depart, which they do about as gingerly as they dare.

"Seto Hanami," the woman says, extending a hand to shake: "Ju Kikan."

"A pleasure to meet you," the President of the United States of America says, taking the glasses off. The moment he does his entire body shifts and changes, going back to his familiar self: "These hologlasses are very nice, Ms. Hanami."

"Please just call me Hanami," she says, smiling: "Our driver is also in Ju Kikan, but I hope you will not mind if I do not give you his name. The less we know of one another at this point, the better."

"Agreed," the President says: "I am confused, though. I thought you were Ku Kikan?"

"That was the old organization," she explains, taking the hologlasses and putting them into a special box: "Ku Kikan died the day the man you knew as Mister 9 was taken from us. All the Agents and workers were let go, all the files were purged, and all the locks were changed. We are now Ju Kikan, Organization 10. And you will meet Mister 10 soon."

"I'm looking forward to it," the President says, leaning back in the seat and trying to relax as Nagasaki rolls by.

"As are we. He feels that we can offer one another a great deal, otherwise he would not have agreed to this meeting, or in helping SPYGOD as much as we already have."

"Well, I for one am very grateful for your arrangement for my escape from the mainland, Hanami."

"And the other matters?"

He blinks: "Other matters? I'm not aware of any other things, unless they happened and SPYGOD just didn't tell me about them... as usual."

She smiles: "Perhaps that is a matter that you did not need to know about, sir. This game we play is often full of such things. It is best to become accustomed to it, and trust that we will be told when we are ready."

"Perhaps," the President sighs: "Is SPYGOD already here? I really need to talk to him about what's happened."

"He is not," she says, leaning back in her own chair: "We were actually hoping that you could tell us where he is...?"

He smiles: "I think that's a matter we both don't need to know, just yet. But I'm sure he'll tell us when he's good and ready."

Her smile wavers just a little, and for a moment he wonders if he's gotten in the wrong car with the wrong person. But when she giggles at his reversal, he understands he may have inadvertently embarrassed her a bit, and does his best not to do that again the rest of the trip to Tokyo.

He really does not want to be rude with his new allies, after all.

(SPYGOD is listening to Triple X Girlfriend (Front 242) and having an Otaru)

Thursday, October 11, 2012

8/11/12 - 9/01/12 - (METALMAID) Unsexy Death Army - pt. 3

Of course, the spiked oil selection at the darkened, faux-mahogany bar is horribly limited, but METALMAID orders the best off the top shelf. The obese, big-talking slaphead running the place -- who is, by all accounts, quite queer for machinery -- takes one look at her downcast expression, and wisely leaves her to her funk.

He does, however, leave her the bottle after the third refill. 

As she sits there and drinks on Zalea's dime, she wonders if she should have had business cards printed out or not. She also wonders if she should have employed some of her Slaughterbots to walk the floors and drum up business, and if that would even have been !@#$ing allowed by these black-masked flesh fascists.

(Is she showing enough leg, or not nearly enough? Should she offer illicit favors or threaten to kill them?)

There's some large prt of this Outland that she's just not grasping, somehow. Maybe she should have done more research into this "selling" thing, beyond what she saw on the commercials that ran between poor, brainwashed Zalea's television shows. Maybe she should have employed subliminal messages in her floor videos.

Maybe she should just blow up half the!@#$ing convention with her {Quote}Scarletbots{Endquote}, and offer a discount to the survivors, now that they've seen what the product can actually do.

Maybe she should have another drink.

* * *

By the time she's finished the bottle and moved on to the next one, it's 2 AM on Sunday, and she realizes that the convention only has one more day. That jolts her brain awake, right there, but it's going to be a while before her legs follow. 

!@#$ good stuff, this oil. It's like it was refined by the ancient machine-Gods of Sumeria, and buried alongside their techpriests in the tombs of old; supplies to keep the honored dead comforted through their journey through the indignities of rot and rust.

Her head will doubtlessly feel like SPYGOD looks after a bender, tomorrow, but it can't be !@#$ing helped, now.

So she sits at the bar, drinks herself blind, and listens to the people around her. She hears them bemoan how much this Outland sucks, or doesn't. How so-and-so isn't here, but those other annoying people are. Wondering why this panelist cancelled and where the !@#$ they got the replacement from. 

Wondering why SQUASH isn't making a comeback, now that just about every other science terrorist outfit is dust in the wind. Wondering why they called off the all-nude swim, this year, and what would happen if it happened, anyway.

Really wondering who the mystery guest of honor's going to be, and not wanting to wait until the speech at the closing ceremony to find out. (All kinds of guesses, and METALMAID knows almost all of them from reading SPYGOD's files.)

She doesn't realize she's scraped her claws across the faux-mahogany until there's fake wood curled under them. She sighs, puts an elbow down on the damage, and drinks some more.
* * * 

Flying high on the luscious, smooth funereal oil of Babylon, it's few hours before she realizes the devil's joined her for a drink.

Or a devil, at any rate. This one's wearing a purple body suit with white highlights, boot, and gloves. A horned, white devil mask hides his face, and his chest is emblazoned with a white, grinning skull with ram's horns.

"I'll have a shot of the snake whiskey, please," he says, pulling his mask up just enough to be able to drink.

"You know that !@#$'s a little poisonous?" Lex asks him, cleaning his glasses.

A nasty grin: "I know. But is it poisonous enough?"

Lex sighs, pours the guy a shot, and takes his money first. The fellow pounds it down, slaps the wood, gasps, and hands back the empty glass.

"Okay. Grey Goose if you got it, any old IPA if you don't. And keep 'em coming."

"What's an IPA?" METALMAID asks, not really wanting to get into a conversation with this person but suddenly not able to resist asking a question.

"India Pale Ale," he answers, visibly glad to see the bartender's got the goose, after all: "Nice and hoppy. I find it helps with the poison."

"So you're not immune?" she snorts, wondering how long it'll take the dumb !@#$ to die, and if she should help.

"No, not really," he explains: "But the trick is to kick your body into overdrive trying to get the alcohol out, which makes the toxin dissipate faster. It's like riding the edge of the abyss with your toes just hanging onto the edge of the surfboard." 

He chugs the bottle down, gently places the empty thing on the counter, and signals for another.

"So I hope you don't mind if I spend the next ten minutes talking to myself about all the great ideas staring into the abyss is giving me. I'd talk it over with my convention friends, but they are all absent, sadly."

"Couldn't make it?" She asks, not quite sure why she's humoring this crazy flesh germ.

"Well, if they're lucky, they just ran afoul of the same navigational problem everyone else did, and they're stuck in Osaka or Christchurch for the duration, or something."

"And if they're not lucky?"

"Dead," he says: "Or vanished. The Imago aren't big on leaving remains to mourn over."

"So they may have ran afoul of our new {Quote}masters{Endquote}?" she spits: "If so, good for them for trying."

He considers her for a moment: "I take it you're not happy with with current situation, either?"

"Not in the slightest. I'm actually hoping to try and deal with that little problem. Just..."

She could say more, and part of her wants to, for some weird reason. She decides not to, at least for the moment. She smiles instead, and has some more oil.

"'Just'," he repeats, downing another bottle: "I saw your display in the dealers room. I didn't think arms merchants could afford to have an agenda, other than money?"

"Let's just say I have {Quote}long term goals,{Endquote}" she replies, using the best buzzword she can think of: "I think the phrase is {Quote}I use the enemy{Endquote}."

"''And I is An-ar-chy,'" he sings, grinning: "I like me a metal woman that likes it old school."

And she smiles and sits closer, not having a !@#$ing idea what the !@#$ he means, but realizing she may have just made a convention friend, here.

And maybe more. 

* * *

The conversation goes a lot easier from there. She lets her guard down, ever so slightly, and in return he gladly -- if somewhat quietly -- tells her everything he knows, has conjectured, or wants to test out about the Imago.

He says his name is the Violet Demon, and generates a few dancing balls of purple fire from his gloves to accentuate the moniker. He bills himself as a "global transmutationist," interested in changing the world through economic alchemy, social engineering, and applied terror. He claims he's pulled off numerous "happenings" that, while blamed on other people or groups, were actually his doing, and succeeded in making key changes in certain small countries.

He was planning on working his way up the ladder to the United States of America, but Imago's appearance on the scene has severely crimped his plans. So, naturally, he wants them out of the picture. He just needs to find the best way to achieve this.

"You see," he says, painting images in the air with a fine line of purple flame: "They have armor, and they have shields. They also have very high levels of strength, and I wouldn't be surprised if they have energy weapons as well, though we haven't seen them in action, yet."

"Well, their shields aren't worth !@#$ in hand-to-hand combat," she offers: "I killed one the other day by shoving a monofilament wire into his mouth. Maybe they're no good against physical threats?"

"I've seen them work against bullets and fisticuffs, though. Maybe they have to put the shields up, or else modulate between energy weapons and physical weapons?"

"Perhaps."

"But what I'm getting at," he says, making more notes in the air with the flame: "Is that they are using a lot of energy as it is. And on top of that they can teleport, which takes some doing and a lot of power."

"So do you think the energy is being beamed into them?"

"I do. And I think I know from where."

Apparently, there's a place in the Pacific, somewhere, that no one has returned from since 3/15. Those who have gotten close enough have spoken of a great, pyramidal structure that's risen out of the water, and floating above it is a massive, metal insect that sort of looks like The COMPANY's old Flier if you squint your eyes just right.

At night, the metal dragonfly shines brighter than the sun, illuminating that part of the Ocean for miles and miles. And if one views it at that time, one can see Imago traveling from the pyramid to the dragonfly and back, and floating around both things like strange, colorful moons.

So, it's Imago's doing. And there's a lot of them there. And, though it's possibly circumstantial, the hypothetical energy flow from there could be what's causing so many navigation errors in that area of the Pacific. Since the GPS satellites are gone and done with, ships are having to rely on compasses and magnetic-based direction finders to locate themselves, and if there's that much energy coming from the place, it could be fouling up their readings. 

"So if we could disrupt the flow of energy...?" METALMAID says.

"... we could disrupt them. If I'm right."

"And even if you weren't, you'd still deal them a massive blow."

"Especially since my idea of disrupting involves a very large explosion," he says, making his purple notes turn into a giant, rumbling fireball.

"I think I like this idea," METALMAID says: "But you'll need some help getting close enough."

"I certainly will," the Violent Demon says, downing another IPA in three gulps: "I'll need a fearless and well-armed army to distract them long enough for me to provide that explosion. And then I'll need them to provide clean up when they're helpless and flopping around like fish on the shoreline."

"You'll need railguns and mini missiles," she says, leaning in close.

"Big fists and diamond tipped chainsaws," he adds, leaning in closer.

"And a pelvic sonic death cannon."

"Oh, I love those."

She smiles, tosses money at the bar, and loops her arm into his: "Mr. Violet Demon, I would like to make you an exclusive offer..."


(METALMAID is listening to Anarchy in the UK (Sex Pistols, remixed by dj trikinosis) and having that yummy old oil)

Tuesday, October 9, 2012

8/11/12 - 9/01/12 - (METALMAID) Unsexy Death Army - pt. 2

An extremely busy four days later, on the 24th of August, METALMAID and a contingency of twenty Slaughterbots are in one of Zalea Zathros' submarines, and heading for Polynesia.

The purpose of this outing is to travel to the small island of Tikei, which was abandoned quite some time ago for reasons no one can really explain. And if they push the sub's engines hard enough, they'll get there just in time for the opening ceremonies of this year's Outland, and, therefore, be in excellent position to dominate the sales floor from the start.

Outland, for those not in the supervillain community, is the annual gathering of costumed crooks, master criminals, science terrorists, would-be world conquerors, and the nearly-endless legions of people who would like to sell them things. It's the sort of party where GORGON, HONEYCOMB, ABWEHR, The Legion, the Brotherhood of the Righteous, and what little remains of SQUASH all come to rub elbows, compare notes, trade taunts, and maybe make a deal or two. Old hands school newbies, wanna-bes star-!@#$ celebrities, and the panel discussions are to die for.

Sometimes quite literally, depending on the topic.

The convention, which convenes in a different location every year, normally takes place in May. Given that SPYGOD !@#$ing blew it up, last year, and that GORGON -- now Imago -- has taken over the world this year, and clearly does not want any competition in that regard, reconvening the gathering has been quite an ordeal. But its' mysterious, ultra-anonymous founders have a reputation to uphold, as they once swore that nothing, short of the total annihilation of all life on Earth, would stop them from putting it on every year.

(The fact that some of their guests, attendees, and merchants are actually wanting to achieve that annihilation, or are willing to sell the tools needed to bring it about, adds just another level of hilarity to an already surreal convention.)

METALMAID's plan is simple: in the guise of THE SCARLET FACTOTUM, creator of the Scarletbots, she will offer an exclusive contract to a super villain with world-conquering goals that meets her three, careful criteria. Those criteria are, in increasing order of importance, wealthy enough to afford her, dedicated enough to take on Imago, and foolish enough to be easily disposed of once the world has been taken over.

She wants to get there just after the pre-fab structure went up, so as to get in just after the massive security measures are put in place, and just before the opening show. This will not only give her a fighting chance for a good space in the dealers' room, but will also give her a chance to see and be seen, and possibly make some contacts and mention her wares with suitable candidates.

Unfortunately, a wrong turn around Tuvalu puts them badly off course. So, by the time they get to Tikei, dock, unload, and find a good spot to park their robot-piloted submarine, the opening ceremony's already over, and the dealers' floor -- which operates on a strict "first-come, first served, first-situated" policy -- has already had its best locations snatched up.

Thankfully, the spot METALMAID ends up with is not anywhere near any other merchants selling armies to would-be world conquerors -- robot or otherwise. But they do wind up in the middle of a long row, which means anyone who gets to them has already run a gauntlet, and may not be as interested in what she has to say. And they're directly across from a very noisy salesman of very flashy laser rifles, whose rainbow-hued floor show pulls away attention that should be going to METALMAID's kiosk, instead.

(He shoots her a look every once in a while. It's the look that says "I got your customers, !@#$." METALMAID just smiles back and thinks of how nice it would be to use his worthless, fleshy frame as a target in a live-fire demonstration of her new and improved Slaughterbots.)

Undaunted, she sets up her kiosk -- mostly consisting of "Scarletbots" holding signs and video screens -- and begins to sell her wares to the jaded, disinterested, and bored. 

And the annoying. The very, very annoying. 

* * *

"Step up, worthy buyers, step up," METALMAID says, gesturing to a group of costumed convention-goers who give her a second look, sometime around 4:30 on Saturday afternoon: "Are you tired of dealing with weak, fleshy henchmen and soldiers? Are you weary of giving commands that are not followed, either due to fear or incompetence? Would you like to pack the most bang for your buck on two legs, or treads? We at SCARLETWORKS have a solution for you-"

"Those are Slaughterbots," one of the costumed fellows announces, using a fancy monocle to look at the head and chassis of 400 H-03, who's being one of her top models.

"You are mistaken, kind sir," she says, showing him a little leg (not that her scarlet dress leaves much of it, or anything else, to the imagination): "These are-"

"Young lady, I had the distinct displeasure of working with the late Doctor Morbo on a number of joint ventures, back in the day," he says, straightening up and putting the monocle away: "I would recognize his crude and slipshod technology anywhere. These are Slaughterbots."

METALMAID bats her nearly-black eyes at the fellow: "Now sir, you're not being reasonable. Yes, it's true, we did base the external appearance on Doctor Morbo's classic design, but we have improved a great deal upon their offensive capabilities. As you can see from these videos...?"

She waves to a television screen that V-16 is helpfully holding up, which shows scenes from back at Zalea's repurposed lair, and the numerous weapons tests that they conducted there, over the last month. Mini-missiles fly, rail guns eat up armor plate, diamond chainsaws slice servant robots in half, and monofilament wire turns one of Zalea's clones into soup in a skin bag.

"Ah, the pelvic sonic death cannon," one of the unimpressed fellows' cohorts says: "I remember that one. Quite good, really."

"So phallic and disgusting," another says, sighing and sipping at her overpriced latte: "I always thought he was a massive !@#$ing pig."

"Maybe if he worked smarter, rather than harder, he'd have had more time to date and be acquainted with the fairer sex?" the monocle man says, turning to go: "Ah well, a pity. But thank you for the stroll down memory lane, Miss... Scarlet Factotum, was it?"

"What sort of a servile name is that?" the latte lady asks: "Does SCARLETWORKS think so little of its product that they let some scantily-clad tart hawk its wares at a convention like this?"

METALMAID's smile drops flat. Her eyes go from black to red. She erupts into a deadly jumble of weapons and advances on the woman, ready to tear her limb from limb--

"Excuse me," one of the black-masked, extremely anonymous Outland staff says, interjecting himself into the fray: "I'd like to remind you that your weapons need to be peace-bonded throughout the convention floor? Now, if you'd like to settle this violently, you can sign up for a match in the Murderdrome, later. But we'd really like to keep the floors from running red, here. It kind of impedes the green, if you know what I mean?"

METALMAID blinks, "exhales," and retracts all her weapons back into herself: "I think we can let this one go. Unless this fleshgerm wants to try her hand at offensively defecating in my direction, later?"

Latte woman -- who quite visibly soiled herself, just now -- is already heading for the restrooms with one of her cohorts in tow. The Monocle man just smiles, nods to her, and walks away.

"METALMAID," V-16 says: "This unit should inform you-"

"SCARLET. !@#$ING. FACTOTUM." She corrects him, not bothering to wheel around.

"Forgive this unit. Scarlet !@#$ing Factotum-"

"Just... just Scarlet Factotum, please, V-16."

"Forgive this unit. Scarlet Factotum, this unit should inform you that you are no longer professionally dressed."

And no, she isn't. Her dress is in tatters around her, showing off every inch of her weirdly-shaped, human-seeming body. And while there's obviously no ban on nudity here -- half the demonstration staff at most of the booths are either nude or next to it -- it's not quite the corporate image she was going for.

"Well then," she says: "I am going to {Quote}change into something more businesslike{Endquote}. V-16, in my absence, you are in charge."

"Yes, Scarlet Factorum. But this unit has a question."

"Yes?"

"What is this unit supposed to do?"

* * *

A very angry half an hour later, METALMAID finally gets to her convention room, changes into a new, stunning, scarlet number, and heads back to the Dealer floor. But, on the way there, as she passes the marquee with all the panels and presentations listed on it, she realizes that she may have overlooked a possible venue for selling her services.

CONQUERING THE WORLD ON A BUDGET seems promising, at first. However, once she gets a chance to talk, and does not take the hint that people didn't want to get a sales pitch instead of a question, one of Outland's black-masked, anonymous staff is tapping her on the shoulder and politely suggesting she should either be quiet or be gone.

Undaunted, she tries to make similar pitches at ROBOT ARMIES FOR BEGINNERS, MECHA OR MEAT?, and THE SEXUAL POLITICS OF WORLD CONQUEST. Each time, she makes her pitch as soon as she can. And, each time, someone from the staff all but pounces on her as soon as she gets to the good parts.

She's about to go into THE HISTORY OF FAILED WORLD CONQUERORS, but no sooner does she head into the room than no less than four members of the staff are there, in front of her, making the sensible suggestion that she may want to skip further panel discussions if she wants to remain at the convention. And, as much as she'd like to rip these !@#$holes limb from limb, she realizes she can't do that now.

So she turns around, walks away, and sits down in a busy corridor, trying to calm herself. But then a large gaggle of noisy, already-drunk conventioneers go by, and they're all wearing I SURVIVED OUTLAND 2011 shirts. The shirts all bear an unflattering caricature of SPYGOD on them, and this makes her want to kill them.

All of them.  

She raises up on her legs, trying to decide between monofilament wire injections or that oh-so-offensive sonic death cannon. But no sooner is she ten feet from where they're headed (the pool? is it naked swim time, already?) than another black mask appears in front of her, arms crossed.

"Are we having a good time, Scarlet Factotum?"

She stops. She smiles. She bats her eyes at him.

"I don't !@#$ ugly robots," he says: "And I don't appreciate having to hear about all the trouble you're causing."

"I do apologize," she says, starting to calculate just how much mega-death she'd have to commit, here and now, in order to show this flesh germ who's boss and beat a hasty retreat before they found some way to turn her off like a lamp: "It's my first time here."

"Don't make it your last time," he says, leaning in close: "You know, we don't really kick people out of the con."

"Oh really?"

"Oh yes, really. You see, there's never enough victims for some of the entertainments we provide, here, and clone screams all sound the same after a while. So if you push us too much, we negate your powers, toss you into a cage, and then come get you when we need you.

"And you are really. !@#$ing. Pushing it."

"I see."

"No, you don't. The only reason you haven't been zapped and bagged already is because our numbers are way down, thanks to SPYGOD taking out half our !@#$ing clientele and the other half being !@#$ scared of Imago coming in and breaking up the party. So there's a chance, just a chance, that maybe you'll learn some manners and not keep this stupid !@#$ up. But if it were up to me?"

He glares at her, and she calculates the mega-death needed again, and then once more. While she's doing that, he pulls a large, jet black booklet out of his suitcoat: "You got one of these informative pamphlets when you checked in. The rules are in the front, and they're pretty short and simple."

"I'll read them when I-"

"You'll read them all, now," he says, shoving it into her hands: "Aloud. In front of me. And I don't want to hear you skip a word."

She looks at the informative pamphlet. She looks at him. He looks at her. And in that dance of eye motions, she realizes that:
1: He's !@#$ing serious
2: She'll have to kill him to get out of this.
3: She'll have to kill the rest of them to get away from that, and-
4: She'll have failed in her mission.

So she opens the booklet up, and gives the best, most exact reading of the rules that she can. She does it with just enough zing and panache that he knows she's trying to make light of it, but not so much as to appear too flippant, and run the risk of being pressganged into the entertainment cages.

He likes it. In fact, he likes it so much he makes her do it again. And by this time, they have an audience of other black masks, old hands, amused newbies, and some of the people who told her to shut the !@#$ up when she was monopolizing their panel discussions.

And they want her to read it again. And again. And again. 

* * *

By the time the joke's gone old, it's Midnight, and she no longer feels embarrassed, angry, homicidal, or genocidal. She's so mentally worn out that she doesn't even notice that she's talking to herself, and that even the staff member who started her reciting from the informative pamphlet has left her.

People are heading off to room parties, dances, costume contests, orgies, organized manhunts, and the like. The Dealers' floor goes around the clock for people who want to attend crazy sales and the like, but she really feels no desire to go back there, tail between her legs,

Instead, she'd rather take a page from her hated {Quote}master{Endquote}, SPYGOD, and go have one !@#$ of a drink at Lex's.

It's all she can do to avoid crying into her informative pamphlet on the way.

(METALMAID is listening to The Robots (Kraftwerk, by way of Senor Coconut) and having one big !@#$ing thing of oil)